Sexploitation or Cinematic Art? The Case of Abdellatif Kechiche
Film critic and historian Viola Shafik pillories cinematographic voyeurism.
Film critic and historian Viola Shafik pillories cinematographic voyeurism.
Malu Halasa and Beehype on the latest hit parade of protest songs for Iranian freedom.
Melissa Chemam explores the Tunisian neo-rap and reggae group from Tunisia that sings for social and political freedom.
Nazanin Malekan vibes with the women's revolution in Iran via her love for music and poetry, both Persian and western.
Madras, Indian-born poet, writer, and dancer Tishani Doshi presents three of her latest poems.
Critic Clive Bell reviews the latest feature from one of several Iranian filmmakers who languish in prison.
Pierre Daum, a correspondent for Le Monde Diplomatique, goes in search of Algerian artists in Algiers.
Laëtitia Soula caught the opening of Djamel Tatah's extravagant show at the Musée Fabre in Montpellier, where she spoke with the artist.
Jordan Elgrably tours the MO.CO exhibition in Montpellier devoted to the people of Chile, Sarajevo and Palestine.
Nora Ounnas Leroy reviews the Palestine collection in MO.CO's "Museums in Exile" exhibition, in Montpellier through Feb. 5, 2023.
In the final installment of her three-part travel series on Israel/Palestine, Jenine Abboushi tours Hebron, Nablus and Jenin.
Melissa Chemam reviews the new taboo-busting feature film from Moroccan director Maryam Touzani.
Diana Buttu, a Palestinian lawyer in Haifa, reviews the family memoir that evokes nearly a century of Palestinian trauma.
One of Iran's contemporary writers shares his thoughts with a friend in the west about the direction the country is going as a result of the Mahsa Amini protests.
Mariam Elnozahy reviews the new exhibit at London's Mosaic Rooms that looks at ecology and politics in Lebanon.