Dune in 2024: A World Beyond Saving
The meta-narrative in Frank Herbert's Dune trilogy foresees the modern disaster of never-ending colonialism and a planet destroyed by oil.
The meta-narrative in Frank Herbert's Dune trilogy foresees the modern disaster of never-ending colonialism and a planet destroyed by oil.
Majda Gama shares with Poetry Markaz two poems from her award-winning book "The Call of Paradise."
Justin Salhani argues that the "beautiful game" has been a powerful instrument of emancipation for workers, feminists and anti-colonialist activists around the world.
Sophie Kazan Makhlouf travels to Saudi Arabia to take in a citywide festival that may have forever changed the country's cultural landscape.
T.H. Shalaby maps out and questions architectural planning in Saudi Arabia, Qatar and the UAE.
Naima Morelli talks to Rose Issa, Sara Raza, Farah Abushullaih and Alia Al-Senussi about art and intellectuals.
A Markaz Review bi-weekly roundup of our editors' favorite selections from within the global arts and culture scene.
Ambassador Chas Freeman on the dynamism of West Asia and the west's failing geopolitical grip on "the greater Middle East."
Former ambassador Chas Freeman, Jr. argues that we have entered a new era in which players are shifting on the geopolitical chess table.
Malu Halasa finds unexpected tastes, pleasures and upsets at the 2023 London Book Fair.
An attack on one writer anywhere is an attack on freedom of expression everywhere.
180,000 electronic music aficionados attended the SOUNDSTORM festival in Riyadh this month, but as columnist Melissa Chemam writes, "it is impossible not to see these events as a part of the country’s soft power and policy to whitewash its terrible human rights record."
Jeddah, Saudi Arabia is home to a major new arts and cultural center, opening to the public on December 6, 2021.
When friends in Abu Dhabi asked Deborah Williams how she could support MBS by going to “his” festival, she didn’t have an answer, only another question: how do we draw the lines around where we will or won’t go?
What happens when an immigrant professor dresses to impress in a bid to land tenure at a Saudi university? A short story by Waqar Ahmed paints a humorous picture.