The End of Innocence in Panah Panahi’s Hit the Road?
Bavand Karim finds that's Panah Panahi's feature is a prodigal debut from Iranian cinema’s latest auteur and son of Jafar Panahi.
Bavand Karim finds that's Panah Panahi's feature is a prodigal debut from Iranian cinema’s latest auteur and son of Jafar Panahi.
Laëtitia Soula reviews the acidic new comedy from Baya Kasmi, which plays on the Rothian theme of intimate family confessions.
Filmmaker and critic Karim Goury remembers 10 films of 2022 from around the world.
Syrian British novelist Rana Haddad reviews the new feature film from Sally El Hoseini on Netflix.
Critic Clive Bell reviews the latest feature from one of several Iranian filmmakers who languish in prison.
Melissa Chemam reviews the new taboo-busting feature film from Moroccan director Maryam Touzani.
We saw Dina Amer's debut feature film based on the life of Hasna Ait Boulahcen, yet another victim of Wahhabi/Salafi extremism.
Viola Shafik saw the Montpellier CINEMED screening of a new feature in which Haifa Palestinians catch a strange virus.
Karim Goury revels in the new feature from Swedish Egyptian director Tarik Saleh.
Mireille Rebeiz takes issue with the dismal portrayal of Arabs and other Middle Easterners in a Hollywood superhero movie.
When an oppressive, insulting cleric makes life unbearable at a university campus in Tehran, students rebel. Pandemonium ensues.
Film historian Viola Shafik interviews Syrian filmmaker Ziad Kalthoum about his peripatetic life in Syria and beyond.
Necati Sönmez, a Berlin film critic and curator, reviews the new music documentary from German-Turkish director Cem Kaya.
Film curator and scholar Irit Neidhardt searches for clues to the Berlin disappearance of gramophone tycoon Michel Baida.
Iskandar Abdalla reviews the new film "Shall I Compare you to A Summer’s Day?"