Nat Muller

is an Amsterdam-based curator, writer and researcher. Her eclectic interests focus on contemporary art from Southwest Asia, science fiction, the Anthropocene, foodways, and ghosts. Her writing has been published in peer reviewed academic journals and in art publications. She has edited several artist monographs, including those of Muhannad Shono; Walid Siti; Sadik Kwaish Alfraji; and Nancy Atakan. She has curated exhibition projects and film screenings internationally for museums, art institutions, film festivals, art fairs, and commercial galleries. Notable curatorial projects include Trembling Landscapes at Eye Filmmuseum, Amsterdam (2020); the Danish Pavilion at the 58^th Venice Biennale featuring Larissa Sansour (2019); Young Artist of the Year Award, Ramallah/London (2016-17); This is the Time. This is the Record of the Time, A.U.B. Beirut/Stedelijk Museum Amsterdam (2014-15); Spectral Imprints, The Abraaj Capital Art Prize, Dubai (2012). She has taught across universities and art academies in the Netherlands and internationally.