Malak Mattar: No Words, Only Scenes of Ruin
Malak Mattar's artwork at the Venice Biennale evokes a multi-sensory experience that demands to be felt, writes Nadine Nour el Din.
Malak Mattar's artwork at the Venice Biennale evokes a multi-sensory experience that demands to be felt, writes Nadine Nour el Din.
A classic prison novel by Wisam Rafeedie recounts the revolutionary fervor of Palestinian political prisoners.
Arie Amaya-Akkermans delves into Yvette Achkar's compelling artwork depicting the resilience of the human spirit in the face of adversity.
In Paris, Belleville struggles to hang on to its immigrant roots while the world's cities gentrify and price out working-class populations.
With genocidal violence raging in Gaza and muzzling of pro-Palestinian voices throughout France, Ariella Azoulay's word is now inescapable.
Wanis El Kabbaj fondly reminisces about his father's elation while in Paris and the profound significance the city held for him.
Coline Houssais explores the rich tapestry of Arab literature intertwined with the poetic allure of Paris.
Sophie Kazan reports on the mood of Dubai Art Week this year with a roundup of the UAE and Arab artists and galleries in Art Dubai.
At times beautiful as a virtual meal experience, LACMA’s “Dining with the Sultan” is an old-fashioned, things-in-glass-cases exhibition.
Viola Shafik addresses the controversy at the 2024 Berlinale, following the screening of a Palestinian-Israeli "solidarity film."
Malu Halasa offers an overview of three Middle Eastern films screening at the 2024 Human Rights Watch Film Festival in London.
Abdelrahman ElGendy asks, how do you hold your grief in a language that's been its main perpetrator?