Cem Kaya on the Sound of Turkey in Germany
Necati Sönmez, a Berlin film critic and curator, reviews the new music documentary from German-Turkish director Cem Kaya.
Necati Sönmez, a Berlin film critic and curator, reviews the new music documentary from German-Turkish director Cem Kaya.
Film curator and scholar Irit Neidhardt searches for clues to the Berlin disappearance of gramophone tycoon Michel Baida.
Iskandar Abdalla reviews the new film "Shall I Compare you to A Summer’s Day?"
Angélique Crux reviews the award-winning documentary from Lebanese filmmaker Wissam Tanios.
Nada Ghosn revels in the artistry of Palestinian, Iranian, Lebanese, Afghan and other playwrights and performers in Avignon this year.
Mischa Geracoulis reviews the film in which a Paris-trained shrink analyzes fellow Tunisians suffering from mental maladies.
Youssef Manessa reviews a short film from Ely Dagher that speaks to his generation of Lebanese born in the '90s.
The filmmaker behind "Tell Spring Not to Come This Year" and "A Thousand Fires" journeys with Mohammad Bakri to find home.
Arie Akkersmans-Amaya reviews the latest film by Lebanese artist duo Joana Hadjithomas and Khalil Joreige, whom he interviews.
Nadje Al-Ali finds that Maysoon Pachachi’s film reflects her "long-standing commitment to highlight experiences of ordinary Iraqis, especially women."
Taline Voskeritchian reviews the latest film from Nora Martirosyan about the tiny country fought over by Armenia and Azerbaijan.
Mischa Geracoulis reviews an Arab-Jewish food for peace documentary shot in Haifa.
Jordan Elgrably reviews the recent feature film from directors Rana Kazkaz and Anas Khalaf.
In anticipation of Sunday's Oscars, in which another Palestinian film has been nominated, Jordan Elgrably talks to Palestinians and Israelis about their films and activism.
Ammiel Alcalay reviews writer/director Najwa Najjar's third feature film—"part road movie, part mystery, part thriller."