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Letters From Tehran: Braving Tehran’s Roundabout, Maidan Valiasr

Bedazzled: Iran’s Rebel Feminists at London’s Curve Gallery

Letters From Tehran: The Girl of Revolution Avenue

The End of Innocence in Panah Panahi’s Hit the Road?

Editor’s Picks: Magical Realism in Iranian Lit

Berlin-Based Palestinian Returns to Arabic in new Amrat Album

Sabyl Ghoussoub Heads for Beirut in Search of Himself

On Lebanon and Lamia Joreige’s “Uncertain Times”

Benjemy : The unclassifiable Tunisian DJ

End of an Era: Al Saqi Bookshop in London Closes

The Story of Youssef Salem, Nominated for the Goncourt

Sudden Journeys: Morocco Encore

The Afro-Amazigh World Cup Debate Revisited

Karim Goury’s 10 Gems of World Cinema 2022

The Creative Resistance in Palestinian Art

Mohamed Makhzangi Despairs at Man’s Cruelty to Animals

Broken Glass, a short story

Moroccans Triumph at World Cup While Press Freedom Suffers

Beautiful Freedom For Sale, a short story

Everyone has a Stake in Morocco’s Football Team

The Greek Panopticon, Where Politicians Spy on Democracy

Don’t Be a Stooge for the Regime—Iranians Reject State-Controlled Media!

Siri Hustvedt & Ahdaf Souief Write Letters to Imprisoned Writer Narges Mohammadi

The Swimmers and the Mardini Sisters: a True Liberation Tale

Sexploitation or Cinematic Art? The Case of Abdellatif Kechiche

Revolutionary Hit Parade: 12+1 Protest Songs from Iran

Gultrah Sound System: Tunisia’s Sound of Freedom

Music for Tomorrow: Iranians Yearn for Freedom

Two Poems From Desert Songs by Yahia Lababidi

Three Poems by Tishani Doshi

Conflict and Freedom in Palestine, a Trip Down Memory Lane

Imprisoned Director Jafar Panahi’s No Bears

Art World Picks: Albraehe, Kerem Yavuz, Zeghidour, Amer & Tatah

The Contemporary Art Scene in Algiers (Fragments)

French-Algerian Artist Djamel Tatah’s Solitary Crowds

Museums in Exile—MO.CO’s Exhibition for Chile, Sarajevo & Palestine

Where is the Palestinian National Museum of Modern and Contemporary Art?

Sudden Journeys: Israel’s Intimate Separations—Part 3

Love Has Everything to Do with Maryam Touzani’s The Blue Caftan

Fida Jiryis on Palestine in Stranger in My Own Land

Historic Game on the Horizon: US Faces Iran Once More

Letter From Tehran: From Hair to Hugs, Times Are Changing

Our Shared Future: Marwa Arsanios’ “Reverse Shot”

Football in the Middle East: State, Society, and the Beautiful Game

Dynamic Acoustic Duo Ÿuma Allies with Tunisia and Derja

You Resemble Me Deconstructs a Muslim Life That Ends Radically

“Eleazar”—a short story by Karim Kattan

Viral Depression in Maha Haj’s Mediterranean Fever

The Chess Moves of Tarik Saleh’s Spy Thriller, Boy From Heaven

The Game of Self—How I Wrote The Buddha of Suburbia

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The Markaz Review
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The Markaz Review is a literary arts publication and cultural institution that curates content and programs on the greater Middle East and our communities in diaspora. The Markaz signifies “the center” in Arabic, as well as Persian, Turkish, Hebrew and Urdu.

The Markaz Review
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