Ten Years of Hope and Blood

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14 FEBRUARY 2021 • By Robert Solé

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“The Egyptian Revolution,” one in a series by artist Hossam Dirar.

Robert Solé

 

It is in the middle of winter that the “Arab Spring” comes unexpectedly. On December 17, 2010, in Sidi Bouzid, an agricultural village in central Tunisia, Mohamed Bouazizi, a young unemployed peddler, sets himself on fire after his merchandise is confiscated by police officers. The day after the tragedy, the anger spreads to other cities in the country. President Zine el-Abidine Ben Ali, who has been in power for twenty-three years, denounces “terrorist acts” perpetrated by “hooded thugs.” The deaths will soon be counted by the dozens during clashes with the forces of law and order. “Irhal!” (“leave”) becomes the revolution’s byword. Ben Ali is accused not only of having established a police regime, but also of pillaging Tunisia. On January 14, 2011, overwhelmed by the events, he flees with his family to Saudi Arabia.

Five days later, as protests erupted in Jordan, Yemen and Lebanon, and firebombings were reported in Algeria, Egypt and Mauritania, an Arab League summit was convened in Sharm el-Sheikh, South Sinai. For once, its secretary general, Amr Moussa abandons the language of wood. “Arab citizens,” he declares, “are in a state of unprecedented anger and frustration.”

January 25th is Police Day in Egypt. As every year, a handful of opponents want to take this opportunity to “celebrate” the police. A derisory attempt, which has no chance of succeeding. But, this Tuesday, January 25, 2011, encouraged by the fall of Ben Ali, the protesters, who have organized themselves through social networks, will—to their own surprise—drag thousands of Cairo residents in their wake. The protesters clash with the security forces as they try to converge on the huge Tahrir Square (“liberation” in Arabic), which would soon earn its name and become as famous as Tiananmen.

The clashes are not limited to the capital. The balance sheet of this historic day (from now on we will speak of “the revolution of January 25”) is three dead and more than 150 wounded. A live uprising: for eighteen days, the Tahrir event will be filmed and broadcast by television stations around the world.

The “revolution of January 25” has neither leaders nor ideological character. It is not in the name of Marxism, anti-Zionism, or Islam that Egyptians are mobilizing in increasing numbers, but to demand freedom and karama (dignity, respect), to denounce police brutality and corruption. The Muslim Brotherhood, which had been cautiously observing the movement, joins them on the fourth day, taking their large battalions to the streets. It would be the end of Hosni Mubarak, who seemed eternal after twenty-nine years of reign. Even the army, from which he came, eventually drops him. The high military hierarchy thus takes advantage of the situation to remove any chance that Gamal, the pharaoh’s youngest son—a civilian surrounded by businessmen—might one day become president.

On February 11, 2011, the eighteenth day of the Egyptian uprising, Mubarak is forced into exile in his palace in Sharm el-Sheikh. In Tahrir Square, where hundreds of thousands of people have gathered, an immense, interminable clamor greets his departure. Kissing, dancing, crying with joy. Egypt feels itself to become again oum el-donia, the mother of the world.

In North Africa and the Middle East, it is delirium. If the largest Arab country falls into democracy, won’t all the authoritarian regimes, monarchies or republics, fall one after the other, like dominos? Observers see “the end of the Arab exception.” These peoples, who were said to be resigned, show that they are capable of revolting against oppression, like Latin Americans or Eastern Europeans. The region has indeed entered into globalization, giving social networks a new function. “Facebook makes it possible to plan events, Twitter coordinates them, and YouTube communicates them to the world,” explains Egypt’s most famous Internet user, Wael Ghonim.

Map courtesy of   Historical Dictionary of the Arab Uprisings   by Aomar Boum and Mohamed Daadaoui, in which the authors note: <

Map courtesy of Historical Dictionary of the Arab Uprisings by Aomar Boum and Mohamed Daadaoui, in which the authors note: “The initial catalysts of the Arab uprisings were economic deprivation and political repression. The patterns of diffusion were similar across the region in terms of the use of social media as a means for mobilizing and sustaining the pace of the protests.”


Chaos in Libya, horror in Syria

In Tunisia, after Ben Ali’s flight, a government of national unity was formed and a general amnesty decreed. This allows the return to the country of several opposition figures. Free elections are scheduled within six months. In Egypt the Supreme Council of the Armed Forces pledged to ensure a democratic transition. Euphoria continued, although the 18-day uprising left hundreds dead and thousands injured.

But, in this winter 2011, “Spring” does not bloom everywhere. In Manama, the capital of Bahrain, demonstrators belonging mainly to the Shiite community demanded in vain the end of the monarchy and the closure of American bases. Saudi Arabia intervened militarily to quell the rebellion and save the throne of King Hamed ben Issa. It watches like milk over the fire in neighboring Yemen where, on January 27, the forces of order fired on those demanding the departure of President Ali Abdullah Saleh, who has been in office for thirty-two years.

The Arab record is held by Muammar Gaddafi, who came to power in 1969 … Libya also does not escape the contagion. The arrest on February 15 of a Benghazi lawyer, Fathi Terbil, provoked a “day of anger” the next day. And after a violent crackdown, a “National Council” is formed by opponents. Invited by the European Union to respond to the “legitimate aspirations” of his people, the Libyan dictator endeavors to quell the rebellion by all means.

This time, French President Nicolas Sarkozy, who had underestimated the uprising in Tunisia, took the lead: after recognizing the Libyan National Council as the sole legitimate political authority, he persuaded London and Washington to intervene militarily. On March 17, 2011, the UN Security Council authorized the use of force, while Benghazi, a stronghold of the insurgents, was threatened with aerial bombardments.

