The Murals of “Education is Not a Crime”
Saleem Vaillancourt describes the worldwide mural campaign spearheaded by Maziar Bahari on behalf the Baha'i community to speak out about Iran's persecution of its largest religious minority.
Saleem Vaillancourt describes the worldwide mural campaign spearheaded by Maziar Bahari on behalf the Baha'i community to speak out about Iran's persecution of its largest religious minority.
There are some walls we can't discuss freely and openly without inviting censure. This is one of them.
Yemen street artist, activist and mother Haifa Subay speaks to Farah Abdessamad about the state of the country and her work.
In this creative exploration of identity and homelessness, Sheana Ochoa faces her own inner walls and travels to Auschwitz.
Ifat Gazia remembers her native Kashmir and wonders why her family, like countless others, was uprooted, displaced and forced to live like homeless people in their own land.
Critic Ziad Suidan meditates on the meaning of the labyrinth and the walls that can separate us but also remind us of our shared history inside the hammam.
Frances Zaid describes in epistolary fashion the language barriers in her blooming relationship (leading to marriage and kids) with a three-time refugee from the Yarmouk Camp.
Artist Tom Young who divides his time between Beirut and London, paints in Hammam Al Jadid during its revival after 70 years.
Chef Fadi Kattan, fed up with walls, Covid and strife with Israel, shares a classic Palestinian recipe.
Malu Halasa revisits the question of whether walls, borders and barriers should ever be dressed up to disguise their true intent.
We accompany a family fleeing civil war for safe harbor, in a short story by Aida Y. Haddad.
A new poem by Sholeh Wolpé from the forthcoming collection, Abacus of Loss, University of Arkansas Press 2022.
Roving reporter Todd Miller, who has published four books exploring the world and its borders, questions the philosophy of walls.
Muralist Francisco Letelier travels to the West Bank to help a Palestinian community confront the Occupation with art.
Taylor Miller explores the aesthetics of gentrification and the "settler colonial hydra that continually displaces, erases, and reinscribes Palestinian space."