“The Last Third of the Night”—a story by Dia Barghouti
A woman invited to a wedding wants to leave her house and return, but only if she can be certain of the return.
A woman invited to a wedding wants to leave her house and return, but only if she can be certain of the return.
Baxtyar Hamasur has dedicated his life to stories, even wearing a pair of story glasses. “I see everything as a story,” he says.
Palestinian civil aviation is not only a symbol of freedom, but is deeply connected to their quest for sovereignty.
In which Farah Ahamed remembers losing her voice as a result of personal tragedy, and relates to the poetry of Forugh Farrokhzad.
Growing up a "Boy Hassan" in Latakia, Rana Haddad refused to wear a dress and act like a lady, bucking the conventions of her day.
Celebrity Palestinian chef Fadi Kattan presents stories and recipes from his long experience cooking in Bethlehem and beyond.
Natasha Tynes reviews a Palestinian novel that thoughtfully examines intergenerational trauma, making it an insightful and worthwhile read.
Filmmaker Yasmin Fedda and arts activist Daniel Gorman share their reflections of a three-day visit to Syria early this year.
Alex Tan reviews the new chronology of poems from Lebanon's bard of war and exile, Wadih Saadeh, translated by Robin Moger.
Film & photography festivals, concerts, art, standup comedy, lectures...TMR World Picks run the gamut and are selected by our editors.
Karim Goury reviews the Iranian film, "My Favorite Cake," a celebration of love in the twilight of life, in a society where prohibition and surveillance reign.
A conversation in which two Arabic to English translators and scholars consider language and Gaza with respect to the west's racism and indifference.
Ashour’s "Granada" trilogy arrives during the ongoing Israeli genocide of Palestinians in Gaza, and a long arc completes a circle of horror.
A review of a book that offers a portrait of a royal dynasty whose decline has significantly shaped the modern world.
Sophie Kazan Makhlouf challenges misconceptions that an authoritarian government precludes politically-critical cultural production.