From then on, Gaddafi will not stop losing ground. On October 20, he tries to flee the city of Sirte, when his convoy is attacked by NATO planes. He finds refuge in a tunnel with his bodyguards, before being lynched by insurgents. His death was immediately followed by clashes between militias, who fought for control of local territories or various traffic routes. Libya then appears for what it is: not a real state, but an aggregation of tribes. The chaos that reigns there risks destabilizing neighboring countries. Already, trucks filled with assault rifles, machine guns and rocket launchers, seized from government forces, were leaving for Mali, Chad, Sudan, Niger, Tunisia or Egypt.

It is however Syria that will experience the bloodiest “Spring”. On March 13, 2011, fifteen teenagers are arrested in Deraa, a southwestern city with a Sunni majority. Their transfer to a prison in the capital and the abuses they suffered there revolted the local population. The Ba’ath Party headquarters and the courthouse were burned down. Deraa is occupied by the army, while the rebellion spreads and becomes more radical. In Damascus, Aleppo and Homs, thousands of protesters clash with security forces firing live ammunition.

Unlike Tunisia, Egypt and Libya, where all Muslims are Sunni, Syria is ruled by an Alawite minority, descended from Shi’ism. The “Spring” there very quickly took the form of an inter-religious conflict. The “Fridays of anger” follow one another, at the exit of the mosques, after the great weekly prayer. The repression is terrible. Three thousand soldiers, accompanied by T-55 tanks, entered Deraa on April 25. Protesters are executed in the stadium and the wounded are taken to hospital.

The Free Syrian Army is collaborating with Kurdish forces in the north of the country. But it is soon supplanted by several Sunni Islamist groups, including the al-Nusra Front, a branch of al-Qaeda. These groups are aided by Turkey, Saudi Arabia and Qatar, while the Syrian regime receives support from Iran and various militias that are subordinate to it, starting with the Lebanese Hezbollah.

French president François Hollande, who succeeded Nicolas Sarkozy, supports the Syrian opposition. His Minister of Foreign Affairs, Laurent Fabius, calls Assad an “assassin.” In the summer of 2013, France is about to intervene militarily with Great Britain and the United States after a government chemical attack in Ghouta, in the suburbs of Damascus that caused the death of several hundred people. But Paris is let down by London and Washington. Russia then enters the scene and, very skillfully, occupies the center of the diplomatic game. While continuing to strongly support Bashar al-Assad, it proposes to place the Syrian chemical arsenal under international surveillance, before its destruction. On the 27th of September, 2013, the UN Security Council passed a resolution to this effect. Assad is saved. He could not have fared any better.

Activist and graffiti artist Ammar Abo Bakr created a mural in Mohamed Mahmoud Street in Cairo depicting martyrs who were tortured and killed by security forces<

Activist and graffiti artist Ammar Abo Bakr created a mural in Mohamed Mahmoud Street in Cairo depicting martyrs who were tortured and killed by security forces


An Islamist parenthesis

While Syria is being torn apart in blood, democratic advances are being made in several countries. In Tunisia, after free elections, Moncef Marzouki becomes President of the Republic in December 2011, while Hamadi Jebali, the number two of the Islamist party Ennahdha, winner of the legislative elections, holds the post of Prime Minister. In Egypt the public trial of Hosni Mubarak opens, along with his two sons and several dignitaries of the deposed regime. This has never before been seen in the Arab world! The various elections are won by the Islamists, the only opposition forces organized in the Nile Valley. In order not to insult the “Spring,” some irregularities in the elections are ignored. Mohamed Morsi, a member of the Muslim Brotherhood, is narrowly elected President of the Republic in June 2012. For the first time since the fall of the monarchy sixty years earlier, the head of state is not from the army, and he is an Islamist.

In the Arab world, people talk about “contagion” and “dominoes” again, but in the opposite direction: if Egypt falls into Islamism, won’t all countries follow one after the other? The Muslim Brotherhood has put away its old slogan (“The Koran is the solution”), but the Brotherhood’s incompetence and greed worry many Egyptians who are ready to “give them a chance.” As for the military hierarchy, it cannot stand the existence of a competing force encroaching on its prerogatives and threatening its empire. In June 2013, millions of citizens who fear the establishment of a religious state take to the streets with the support of the military. The army hastens to depose Mohamed Morsi and put him in prison. This is the second time in two and a half years that a head of state is overturned.

The bloody repression of an Islamist rally in Cairo soon taints what appeared to be a “new revolution.” It is now clear that power belongs to the army. Because he has neutralized the Muslim Brotherhood, Marshal Abdel Fattah al-Sissi will have in May 2014 an election … of marshal to the presidency of the Republic. He will nevertheless be confronted with attacks, a worrisome jihadist guerrilla war in the Sinai and a very worrisome economic situation.

Events in Egypt have prompted the Tunisian Muslim Brotherhood to be cautious. They have decided not to present a candidate for the presidential election of December 2014, which is won by Béji Caïd Essebsi (88 years old), leader of the Nidaa Tounès party. This will not prevent them from being associated with power. The Nobel Peace Prize 2015 will be awarded to four institutions that have worked for this peaceful transition: the Tunisian League for the Defense of Human Rights, the National Bar Association, the main workers’ union and the employers’ union.

Above all, destroy Daesh

With the fall of the Muslim Brotherhood in Egypt, Palestinian Hamas lost one of its most valuable supporters. Yet it is being dragged into a disastrous war against Israel in July-August 2014. Ten days of air raids followed by a ground offensive results in thousands of victims and considerable damage in Gaza. This open-air prison comes out bloodless from the conflict, despite the “victory” claimed by Hamas.

The despair of the Palestinians, convinced that they will never have a state, is then expressed by the “intifada of knives.” In seven months, more than 350 knife attacks are committed against Israelis in the West Bank. They result in 34 victims, but also some 200 deaths on the side of the assailants, usually killed by police officers.

