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TMR Weekly

7 March, 2022 • Anna Lekas Miller

Ukraine War Reminds Refugees Some Are More Equal Than Others

Observing the Russia-Ukraine conflict, a Lebanese American journalist in London, married to a Syrian refugee, finds the racist double standard on refugees unsettling.

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7 March, 2022 • Maryam Zar

Nadia Murad Speaks on Behalf of Women Heroes of War

Women's rights activist Maryam Zar reviews the memoir by a valiant survivor of ISIS who won the Nobel Peace Prize for speaking out on her experience.

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7 March, 2022 • Rana Asfour

A Miscarriage of Justice in the Case of Mahmood Hussain Mattan

Rana Asfour reviews the Booker Prize-nominated novel by Nadifa Mohamed based on the true story of a wrongly-convicted Somali in 1950s Cardiff.

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24 February, 2022 • Jordan Elgrably

“There’s Nothing Worse Than War”

Letter from the Editor: Russia’s Attack on Ukraine seen from European and Middle Eastern Vantage Points

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21 February, 2022 • Melissa Chemam

Nazareth’s Liwan Features Palestinian Singer Haya Zaatry

This month TMR's music critic Melissa Chemam discusses Palestinian arts and "cultural resistance" at Liwan in Nazareth, where vocalist Haya Zaatry recently performed.

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21 February, 2022 • Hanan Fathi

Flash Fiction: “A Wife’s Diary”

In this flash fiction translated from Arabic, a woman poet finds herself at first thwarted by her possessive husband, then overshadowed when he decides to compete with her.

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21 February, 2022 • Nada Ghosn

“A Tunisian Revolt” — the Rebel Power of Arab Comics

Writer-translator Nada Ghosn talks to the illustrator of a new graphic novel recounting one of Tunisia's earliest uprisings, in 1984, presaging the Jasmine Revolution.

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14 February, 2022 • Fadi Zaghmout, Rana Asfour

Fadi Zaghmout’s banned-in-Jordan “Laila”: a TMR Valentine

In this excerpt of the banned Jordanian novel "Laila," introduced by Rana Asfour and translated by Hajer Almosleh, readers get a sense of Fadi Zaghmout's prose and purpose.

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7 February, 2022 • Arie Amaya-Akkermans

(G)Hosting the Past: On Michael Rakowitz’s “Reapparitions”

Arie Akkermans reviews an Iraqi American's exhibitions as they attempt to recreate missing and destroyed artifacts taken from the National Museum of Iraq after the American invasion in 2003.

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7 February, 2022 • Jordan Elgrably

“The Translator” Brings the Syrian Dilemma to the Big Screen

Jordan Elgrably reviews the recent feature film from directors Rana Kazkaz and Anas Khalaf.

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7 February, 2022 • Deborah Williams

Censorship, Book Burning and Abu Dhabi Orientalism

Abu Dhabi-based professor Deborah Williams contrasts the new American censorship of "Maus" and Harry Potter book burning with her own potentially inflammatory syllabus.

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7 February, 2022 • Mike Booth

The Conspiracy to Conceal Conspiracies

Every warm-blooded Arab loves a good conspiracy theory — so, it turns out, do many Americans, observes cultural critic Mike Booth.

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31 January, 2022 • El Habib Louai

Poetic Justice: 70+ Contemporary Poets of Morocco

Amazigh Moroccan poet El Habib Louai reviews a recent anthology that has warmed the hearts of English-reading Moroccans during the pandemic.

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31 January, 2022 • Mehnaz Afridi

Hananah Zaheer’s “Lovebirds”? Don’t Be Fooled by the Title

Mehnaz Afridi reviews the new book of short stories by a Pakistani American writer determined to disrupt her readers' expectations.

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24 January, 2022 • Justin Stearns

Arabic and Latin, Cosmopolitan Languages of the Premodern Mediterranean and its Hinterlands

Justin Stearns, a scholar of the pre-modern Muslim Middle East, reviews the new book by Karla Mallette on the fascinating history of two of the world's great languages.

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The Markaz Review is a literary arts publication and cultural institution that curates content and programs on the greater Middle East and our communities in diaspora. The Markaz signifies “the center” in Arabic, as well as Persian, Turkish, Hebrew and Urdu.

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