“The Curse of the Chinar Tree”—a family horror story
For one family, faith is overshadowed by the bitter taste of suffering rather than the peace it is meant to provide.
For one family, faith is overshadowed by the bitter taste of suffering rather than the peace it is meant to provide.
Science fiction and dystopias figure prominently in Arab literature going back more than 100 years, writes Elizabeth Rauh.
The Turkish government has reintegrated Ahlat into the national narrative, but its history is more complex than acknowledged.
أثناء العمل في محل فرارجي في منطقة كوم الدكة بالاسكندرية، تكسب طالبة أجنبية تجيد اللغة العربية صداقات، وتكسر الحواجز بين الجنسين والحواجز الدينية، وتتعلم الذبح الحلال.
An exclusive excerpt from the 2023 title "Hamas: From Resistance to Regime" by Paola Caridi, translated by Andrea Teti.
Post Oct. 7, Robin Yassin-Kassab assesses the West’s falsehoods and the challenges facing the Palestinians, the Israelis and the wider Middle East.
In a modern interpretation of Eros and Thanatos, "Kill Yusuf" reveals how thwarted love can lead to unexpected consequences.
Philip Grant took a look at a vast Los Angeles art exhibition that presents 75 independent Arab and Muslim women artists.
In a dystopian world, thanks to AI, people no longer die because they can be upgraded to better and more functional forms.
Rose Issa talks to the Algerian artist about his Garden of Africa and other garden projects that honor the history and memories of the dead.
Yasmine Motawy interviews the critically-acclaimed Sudanese novelist and short story writer, Leila Aboulela.
Former ambassador Chas Freeman, Jr. argues that we have entered a new era in which players are shifting on the geopolitical chess table.
Novelist R.P. Finch reviews the debut novel of Aisha Abdel Gawad, set in the "Arabland" of Bay Ridge, Brooklyn.
Malu Halasa talks to the director of a new documentary exposing the cruelty of Iran's Islamic regime.
MK Harb, a writer from Beirut, remembers a tenuous sense of home as he searched for himself in adolescence.