If the democratic advances of the Spring had been a disavowal for the jihadists, adepts of violence to conquer power, the winter in which part of the Arab world is sinking plays in favor of their theses. All attention is now focused on Daesh (acronym for the Islamic state in Iraq and the Levant) whose leader, Abu Bakr al-Baghdadi, has proclaimed himself Caliph. This competitor of al-Qaeda not only controls a vast territory straddling Iraq and Syria and imposes a medieval way of life, but also organizes or incites murderous attacks in the countries that fight it. This is the case of France, which has been bereaved several times, as well as Tunisia: the attacks committed in 2015, at the Bardo Museum and then in a seaside resort near Sousse, diverted tourists and considerably affected its economy.

Westerners are determined to destroy the Islamic state, even if it means serving Bashar al-Assad. The Syrian conflict becomes illegible. While Russia provides the regime with direct military support by indiscriminately bombing all its adversaries, the United States and its allies attack Daesh and actively support the reconquest of Mosul by Iraqi troops and Kurdish fighters from October 17, 2016. One year later, it was the fall of Raqqa, in Syria, whose self-proclaimed caliph had made his capital. Baghdadi will be killed on October 27, 2019 during an operation by American special forces.

MBS does a lot of damage

No “Spring” in Saudi Arabia, but the entry on the scene of a modern young man, appointed Minister of Defense in 2015: Mohamed ben Salman, known as MBS, son of King Salman, is another figurehead of a sovereign. He is said to intend to reform this society from another time—he will, for example, allow women to drive—but he will do great damage.

MBS is dragging several countries in the region, including the United Arab Emirates and Egypt, into a war against Houthi rebels who have seized vast areas of western and northern Yemen, including the capital, Sana’a. The Houthis, a branch of Shi’ism, are backed by Iran, Saudi Arabia’s absolute enemy. Not only did they resist, but the anti-Houthist front broke up, and separatists conquered Aden, the great southern port. The dead numbers in the tens of thousands. The UN denounces “the worst humanitarian crisis in the world.”

On November 3, 2017, MBS summons Lebanese Prime Minister Saad Hariri to Riyadh, accused of not being firm enough with Iran. He forces him to resign and holds him prisoner. The affair causes a scandal. Hariri returns to his post in Beirut, to great acclaim, after an intervention by France. The same month, the Crown Prince has some 200 Saudi personalities locked up at the Ritz-Carlton in Riyadh as part of an anti-corruption operation. They are released only in exchange for the payment of large sums of money to the Treasury. Last but not least, in October 2018, MBS brutally murders an exiled journalist, Jamal Khashoggi, inside the Saudi consulate in Ankara. This provokes a great deal of emotion in the world. The prince, however, seems immovable, thanks to the support of his father and President Donald Trump, partners in their struggle against Iran.


The activism of two non-Arab countries

Three former empires—the Persian, Russian and Ottoman—sometimes allies, but always competitors, are very active in this shattered Arab world. Each one plays its own score, with different objectives.

Iran continues to support Bashar al-Assad. The Syrian dictator also benefits from Russia’s military entry into the conflict from September 2015. This support will translate into decisive victories against the rebel movements in Aleppo (December 2016), Homs (May 2017) and Deraa (July 2018).

Assad managed to stay in power, but at what price? Having become beholden to Tehran and Moscow, he reigns over a devastated country. This terrible conflict has left some 380,000 dead, countless wounded and led half of the Syrian population to migrate or go into exile.

Another non-Arab actor, Turkey, contributes to strongly disrupt what remains of the “Spring”. Turning his back on the West and posing as the Caliph of Sunni Islam, Recep Tayyip Erdoğan pushes his pawns in all directions, whether directly or through mercenaries. His country is home to three million Syrian refugees. He uses them as a threat to Europeans who fear a migratory upsurge.

On October 9, 2019, in favor of an American withdrawal, Turkey launches an offen
sive against Kurdish forces in northern Syria. This operation allows it to occupy, at its border, a strip of territory 120 kilometers by 30.

Erdoğan is also active in Libya, with a dual purpose: to exploit gas in the Eastern Mediterranean and to intensify its blackmail of migrants by controlling another refugee route to Europe. Indeed, many Africans transit through this country in full chaos, often in terrible conditions, and then try to reach Europe by sea.

Libya is almost cut in two, between a Tripolitan (west) administered by the Tripoli government and a Cyrenaica (east) under the dissident Marshal Khalifa Haftar, who is accumulating victories on the ground. In December 2019, Erdoğan signs a maritime demarcation agreement and a military cooperation pact with the Tripolitan authorities. Thousands of pro-Turkey Syrian mercenaries, supported by armed drones, will reverse the situation. But the Russian air force intervenes to rescue Haftar: in this shattered country, Tripolitania is “Turkified” and Cyrenaica is “Russified” …


The Tunisian exception

Nine years after the beginning of what we no longer dare to call “Spring”, the Arab world appears in a sad state. If, on the whole, the monarchies are doing better than the republics, their old rivalry from the time of Nasser and the Ba’ath Party has been supplanted by numerous internal wars: between Sunnis and Shiites, military and Islamists, Hamas and the Palestinian Authority, Saudi Arabia and Qatar … not to mention the Arab-Israeli conflict which, in this field of ruins, turns to the advantage of the Jewish state. Donald Trump recognized on December 6, 2017 Jerusalem as the capital of Israel, which will see its relations normalized with the United Arab Emirates, Bahrain, Sudan and Morocco. The Palestinian cause no longer seems to interest many people.

In Egypt, contrary to what happens in Syria, Libya, Iraq or Yemen, the state maintains itself. But the “Spring” of 2011 is only a memory. The government fiercely represses the slightest protest. The army now intervenes in all the activities of the country, to the great displeasure of industrialists and businessmen. The horse’s remedy inflicted on the economy to reduce the deficit has accentuated inequalities. Galloping demographics—the population has doubled in thirty years—amplifies unemployment and leads to a deterioration of public services (health, education, housing). In the north of Sinai, the government has not succeeded in eliminating jihadist movements, despite the deployment of significant military resources and discreet aid from Israel.

