Guy Mannes-Abbott

is the author of In Ramallah, Running (2012). His work often performs in visual art contexts, including a collaboration with Bombay-based studio CAMP on a film, The Country of the Blind (Folkestone Triennial, 2011). He once taught theory at the AA School of Architecture, London, and his cultural criticism has been widely published in multiple volumes and journals. Those include his introduction to Mourid Barghouti’s Midnight & Other Poems (2008), an essay on the work of Emily Jacir in Dissonant Archives (2015), and “Laboring One To Seven (Island of Terror)” in e-flux’s Supercommunity (2017). River World Roding, his book on an unheroic river, its riverworlds and the worldsrivers it is continuous with, is forthcoming.