Malak Mattar: No Words, Only Scenes of Ruin
Malak Mattar's artwork at the Venice Biennale evokes a multi-sensory experience that demands to be felt, writes Nadine Nour el Din.
Malak Mattar's artwork at the Venice Biennale evokes a multi-sensory experience that demands to be felt, writes Nadine Nour el Din.
Curators Rasha Salti and Kristine Khouri have assembled a formidable exhibition on museums and solidarity movements using art and protest.
Arie Amaya-Akkermans delves into Yvette Achkar's compelling artwork depicting the resilience of the human spirit in the face of adversity.
Baya was among the first Algerian artists to be recognized by the art world in Paris. Though considered naïve in style, her work endures.
Sophie Kazan reports on the mood of Dubai Art Week this year with a roundup of the UAE and Arab artists and galleries in Art Dubai.
At times beautiful as a virtual meal experience, LACMA’s “Dining with the Sultan” is an old-fashioned, things-in-glass-cases exhibition.
A blood-red line drawn across the form of Syria seems to confirm the nonsensical nature of the country’s political situation and makes the destruction of artist Issam Kourbaj’s homeland all the more tragic.
For Palestinian artist Rana Samara, intimacy is not just about love and sex, but is a mixture of connection, comfort and feeling at home.
Sophie Kazan Makhlouf reviews Alia Farid's first solo exhibition in the UK that draws a line between local traditions and global migrations.
The war reminds us that Palestinians are also artists and not merely people perishing under the bombs and mortars.
Turkish artist Sena Başöz explores the metaphor of the magnolia and the advent of the apocalypse within the realm of imagination.
Though it ended on catastrophe, with the war in Gaza, the editors of The Markaz Review recall their favorites of the year.
Bilna'es' "In the Shade of the Sun" at The Mosaic Rooms in London demonstrates the possibilities of collaboration and community.
Sophie Kazan Makhlouf travels to Saudi Arabia to take in a citywide festival that may have forever changed the country's cultural landscape.
Sophie Kazan Makhlouf reviews Venetia Porter's latest which offers an analysis of over 60 artists’ books from the British Museum collection.