Tunisia, the first country to rise up, appears to be the only survivor of the Arab Spring. It continues its democratization and freely elects its leaders, but is experiencing great economic difficulties. The number of Tunisians seeking to emigrate to Europe continues to grow. Disillusionment and despair manifest themselves in various ways, including suicide. On a wall in Sidi Bouzid, not far from the place where Mohamed Bouazizi set himself on fire, the word “revolution” (ثورة ) has been tagged upside down.


Aftershocks of an earthquake

Would the Arab Spring, that earthquake that took everyone by surprise, have been just a quick digression closed back up upon itself? Unexpected aftershocks will revive the hopes of the Democrats. In Baghdad, thousands of demonstrators will occupy Tahrir Square in November 2019 to call for the “fall of the regime” of Iraq, which was drowned by Iran. Blood is also running in other cities of the country. But it is above all Sudan, Algeria and Lebanon that are attracting attention.

In Sudan, the movement is triggered by the tripling of the price of bread. A first demonstration, organized on December 19, 2018 in the working-class agglomeration of Atbara, immediately spilled oil. A coalition of opponents, supported by trade unions and lawyers, demands the departure of Omar al-Bashir, the general who had seized power in 1989 with the support of Islamists. The population is suffering from the violence and vexation inflicted on it by the security services, but also from an economic crisis that has lasted for years. The crushing of a rebellion in Darfur is followed in 2011 by the partition of the country: South Sudan took with it three quarters of the oil production.

Despite the repression, a huge sit-in is organized in Khartoum in front of the headquarters of the armed forces. It is to last several months. A 23-year-old student, Alaa Salah, who climbed onto the roof of a car to sing a song against the dictatorship, became an icon of the movement, revealing the vitality of this civil society and the place of women in it.

Skillfully, the protesters encourage the army to fraternize with them. On April 11, 2019, the dictator is placed under house arrest and removed from office. A transitional government, involving civilians and the military, forms under the leadership of a respected economist, Abdallah Hamdok. The conditions seem to be in place to lift sanctions against Sudan, which has so far been accused of supporting terrorism, even though its political future remains uncertain.

In Algeria, in order to prevent an uprising, the government counted both on the easing of social tensions thanks to its oil revenues and on the trauma left by the bloody civil war of the 1990s. But by early 2019, the coffers were empty due to the fall in the price of black gold.

On February 22, as Abdelaziz Bouteflika is seeking a fifth presidential term despite the stroke that rendered him impotent, anonymous calls on social networks encourage demonstrations in Algiers, Constantine, Oran and Sidi Bel Abbès. The Hirak (“movement” in Arabic) is born and the government will not stop hearing about it. Every Friday, citizens of all ages, from all walks of life, invade the streets, carrying the national flag in a cape or scarf. A gigantic concert of pots and pans is addressed to the “system”—and not only to the puppet president—that they want to get rid of.

The huge Friday crowds have the intelligence to refuse all violence: to guns and truncheons, they respond with the infinitely repeated slogan “Selmeya” (pacifism). On April 2nd, Bouteflika resigns, after being released by General Ahmed Gaïd Salah, Chief of Staff of the Army. This quasi-octogenarian poses as a reformer, whereas he embodies—along with the FLN and the business clans—one of the pillars of the system that has been repudiated. His rivals are arrested, and a new presidential election is organized. But the five candidates all come from the ruling party. On December 12, 2019, the election of Abdelmadjid Tebboune, 74 years old, deceives no one. And only 23% of Algerians will vote in the constitutional referendum of November 1, 2020. Meanwhile, the epidemic of Covid-19 will have interrupted the Hirak. This movement is suffering from what was undoubtedly one of its strengths: the voluntary absence of leadership. Nine years earlier, the same could be said of the Egyptian revolutionaries.


IS Beirut EXPLODING?

Demonstrators in Beirut protest government policy on easing the economic crisis, 22 October 2019 [Photo: Mahmut Geldi/Anadolu Agency]<

Demonstrators in Beirut protest government policy on easing the economic crisis, 22 October 2019 [Photo: Mahmut Geldi/Anadolu Agency]

In Lebanon, too, an uprising without leaders has emerged from a seemingly derisory event: the imposition of a new tax on the use of WhatsApp. On October 17, 2019, the streets of Beirut are invaded by an angry mob that attacks the political leaders. The national currency devalued sharply over the summer, causing prices to soar. This is the result of accounting acrobatics that the Bank of Lebanon has been performing for years in order to finance the budget deficit and to maintain the parity of the pound with the dollar: a sort of Ponzi pyramid consisting in sucking foreign currency deposits from commercial banks at fantastic interest rates. These schemes have greatly enriched the shareholders of these institutions, including political leaders. Until the day the “pyramid” began to collapse…

The economic crisis is hitting hard not only the poor—including a million Syrian refugees—but also the middle class. Families can no longer afford to pay for their children’s schooling in the country’s many private schools. Restaurants are even seeing some of their regular customers ordering half-servings…

But the tens of thousands of people, Christian and Muslim, who demonstrate every week in the country’s main cities are demanding more than just economic measures: the departure of an often highly corrupt political class that has clung to power since the end of the civil war of 1975-1990. The confessional system now appears to be a disastrous clanism, allowing—a unique case in the world—Muslims and Christians to govern together. Even the Shiites are blaming Hezbollah, which is rightly described as a “state within a non-state.”

On August 4, 2020, when Covid-19 was added to the economic crisis, a tremendous explosion shakes the city of Beirut, ravaging the eastern districts in a matter of seconds, killing 190 people and injuring countless others. Negligence, carelessness, corruption? It is discovered that 2,750 tons of ammonium nitrate had been stored for six years in warehouses in the port. Anger is mixed with despair. Many Lebanese, ruined and exhausted, see only one solution: exile.

