Abd el Kader at the Mucem: a colonial vision of the Emir
Pierre Daum opines that despite a French museum's best effort, an exhibit on Algeria and France can't escape its colonial bias.
Pierre Daum opines that despite a French museum's best effort, an exhibit on Algeria and France can't escape its colonial bias.
Oliver Gloag explores the conflicted Algerian and French identity of Albert Camus, reviewing his later novels, stories and statements.
This month, TMR's music critic, Melissa Chemam, stumbles upon an unexpected exhibit of the history and influence of raï, chaabi and "Beur" politics on the French body politic.
TMR’s guest editor Aomar Boum admires the growing movement of political cartooning in North Africa and the Middle East.
The Lebanese cartoonist and BD historian George “Jad” Khoury gives an in-depth overview of contemporary comix across the Arab world.
Algeria’s leading cartoonist reminisces on his start in bandes dessinées in Algeria, Poland and France.
For 20 years, Algeria was the preeminent country of comics in the Maghreb and Middle East. Nadjib Berber shares some of his story.
Our editors reveal their diverse literary interests, with more than a dozen recommendations for summer reading.
Mischa Geracoulis reviews the memoir from Algerian freedom fighter Mokhtar Mokhtefi.
Joyce Zonana reviews two recent titles that reveal Jewish-Muslim connections and communities of the Arab world.
Melissa Chemam considers the sixth novel by France's former teen sensation Faïza Guène and whether she is now part of the literary canon.
Kaouther Adimi's historical novel departs from a famous Algerian bookstore with a connection to Albert Camus and opens a window onto Algerian independence, French colonialism and the literary voices coming out of the Maghreb.
While Elaine Mokhtefi worked devotedly for the Black Panthers, the men who ran it were, it turned out, deeply flawed.