Why FORGETTING?
What shall we forget and what shall we remember, and can forgetting also be a force for good? The editors inquire.
What shall we forget and what shall we remember, and can forgetting also be a force for good? The editors inquire.
Mai Al-Nakib explores memory, forgetting, and writing through the lenses of Woolf, Proust, and a Wim Wenders film.
Palestine's shrines are a part of a heritage that has been intentionally erased since the Nakba of 1948, writes Gabriel Polley.
Fadi Kattan's Palestinian cookbook is a memoir of personal and familial memories, intriguing facts, and emotions, writes Mischa Geracoulis.
Malak Mattar's artwork at the Venice Biennale evokes a multi-sensory experience that demands to be felt, writes Nadine Nour el Din.
An Arab playwright in London reacts to the canceling of Palestinian voices six months into a horrific war.
Curators Rasha Salti and Kristine Khouri have assembled a formidable exhibition on museums and solidarity movements using art and protest.
With genocidal violence raging in Gaza and muzzling of pro-Palestinian voices throughout France, Ariella Azoulay's word is now inescapable.
Eman Quotah on Fady Joudah's latest, in which the poet takes on the inadequacy of language in conveying the pain and hope of Palestinians today.
Hadani Ditmars reports on the calls to shut down the Israeli pavilion in the Venice Biennale, and a possible widespread artist boycott.
TMR's managing editor, Rana Asfour, offers four books to challenge the world as we know it.
Amidst the carnage in Gaza, the world has renewed its acquaintance with the region's most recognizable political symbol, writes Rajrupa Das.
A first-person account reveals the nightmare Gaza has become, where every safe zone is carpet-bombed, shelled, sniped by the IDF.
TMR editors highlight the best events, books, films, podcasts and other cultural products from around the globe.
Six women artists and curator Nadine Khalil explore women's bodies in a Dubai exhibition, in an interview by Naima Morelli.