But in Lebanon, as in Algeria or Sudan, the game is not over. The same can be said of all the countries that have experienced a “Spring”, however fleeting, followed by a counter-revolution. The Arab peoples now know that it is not enough to overthrow an authoritarian regime to achieve democracy. Elsewhere in the world, the road has always been long and painful. Refusing to despair, the most committed or lucid citizens are trying, in Gramsci’s words, to combine the pessimism of intelligence with the optimism of will.

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Robert Solé’s “Ten Years of Hope and Blood” originally appeared in N°328 of France’s 1 weekly devoted to The Arab Spring: Confiscated Revolution on Jan. 6, 2021 and appears here by special arrangement, translated by Jordan Elgrably.

Each Wednesday, 1 weekly focuses on a single current topic and explores it through several eyes. Readers of French will find new ideas and widely-ranging opinions and contributors you won’t read elsewhere. TMR readers can benefit from access to 1’s digital weekly edition with a special subscription offered at just 1€/month. Click here for the offer.

Robert Solé

Robert Solé Robert Solé is a French journalist and novelist of Egyptian and Syrian origin. Born in Cairo in 1946, Solé moved to France at the age of 18. He has served as ombudsman of the Parisian newspaper Le Monde. The author... Read more

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Memoir in the Age of Narcissism
Centerpiece

Ravaged by Fire

7 FEBRUARY 2025 • By Francisco Letelier
Ravaged by Fire
Book Reviews

Resilient Cartographies: Histories of the Persian Gulf

7 FEBRUARY 2025 • By Todd Reisz
Resilient Cartographies: Histories of the Persian Gulf
Essays

The Closed Door—Return to Syria

7 FEBRUARY 2025 • By Odai Al Zoubi, Rana Asfour
The Closed Door—Return to Syria
Book Reviews

Memories of Palestine through Contemporary Media

7 FEBRUARY 2025 • By Malu Halasa
Memories of Palestine through Contemporary Media
Essays

Flight Plans: From Gaza to Singapore

7 FEBRUARY 2025 • By Chin-chin Yap
Flight Plans: From Gaza to Singapore
Essays

Chronicles of a Boy Manqué

7 FEBRUARY 2025 • By Rana Haddad
Chronicles of a Boy Manqué
Cuisine

“Culinary Palestine”—Fadi Kattan in an excerpt from Sumud

31 JANUARY 2025 • By Fadi Kattan
“Culinary Palestine”—Fadi Kattan in an excerpt from <em>Sumud</em>
Book Reviews

Yassini Girls—a Powerful Yet Flawed Account of Historical Trauma

31 JANUARY 2025 • By Natasha Tynes
<em>Yassini Girls</em>—a Powerful Yet Flawed Account of Historical Trauma
Essays

Three Nights in Free Syria

24 JANUARY 2025 • By Yasmin Fedda, Daniel Gorman
Three Nights in Free Syria
Arabic

Huda Fakhreddine & Yasmeen Hanoosh: Translating Arabic & Gaza

17 JANUARY 2025 • By Yasmeen Hanoosh, Huda Fakhreddine
Huda Fakhreddine & Yasmeen Hanoosh: Translating Arabic & Gaza
Uncategorized

Malu Halasa and Jordan Elgrably publish Sumūd: a New Palestinian Reader

4 JANUARY 2025 • By TMR
Malu Halasa and Jordan Elgrably publish Sumūd: a New Palestinian Reader
Book Reviews

Criticizing a Militaristic Israel is not Inherently Antisemitic

20 DECEMBER 2024 • By Stephen Rohde
Criticizing a Militaristic Israel is not Inherently Antisemitic
Poetry

Lena Khalaf Tuffaha: Two Poems

19 DECEMBER 2024 • By Lena Khalaf Tuffaha
Lena Khalaf Tuffaha: Two Poems
Essays

Return to Damascus…the Long Road Home

13 DECEMBER 2024 • By Zaher Omareen, Rana Asfour
Return to Damascus…the Long Road Home
Books

Susan Abulhawa at Oxford Union on Palestine/Israel

6 DECEMBER 2024 • By Susan Abulhawa
Susan Abulhawa at Oxford Union on Palestine/Israel
Essays

A Fragile Ceasefire as Lebanon Survives, Traumatized

29 NOVEMBER 2024 • By Tarek Abi Samra
A Fragile Ceasefire as Lebanon Survives, Traumatized
Art

Basel Abbas & Ruanne Abou-Rahme: Palestinian artists at Copenhagen’s Glyptotek

22 NOVEMBER 2024 • By Arie Amaya-Akkermans
Basel Abbas & Ruanne Abou-Rahme: Palestinian artists at Copenhagen’s Glyptotek
Essays

