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TMR Weekly

18 July, 2022 • Nada Ghosn

Abundant Middle Eastern Talent at the ’22 Avignon Theatre Fest

Nada Ghosn revels in the artistry of Palestinian, Iranian, Lebanese, Afghan and other playwrights and performers in Avignon this year.

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18 July, 2022 • Ghazi Gheblawi

Mohammed al-Naas—a Young Libyan Novelist to Watch

Ghazi Gheblawi   In 2017 Darf Publishers, an independent publishing company based in London, where I am a senior editor, published an anthology of young writers from Libya under the… Continue reading Mohammed al-Naas—a Young Libyan Novelist to Watch

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11 July, 2022 • Ayelet Tsabari

“Disappearance/Muteness”—Tales from a Life in Translation

A writer born into both Arabic and Hebrew linguistic traditions finds herself writing in English but longing for Arabic.

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11 July, 2022 • Pierre Daum

Abd el Kader at the Mucem: a colonial vision of the Emir

Pierre Daum opines that despite a French museum's best effort, an exhibit on Algeria and France can't escape its colonial bias.

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11 July, 2022 • Fouad Mami

Alaa Abd El-Fattah—the Revolutionary el-Sissi Fears Most?

Fouad Mami on hunger striker Alaa Abd El-Fattah's new book, "You Have Not Yet Been Defeated."

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4 July, 2022 • Eman Quotah

Poems of Palestinian Motherhood, Loss, Desire and Hope

Eman Quotah reviews the new poetry collection from Palestinian poet Maya Abu-Alhayyat, translated by Fady Joudah.

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4 July, 2022 • Sahar Mustafah

“The Peacock” — a story by Sahar Mustafah

A Palestinian woman battles both the patriarchy and the occupation to free herself from the toxic jurisdiction men have claimed over her.

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27 June, 2022 • Rana Asfour

Leaving One’s Country in Mai Al-Nakib’s “An Unlasting Home”

Rana Asfour reviews Mai Al-Nakib's debut novel, in which the protagonist always thought she would leave her country.

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27 June, 2022 • Myriam Dalal

Why I left Lebanon and Became a Transitional Citizen

More Lebanese live abroad than at home, and the exodus continues. Some have the option to leave, others cannot.

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20 June, 2022 • Ahmed Naji

Traps and Shadows in Noor Naga’s Egypt Novel

Ahmed Naji reviews "If an Egyptian Cannot Speak English" just out from Graywolf.

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20 June, 2022 • Melissa Chemam

Roxana Vilk’s Personal History of Iranian Music

In this month's music column, Melissa Chemam talks to a British national with an Iranian heart and musical heritage.

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20 June, 2022 • Eman Quotah

A Poet and Librarian Catalogs Life in Gaza

Eman Quotah reviews "Things You May Find Hidden in My Ear: Poems from Gaza" — the debut poetry collection of Mosab Abu Toha.

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20 June, 2022 • Jordan Elgrably

World Refugee Day — What We Owe Each Other

World Refugee Day is the first of seven days during which refugees will be recognized in events across the world.

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13 June, 2022 • Hannah Fox

Book Review: “The Go-Between” by Osman Yousefzada

Hannah Fox reviews the Birmingham memoir by fashion artist Osman Yousefzada.

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13 June, 2022 • Arie Amaya-Akkermans

Film Review: “Memory Box” on Lebanon Merges Art & Cinema

Arie Akkersmans-Amaya reviews the latest film by Lebanese artist duo Joana Hadjithomas and Khalil Joreige, whom he interviews.

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The Markaz Review is a literary arts publication and cultural institution that curates content and programs on the greater Middle East and our communities in diaspora. The Markaz signifies “the center” in Arabic, as well as Persian, Turkish, Hebrew and Urdu.

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