“Kill the Music”—an excerpt from a new novel by Badar Salem
In this excerpt from Badar Salem's "Deserted as a Crowded Room," Majdal falls in love with a West Bank resistance fighter who winds up in solitary confinement.
In this excerpt from Badar Salem's "Deserted as a Crowded Room," Majdal falls in love with a West Bank resistance fighter who winds up in solitary confinement.
Film and photography festivals, concerts, art, standup comedy, lectures...TMR World Picks run the gamut and are selected by our editors.
Film and photography festivals, concerts, art, standup comedy, lectures...TMR World Picks run the gamut and are selected by our editors.
In the violence of the Gaza war, a love that dares not speak its name blossoms at a hefty price in flash fiction by Stanko Uyi Sršen.
A stage director declines producing a play about a child tragically murdered during a genocide, fearing she may appear biased.
"Prisoner of Love" acknowledges the limitations of language in capturing the reality of the Palestinian revolution, writes Saleem Haddad.
Empathy requires knowledge and collective action to avoid blindly following the crowds, writes Nancy Kricorian.
From sound and installation to sculpture & photography, art and a history of violence collide in Rushdi Anwar’s new show.
What shall we forget and what shall we remember, and can forgetting also be a force for good? The editors inquire.
Mai Al-Nakib explores memory, forgetting, and writing through the lenses of Woolf, Proust, and a Wim Wenders film.
Palestine's shrines are a part of a heritage that has been intentionally erased since the Nakba of 1948, writes Gabriel Polley.
Fadi Kattan's Palestinian cookbook is a memoir of personal and familial memories, intriguing facts, and emotions, writes Mischa Geracoulis.
Malak Mattar's artwork at the Venice Biennale evokes a multi-sensory experience that demands to be felt, writes Nadine Nour el Din.
An Arab playwright in London reacts to the canceling of Palestinian voices six months into a horrific war.
Curators Rasha Salti and Kristine Khouri have assembled a formidable exhibition on museums and solidarity movements using art and protest.