A Jewish Meditation on the Palestinian Genocide

15 NOVEMBER 2024 • By Sheryl Ono
A Jewish Meditation on the Palestinian Genocide
Art & Photography

Palestinian Artists Reflect on the Role of Art in Catastrophic Times

1 NOVEMBER 2024 • By Nina Hubinet
Palestinian Artists Reflect on the Role of Art in Catastrophic Times
Centerpiece

“Habib”—a story by Ghassan Ghassan

1 NOVEMBER 2024 • By Ghassan Ghassan
“Habib”—a story by Ghassan Ghassan
Memoir

“The Ballad of Lulu and Amina”—from Jerusalem to Gaza

1 NOVEMBER 2024 • By Izzeldin Bukhari
“The Ballad of Lulu and Amina”—from Jerusalem to Gaza
Books

November World Picks from the Editors

25 OCTOBER 2024 • By TMR
November World Picks from the Editors
Editorial

A Year of War Without End

4 OCTOBER 2024 • By Lina Mounzer
A Year of War Without End
Art

Visuals and Voices: Palestine Will Not Be a Palimpsest

4 OCTOBER 2024 • By Malu Halasa
Visuals and Voices: Palestine Will Not Be a Palimpsest
Featured article

Censorship and Cancellation Fail to Camouflage the Ugly Truth

4 OCTOBER 2024 • By Jordan Elgrably
Censorship and Cancellation Fail to Camouflage the Ugly Truth
Essays

Shamrocks & Watermelons: Palestine Politics in Belfast

4 OCTOBER 2024 • By Stuart Bailie
Shamrocks & Watermelons: Palestine Politics in Belfast
Essays

Depictions of Genocide: The Un-Imaginable Visibility of Extermination

4 OCTOBER 2024 • By Viola Shafik
Depictions of Genocide: The Un-Imaginable Visibility of Extermination
Opinion

Everything Has Changed, Nothing Has Changed

4 OCTOBER 2024 • By Amal Ghandour
Everything Has Changed, Nothing Has Changed
Book Reviews

Don’t Look Left: A Diary of Genocide by Atif Abu Saif

20 SEPTEMBER 2024 • By Selma Dabbagh
<em>Don’t Look Left: A Diary of Genocide</em> by Atif Abu Saif
Art & Photography

Featured Artists: “Barred From Home”

6 SEPTEMBER 2024 • By Malu Halasa
Featured Artists: “Barred From Home”
Book Reviews

Egypt’s Gatekeeper—President or Despot?

6 SEPTEMBER 2024 • By Elias Feroz
Egypt’s Gatekeeper—President or Despot?
Fiction

“Fragments from a Gaza Nightmare”—fiction from Sama Hassan

30 AUGUST 2024 • By Sama Hassan, Rana Asfour
“Fragments from a Gaza Nightmare”—fiction from Sama Hassan
Essays

Beyond Rubble—Cultural Heritage and Healing After Disaster

23 AUGUST 2024 • By Arie Amaya-Akkermans
Beyond Rubble—Cultural Heritage and Healing After Disaster
Book Reviews

Birth in a Poem: Maram Al-Masri’s The Abduction

23 AUGUST 2024 • By Eman Quotah
Birth in a Poem: Maram Al-Masri’s <em>The Abduction</em>
Books

Dune in 2024: A World Beyond Saving

5 JULY 2024 • By Ahmed Naji
<em>Dune</em> in 2024: A World Beyond Saving
Fiction

“Ten-Armed Gods”—a short story by Odai Al Zoubi

5 JULY 2024 • By Odai Al Zoubi, Ziad Dallal
“Ten-Armed Gods”—a short story by Odai Al Zoubi
Fiction

“Deferred Sorrow”—fiction from Haidar Al Ghazali

5 JULY 2024 • By Haidar Al Ghazali, Rana Asfour
“Deferred Sorrow”—fiction from Haidar Al Ghazali
Beirut

Ripped from Memoirs of a Lebanese Policeman

5 JULY 2024 • By Fawzi Zabyan
Ripped from <em>Memoirs of a Lebanese Policeman</em>
Book Reviews

Is Amin Maalouf’s Latest Novel, On the Isle of Antioch, a Parody?

14 JUNE 2024 • By Farah-Silvana Kanaan
Is Amin Maalouf’s Latest Novel, <em>On the Isle of Antioch</em>, a Parody?
Centerpiece

Dare Not Speak—a One-Act Play

7 JUNE 2024 • By Hassan Abdulrazzak
<em>Dare Not Speak</em>—a One-Act Play
Theatre

The Return of Danton—a Play by Mudar Alhaggi & Collective Ma’louba

7 JUNE 2024 • By Mudar Alhaggi
<em>The Return of Danton</em>—a Play by Mudar Alhaggi & Collective Ma’louba
Theatre

Noor and Hadi Go to Hogwarts—a Short Play

7 JUNE 2024 • By Lameece Issaq
<em>Noor and Hadi Go to Hogwarts</em>—a Short Play
Books

Palestine, Political Theatre & the Performance of Queer Solidarity in Jean Genet’s Prisoner of Love

7 JUNE 2024 • By Saleem Haddad
Palestine, Political Theatre & the Performance of Queer Solidarity in Jean Genet’s <em>Prisoner of Love</em>
Essays

The Elephant in the Box

3 MAY 2024 • By Asmaa Elgamal
The Elephant in the Box
Essays

Freedom—Ruminations of a Syrian Refugee

3 MAY 2024 • By Reem Alghazzi, Manal Shalaby
Freedom—Ruminations of a Syrian Refugee
Art & Photography

Will Artists Against Genocide Boycott the Venice Biennale?

18 MARCH 2024 • By Hadani Ditmars
Will Artists Against Genocide Boycott the Venice Biennale?
Poetry

Two Poems from Maram Al-Masri

3 MARCH 2024 • By Maram Al-Masri, Hélène Cardona
Two Poems from Maram Al-Masri
Editorial

Why “Burn It all Down”?

3 MARCH 2024 • By Lina Mounzer
Why “Burn It all Down”?
Columns

Genocide: “That bell can’t be unrung. That thought can’t be unthunk.”

3 MARCH 2024 • By Amal Ghandour
Genocide: “That bell can’t be unrung. That thought can’t be unthunk.”
Essays

The Oath of Cyriac: Recovery or Spin?

19 FEBRUARY 2024 • By Arie Amaya-Akkermans
<em>The Oath of Cyriac</em>: Recovery or Spin?
Art

Issam Kourbaj’s Love Letter to Syria in Cambridge

12 FEBRUARY 2024 • By Sophie Kazan Makhlouf
Issam Kourbaj’s Love Letter to Syria in Cambridge
Poetry

“The Scent Censes” & “Elegy With Precious Oil” by Majda Gama

4 FEBRUARY 2024 • By Majda Gama
“The Scent Censes” & “Elegy With Precious Oil” by Majda Gama
Poetry

“WE” and “4978 and One Nights” by Ghayath Almadhoun

4 FEBRUARY 2024 • By Ghayath Al Madhoun
“WE” and “4978 and One Nights” by Ghayath Almadhoun
Editorial

Shoot That Poison Arrow to My Heart: The LSD Editorial

4 FEBRUARY 2024 • By Malu Halasa
Shoot That Poison Arrow to My Heart: The LSD Editorial
Essays

A Treatise on Love

4 FEBRUARY 2024 • By Maryam Haidari, Salar Abdoh
A Treatise on Love
Featured article

Israel-Palestine: Peace Under Occupation?

