Spare Me the Empathy Tantrum: Rafia Zakaria’s “Against White Feminism”
Myriam Gurba reviews a book that argues that some "white feminists accept the benefits conferred by white supremacy at the expense of people of color."
Myriam Gurba reviews a book that argues that some "white feminists accept the benefits conferred by white supremacy at the expense of people of color."
Rana Asfour reviews Faysal Khartash's Roundabout of Death and Zeyn Joukhadar's The Map of Salt and Stars.
Malu Halasa reviews a new anthology of Arab women writers on sex, love and lust, including "the leading lights of modern Arab fiction: Hanan al-Shaykh, Adhaf Soueif, Leila Slimani and Adania Shibli."
Mischa Geracoulis reviews the memoir from Algerian freedom fighter Mokhtar Mokhtefi.
Arie Amaya-Akkermans investigates Agenda 1979: Imagine sitting at home in the presence of a handbook for destroying, bombing, maiming and injuring. The poet Etel Adnan features prominently.
Selma Dabbagh reviews the story of Egypt's pioneering women performers and feminists, including Oum Khoulthum and Munira al-Maydiyya.
Travel the world, meet people, see great places, without ever leaving the comfort of your screen…welcome to the pandemic!
Fouad Mami reviews Susan Abulhawa's powerful new novel "Against the Loveless World," about Palestinians in a revolutionary mode.
"I would like to break the walls of ignorance between East and West." Walls and barriers are what we erect when we have no words.
Former Egypt and Turkey-based photographer Claudia Wiens documents street art of the Arab Spring.
Saleem Vaillancourt describes the worldwide mural campaign spearheaded by Maziar Bahari on behalf the Baha'i community to speak out about Iran's persecution of its largest religious minority.
There are some walls we can't discuss freely and openly without inviting censure. This is one of them.
Yemen street artist, activist and mother Haifa Subay speaks to Farah Abdessamad about the state of the country and her work.
In this creative exploration of identity and homelessness, Sheana Ochoa faces her own inner walls and travels to Auschwitz.
Ifat Gazia remembers her native Kashmir and wonders why her family, like countless others, was uprooted, displaced and forced to live like homeless people in their own land.