Artist at Work: Syrian Filmmaker Afraa Batous
Journalist and filmmaker Dima Hamdan talks to the young Syrian director of the documentary "All Roads Lead to More."
Journalist and filmmaker Dima Hamdan talks to the young Syrian director of the documentary "All Roads Lead to More."
Karim Goury reviews Ali Cherri's haunting feature film The Dam, set in Sudan before the outbreak of the war this year.
Iason Athanasiadis reviews the film of a migrant story set in Greece that has just been nominated for 17 Greek Cinema Academy Awards.
Lebanon's garbage crisis inspired a futurist film but the 2020 Port Explosion made it a contemporary dystopia.
Malu Halasa talks to the director of a new documentary exposing the cruelty of Iran's Islamic regime.
Author of "The Girl Who Fell From the Sky," Sophia Al-Maria reimagines the future of the Gulf region where she grew up.
Doha-based filmmaker Suzannah Mirghani profiles prolific DFI veteran film prof Rithy Panh.
Laura Silvia Battaglia, on the set of Hanging Gardens, explores the burgeoning Iraqi film scene in Baghdad.
Franco-Egyptian filmmaker Karim Goury reviews the new feature film from Franco-Israeli director Michael Boganim.
Karim Goury talks to the director of the new feature film on war, love and borders, Tel Aviv-Beirut.
Filmmaker and educator Saeed Taji Farouky argues that the Palestine of memories is often the only Palestine we have.
Katie Logan reviews the latest book from Gil Hochberg, which studies Palestinian archives and artists while imagining a brighter future.
Viola Shafik has seen several post-thawra Arab features that convey a bleak and dystopian vision of the present.
Bavand Karim finds that's Panah Panahi's feature is a prodigal debut from Iranian cinema’s latest auteur and son of Jafar Panahi.
Laëtitia Soula reviews the acidic new comedy from Baya Kasmi, which plays on the Rothian theme of intimate family confessions.