29 JANUARY 2024 • By Laëtitia Soula
Israel-Palestine: Peace Under Occupation?
Books

Illuminated Reading for 2024: Our Anticipated Titles

22 JANUARY 2024 • By TMR
Illuminated Reading for 2024: Our Anticipated Titles
Art

Palestinian Artists

12 JANUARY 2024 • By TMR
Palestinian Artists
Book Reviews

The Rebels of Football, Then and Now

8 JANUARY 2024 • By Justin Olivier Salhani
The Rebels of Football, Then and Now
Essays

Gaza Sunbirds: the Palestinian Para-Cyclists Who Won’t Quit

25 DECEMBER 2023 • By Malu Halasa
Gaza Sunbirds: the Palestinian Para-Cyclists Who Won’t Quit
Books

Inside Hamas: From Resistance to Regime

25 DECEMBER 2023 • By Paola Caridi
Inside <em>Hamas: From Resistance to Regime</em>
Art

Art Lights Up Riyadh This Winter

18 DECEMBER 2023 • By Sophie Kazan Makhlouf
Art Lights Up Riyadh This Winter
Columns

Messages From Gaza Now

11 DECEMBER 2023 • By Hossam Madhoun
Messages From Gaza Now
Featured excerpt

The Palestine Laboratory and Gaza: An Excerpt

4 DECEMBER 2023 • By Antony Loewenstein
<em>The Palestine Laboratory</em> and Gaza: An Excerpt
Editorial

Why Endings & Beginnings?

3 DECEMBER 2023 • By Jordan Elgrably
Why Endings & Beginnings?
Beirut

“The Summer They Heard Music”—a short story by MK Harb

3 DECEMBER 2023 • By MK Harb
“The Summer They Heard Music”—a short story by MK Harb
Fiction

“I, Hanan”—a Gazan tale of survival by Joumana Haddad

3 DECEMBER 2023 • By Joumana Haddad
“I, Hanan”—a Gazan tale of survival by Joumana Haddad
Essays

Days of Oranges—Libya’s Thawra

3 DECEMBER 2023 • By Yesmine Abida
Days of Oranges—Libya’s Thawra
Book Reviews

First Kurdish Sci-Fi Collection is Rooted in the Past

28 NOVEMBER 2023 • By Matt Broomfield
First Kurdish Sci-Fi Collection is Rooted in the Past
Opinion

Gaza vs. Mosul from a Medical and Humanitarian Standpoint

27 NOVEMBER 2023 • By Ahmed Twaij
Gaza vs. Mosul from a Medical and Humanitarian Standpoint
Opinion

What’s in a Ceasefire?

20 NOVEMBER 2023 • By Adrian Kreutz, Enzo Rossi, Lillian Robb
What’s in a Ceasefire?
Art & Photography

War and Art: A Lebanese Photographer and His Protégés

13 NOVEMBER 2023 • By Nicole Hamouche
War and Art: A Lebanese Photographer and His Protégés
Opinion

Beautiful October 7th Art Belies the Horrors of War

13 NOVEMBER 2023 • By Mark LeVine
Beautiful October 7th Art Belies the Horrors of War
Books

Domicide—War on the City

5 NOVEMBER 2023 • By Ammar Azzouz
<em>Domicide</em>—War on the City
Essays

Atom Bombs and Earthquakes: Changing Arabian Culture Via Architecture

5 NOVEMBER 2023 • By T.H. Shalaby
Atom Bombs and Earthquakes: Changing Arabian Culture Via Architecture
Book Reviews

Suad Aldarra’s I Don’t Want to Talk About Home

5 NOVEMBER 2023 • By Ammar Azzouz
Suad Aldarra’s <em>I Don’t Want to Talk About Home</em>
Book Reviews

The Refugee Ocean—An Intriguing Premise

30 OCTOBER 2023 • By Natasha Tynes
<em>The Refugee Ocean</em>—An Intriguing Premise
Book Reviews

The Maghreb Generation—North African Creatives for a Postcolonial Future

30 OCTOBER 2023 • By Tugrul Mende
The Maghreb Generation—North African Creatives for a Postcolonial Future
Islam

October 7 and the First Days of the War

23 OCTOBER 2023 • By Robin Yassin-Kassab
October 7 and the First Days of the War
Cities

Ode to Khartoum—a City Riven by Civil War

23 OCTOBER 2023 • By Dallia Abdel-Moniem
Ode to Khartoum—a City Riven by Civil War
Art

The Ongoing Nakba—Rasha Al-Jundi’s Embroidery Series

16 OCTOBER 2023 • By Rasha Al Jundi
The Ongoing Nakba—Rasha Al-Jundi’s Embroidery Series
Weekly

World Picks from the Editors, Oct 13 — Oct 27, 2023

12 OCTOBER 2023 • By TMR
World Picks from the Editors, Oct 13 — Oct 27, 2023
Poetry

Home: New Arabic Poems in Translation

11 OCTOBER 2023 • By Sarah Coolidge
<em>Home</em>: New Arabic Poems in Translation
Art & Photography

Art Curators as Public Intellectuals

1 OCTOBER 2023 • By Naima Morelli
Art Curators as Public Intellectuals
Art & Photography

World Picks From the Editors, Sept 29—Oct 15, 2023

29 SEPTEMBER 2023 • By TMR
World Picks From the Editors, Sept 29—Oct 15, 2023
Art

Special World Picks Sept 15-26 on TMR’s Third Anniversary

14 SEPTEMBER 2023 • By TMR
Special World Picks Sept 15-26 on TMR’s Third Anniversary
Amazigh

World Picks: Festival Arabesques in Montpellier

4 SEPTEMBER 2023 • By TMR
World Picks: Festival Arabesques in Montpellier
Opinion

The Middle East is Once Again West Asia

14 AUGUST 2023 • By Chas Freeman, Jr.
The Middle East is Once Again West Asia
Art

What Palestine Brings to the World—a Major Paris Exhibition

31 JULY 2023 • By Sasha Moujaes
<em>What Palestine Brings to the World</em>—a Major Paris Exhibition
Book Reviews

Can the Kurdish Women’s Movement Transform the Middle East?

