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TMR Weekly

5 September, 2022 • Nada Ghosn

16 Formidable Lebanese Photographers in an Abbey

Nada Ghosn interviews the curator and Lebanese photographers exhibiting in the Abbey de Jumièges, north of Paris.

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5 September, 2022 • Iason Athanasiadis

Al-Koni’s Tuareg Perspective on Islam’s Conquest of North Africa

Iason Athanasiadis reviews the new Ibrahim al-Koni translation of a story that recounts Islam's conquest of North Africa.

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29 August, 2022 • Sarah Ben Hamadi

In Tunis, Art Reinvents and Liberates the City

Sarah Ben Hamadi explores street art, graffiti and the popular art scene in Tunis.

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22 August, 2022 • Rana Asfour

After Nine Years in Detention, an Iraqi is Finally Granted Asylum

Rana Asfour reviews the third novel from Dutch Iraqi writer Rodaan Al Galidi.

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22 August, 2022 • Angélique Crux

Two Syrian Brothers Find Themselves in “We Are From There”

Angélique Crux reviews the award-winning documentary from Lebanese filmmaker Wissam Tanios.

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22 August, 2022 • Melissa Chemam

A Palestinian Musician Thrives in France: Yousef Zayed’s Journey

In her 10th music column for TMR, Melissa Chemam profiles Palestinian oud performer and percussionist Yousef Zayed, who lives in France.

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22 August, 2022 • Sahand Sahebdivani

Salman Rushdie, Aziz Nesin and our Lingering Fatwas

Storyteller Sahand Sahebdivani remembers the late Turkish firebrand Aziz Nesin who wanted to translate Salman Rushdie's "The Satanic Verses."

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15 August, 2022 • Ali al-Muqri

“Fatima and The Handsome Jew”—Ali Al-Muqri

In "The Handsome Jew" the novelist from Yemen recounts a powerful yet tragic tale of forbidden love.

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15 August, 2022 • Jordan Elgrably

Attack on Salman Rushdie is Shocking Tip of the Iceberg

An attack on one writer anywhere is an attack on freedom of expression everywhere.

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15 August, 2022 • Abdullah Chahin

Letter to the Editor Re “Questionable Thinking on Syria”

Dr. Abdullah Chahin, author of a book on the Syrian quagmire, responds to the TMR review of his book.

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8 August, 2022 • Jordan Elgrably

Who is Poet-Translator Mbarek Sryfi?

Jordan Elgrably paints a portrait of a translingual Moroccan American who champions the inbetween.

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8 August, 2022 • Mischa Geracoulis

Hot Summer Playlist: “Diaspora Dreams” Drops

Mischa Geracoulis reviews dance music from the LA Armenian/Middle Eastern duo, Bei Ru and Krista Marina.

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1 August, 2022 • Fouad Mami

Questionable Thinking on the Syrian Revolution

Critic Fouad Mami suggests that a Syrian author may be guilty of pseudo-thinking in service of the counterrevolution.

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1 August, 2022 • Farah Abdessamad

Poem for Tunisia: “Court of Nothing”

Farah Abdessamad responds to Tunisia's July 25 constitutional referendum with a poem for her country.

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1 August, 2022 • Emna Mizouni

Tunisia—Towards the End of the Dream of Democracy

Our columnist on the ground in Tunis, Emna Mizouni, reluctantly reports that Tunisia's fragile democracy appears doomed.

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The Markaz Review is a literary arts publication and cultural institution that curates content and programs on the greater Middle East and our communities in diaspora. The Markaz signifies “the center” in Arabic, as well as Persian, Turkish, Hebrew and Urdu.

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