Nass El Ghiwane’s Moroccan Folk, Radical Politics, Forged in Paris
Paris provided the grit and opportunity for Nass el Ghiwane to hone a new sound that would rock the Magreb and Europe, writes Benjamin Jones.
Paris provided the grit and opportunity for Nass el Ghiwane to hone a new sound that would rock the Magreb and Europe, writes Benjamin Jones.
As a solar power plant overtakes a Moroccan desert town, reconfiguring its visual and territorial makeup, there are worries it might overshadow its rich cultural history.
Sophie Kazan reviews a colorful exhibition that conveys Moroccan history and culture via paintings, ceramics, photographs, 1960s and 1970s film footage, woven textiles and posters.
Brahim El Guabli argues that Morocco's disaster survivors must be able to communicate in their mother tongue.
Brahim El-Guabli identifies how Amazigh activists have engaged with translation to revitalize their threatened language and culture.
Jenine Abboushi in her latest travel essay, returns to Morocco for a long-overdue visit.
A Black and Amazigh Indigenous scholar from Morocco, Brahim El Guabli sees Amazigh identity as embracing "unity based on diversity."
For her 11th TMR music column, Melissa Chemam interviews the Algerian-French diva Samira Brahmia.
Iason Athanasiadis reviews the new Ibrahim al-Koni translation of a story that recounts Islam's conquest of North Africa.
Amazigh Moroccan poet El Habib Louai reviews a recent anthology that has warmed the hearts of English-reading Moroccans during the pandemic.
Justin Stearns, a scholar of the pre-modern Muslim Middle East, reviews the new book by Karla Mallette on the fascinating history of two of the world's great languages.
Brahim El Guabli I am Amazigh, Black, and Sahrawi. Amazigh language is my mother tongue. My mother is Black, and my father is Sahrawi. The only picture I own… Continue reading My Amazigh Indigeneity (the Bifurcated Roots of a Native Moroccan)
In this excerpt from the Amazigh-Moroccan novel "Cactus Girls" by Karima Ahdad, a fierce small-town girl from the Rif named Sonya remembers what it was like growing up under the spell of heroic women. Like the cactus of the title, Ahdad’s women are survivors in a barren landscape, one filled…