Why Muslim Palestinian “Mo” Preferred Catholic Confession to Therapy
As a Muslim American and scholar of Islam, Sarah Eltantawi finds the new series from Mo Amer and Ramy Youssef cathartic.
As a Muslim American and scholar of Islam, Sarah Eltantawi finds the new series from Mo Amer and Ramy Youssef cathartic.
Montpellier's venerable Mediterranean film festival announces retrospectives and avant-premières.
Necati Sönmez, a Berlin film critic and curator, reviews the new music documentary from German-Turkish director Cem Kaya.
Iskandar Abdalla reviews the new film "Shall I Compare you to A Summer’s Day?"
Angélique Crux reviews the award-winning documentary from Lebanese filmmaker Wissam Tanios.
Mischa Geracoulis reviews the film in which a Paris-trained shrink analyzes fellow Tunisians suffering from mental maladies.
Farah Abdessamad considers generations of survivors in Yemen's first experimental film.
Youssef Manessa reviews a short film from Ely Dagher that speaks to his generation of Lebanese born in the '90s.
The filmmaker behind "Tell Spring Not to Come This Year" and "A Thousand Fires" journeys with Mohammad Bakri to find home.
Arie Akkersmans-Amaya reviews the latest film by Lebanese artist duo Joana Hadjithomas and Khalil Joreige, whom he interviews.
Nadje Al-Ali finds that Maysoon Pachachi’s film reflects her "long-standing commitment to highlight experiences of ordinary Iraqis, especially women."
İlker Hepkaner reviews a web documentary on the fascinating trajectory of Turkey's late icon, Zeki Müren.
Farah Abdessamad is fascinated by a climate change documentary about would-be rainmakers in the UAE.
Melissa Chemam interviews the London-based Franco-Algerian artist whose pavilion won Special Jury Mention in Venice.
Taline Voskeritchian reviews the latest film from Nora Martirosyan about the tiny country fought over by Armenia and Azerbaijan.