Editorial: Animal Truths
TMR's November issue deliberately eschews the binary and inspirational relationship between the proverbial “man and beast."
TMR's November issue deliberately eschews the binary and inspirational relationship between the proverbial “man and beast."
The November 2024 featured artist is the late German-Iraqi sculptor Lin May Saeed, much of whose work celebrated the animal world.
Gatekeepers of Baghdad decide who lives, who dies, during 2019 protests against high unemployment, state corruption, and poor services.
Art, activism, archaeology, and archiving are crucial for rebuilding and healing cities by combining the past and present.
To celebrate the forthcoming publication of Selim Temo's "Nightlands," we present an introductory essay and two poems from the Pinsapo Press edition.
Iraqi novelist Diaa Jubaili's short story, translated by Chip Rossetti, portrays dolls as unlikely victims of life under the Islamic State.
From sound and installation to sculpture & photography, art and a history of violence collide in Rushdi Anwar’s new show.
What shall we forget and what shall we remember, and can forgetting also be a force for good? The editors inquire.
Photographs of Iraqis imply doom due to generational violence, even in happy pictures.
As this writer from Khuzestan remembers, the long Iran-Iraq war left many traces, names and ghosts in its eight-year wake.
In the aftermath of his father's death by shrapnel from an Iraqi shell, Dilan Qadir contends with a life intricately shaped by his absence.
Matt Broomfield reviews the first anthology of Kurdish science fiction, one that envisions new possibilities for Kurdish self-determination.
Ahmed Twaij, a physician and journalist with experience in Iraq and other war zones, argues Hamas and ISIS cannot be compared.
Sophie Kazan explores the Middle Eastern artists and galleries on display when Frieze London celebrates its 20th anniversary.
Bilingual poems, in Arabic and English, from Iman Mersal (Egypt), Ines Abassi (Tunisia) and Ashjan Hendi (Saudi Arabia).