Rotten Evidence: Ahmed Naji Writes About Writing in Prison
In tone, "Rotten Evidence" is cynical, bitterly funny, and oftentimes tender without ever being sentimental, writes Lina Mounzer.
In tone, "Rotten Evidence" is cynical, bitterly funny, and oftentimes tender without ever being sentimental, writes Lina Mounzer.
A selection of events, books, films, podcasts and other cultural products from the editors of TMR.
A Twitter post by Fadi Quran reveals the reality on the ground these days trying to get around the West Bank.
Amy Omar explores her own Turkish American identity while relating to Turkish American writer Inci Atrek and her debut novel.
William Gourlay revisits the works of Armenian filmmaker Sergei Parajanov, who created cinematic moments from across Europe, the Caucasus and Western Asia.
Laëtitia Soula reports on a French trade union event that presented anti-colonialist writer and publisher Alain Gresh.
Tragic and horrifying, Hossam Madhoun’s 'Messages from Gaza Now' is an invaluable eye witness account inside Gaza’s war zone.
Chloé Benoist, a French journalist and editor, writes of her time spent reporting from the West Bank.
Four editors at The Markaz Review share some of their most anticipated titles publishing in 2024.
Sophie Kazan Makhlouf reviews Alia Farid's first solo exhibition in the UK that draws a line between local traditions and global migrations.
Something beyond war-weariness informs Jamaluddin Aram’s depiction of 1990s Afghanistan in his debut novel, writes Rudi Heinrich.
In a translated tale from Palestine’s first lady of short stories, the newest technology exacts a toll on people ahead of their time.
Novelist Négar Djavadi deploys non-fiction to question Iran's downing of an international flight out of Tehran.
As a solar power plant overtakes a Moroccan desert town, reconfiguring its visual and territorial makeup, there are worries it might overshadow its rich cultural history.
Hell continues in a never-ending war, yet with sumud, the Palestinian people remain resourceful, remarkable and above all, kind.