Taqi Spateen Paints Palestine Museum Mural of Aaron Bushnell
Aaron Bushnell, the U.S. serviceman who self-immolated to protest the genocide in Gaza, has become a modern Palestinian martyr.
Aaron Bushnell, the U.S. serviceman who self-immolated to protest the genocide in Gaza, has become a modern Palestinian martyr.
Matt Broomfield's new book explores the history of the Rojava revolution in Syrian Kurdistan as a model for global liberation movements.
Gurnah's new novel, "Theft," is a post-colonial exploration of Tanzania, immigration, and the relationship between Africa and the west.
في رحلة العودة من الزمالك إلى مصر الجديدة، يختبر الشاب خنزرته الجميلة في أقوى صورها، متشتتًا بين الاستماع إلى سائق التاكسي البكَّاء وبين موعده الذي انتهي نهاية محبطة.
TMR's literary editor gives insight and nuance to our Summer 2025 double literary issue.
Following the banishment of Bashar Al-Assad, Syrian artists are starting to return and exhibit new work at home and internationally.
Victor Hugo’s way still guides those building bridges across languages, faiths, and histories in a time of fear.
Gaza's senior poet Nasser Rabah presents two poems from his first collected works in English, new from City Lights.
A meditation on how war distorts the perception of time, transforming events and emotions into distant memories.
Trekking through the diverse terrains of Britain, Norway, and Saudi Arabia, a geologist embarks on a journey of self-discovery and reconnecting with her roots.
The “francophone” term limits books to the “Francophonie” section in French bookstores, and forces authors to focus on identity.
Two women on the mend in the hospital, one a wife and mother, the other pining for a lover, both dream of a better life.
We're not quite at "Fahrenheit 451" where books in pyres are burned in public, but our freedom to read faces significant threats.
Palestinian Refaat Al-Areer was not just an academic. He was a living metaphor for Gaza’s steadfastness, writes his student Taqwa Al-Wawi.
In Iraq, buildings don’t simply reflect ideology — they absorb it, transmit it, and sometimes resist it. Especially when left unfinished.