31 JULY 2023 • By Matt Broomfield
Can the Kurdish Women’s Movement Transform the Middle East?
Interviews

Musical Artists at Work: Naïssam Jalal, Fazil Say & Azu Tiwaline

17 JULY 2023 • By Jordan Elgrably
Musical Artists at Work: Naïssam Jalal, Fazil Say & Azu Tiwaline
Book Reviews

Why Isn’t Ghaith Abdul-Ahad a Household Name?

10 JULY 2023 • By Iason Athanasiadis
Why Isn’t Ghaith Abdul-Ahad a Household Name?
Opinion

The End of the Palestinian State? Jenin Is Only the Beginning

10 JULY 2023 • By Yousef M. Aljamal
The End of the Palestinian State? Jenin Is Only the Beginning
Fiction

“The Long Walk of the Martyr”—fiction from Salar Abdoh

2 JULY 2023 • By Salar Abdoh
“The Long Walk of the Martyr”—fiction from Salar Abdoh
Featured Artist

Artist at Work: Syrian Filmmaker Afraa Batous

26 JUNE 2023 • By Dima Hamdan
Artist at Work: Syrian Filmmaker Afraa Batous
Book Reviews

Freedom and Dislocation in Jamal Mahjoub’s Novel, The Fugitives

26 JUNE 2023 • By David Rife
Freedom and Dislocation in Jamal Mahjoub’s Novel, <em>The Fugitives</em>
Columns

The Rite of Flooding: When the Land Speaks

19 JUNE 2023 • By Bint Mbareh
The Rite of Flooding: When the Land Speaks
Editorial

EARTH: Our Only Home

4 JUNE 2023 • By Jordan Elgrably
EARTH: Our Only Home
Essays

Turkey’s Earthquake as a Generational Disaster

4 JUNE 2023 • By Sanem Su Avci
Turkey’s Earthquake as a Generational Disaster
Art & Photography

Garden of Africa: Interview with Rachid Koraïchi

4 JUNE 2023 • By Rose Issa
Garden of Africa: Interview with Rachid Koraïchi
Books

The Markaz Review Interview—Leila Aboulela, Writing Sudan

29 MAY 2023 • By Yasmine Motawy
The Markaz Review Interview—Leila Aboulela, Writing Sudan
Books

Cruising the Abu Dhabi International Book Fair

29 MAY 2023 • By Rana Asfour
Cruising the Abu Dhabi International Book Fair
Islam

From Pawns to Global Powers: Middle East Nations Strike Back

29 MAY 2023 • By Chas Freeman, Jr.
From Pawns to Global Powers: Middle East Nations Strike Back
Music

Artist At Work: Maya Youssef Finds Home in the Qanun

22 MAY 2023 • By Rana Asfour
Artist At Work: Maya Youssef Finds Home in the Qanun
Film

The Refugees by the Lake, a Greek Migrant Story

8 MAY 2023 • By Iason Athanasiadis
The Refugees by the Lake, a Greek Migrant Story
Columns

Yogurt, Surveillance and Book Covers

1 MAY 2023 • By Malu Halasa
Yogurt, Surveillance and Book Covers
Film Reviews

Yallah Gaza! Presents the Case for Gazan Humanity

10 APRIL 2023 • By Karim Goury
<em>Yallah Gaza!</em> Presents the Case for Gazan Humanity
Arabic

Meet Ghoula—Arabic Music Remixed Via Tunisia

20 MARCH 2023 • By Melissa Chemam
Meet Ghoula—Arabic Music Remixed Via Tunisia
Fiction

“Raise Your Head High”—new fiction from Leila Aboulela

5 MARCH 2023 • By Leila Aboulela
“Raise Your Head High”—new fiction from Leila Aboulela
Centerpiece

Broken Home: Britain in the Time of Migration

5 MARCH 2023 • By Malu Halasa
Broken Home: Britain in the Time of Migration
Fiction

“Counter Strike”—a story by MK HARB

5 MARCH 2023 • By MK Harb
“Counter Strike”—a story by MK HARB
Cities

For Those Who Dwell in Tents, Home is Temporal—Or Is It?

5 MARCH 2023 • By Arie Amaya-Akkermans
For Those Who Dwell in Tents, Home is Temporal—Or Is It?
Cities

Nabeul, Mon Amour

5 MARCH 2023 • By Yesmine Abida
Nabeul, Mon Amour
Essays

Home Under Siege: a Palestine Photo Essay

5 MARCH 2023 • By Anam Raheem
Home Under Siege: a Palestine Photo Essay
Columns

Letter From Turkey—Antioch is Finished

20 FEBRUARY 2023 • By Arie Amaya-Akkermans
Letter From Turkey—Antioch is Finished
TV Review

Palestinian Territories Under Siege But Season 4 of Fauda Goes to Brussels and Beirut Instead

6 FEBRUARY 2023 • By Brett Kline
Palestinian Territories Under Siege But Season 4 of <em>Fauda</em> Goes to Brussels and Beirut Instead
Featured Artist

Benjemy : The unclassifiable Tunisian DJ

16 JANUARY 2023 • By Sarah Ben Hamadi
Benjemy : The unclassifiable Tunisian DJ
Art

The Creative Resistance in Palestinian Art

26 DECEMBER 2022 • By Malu Halasa
The Creative Resistance in Palestinian Art
Film

The Swimmers and the Mardini Sisters: a True Liberation Tale

15 DECEMBER 2022 • By Rana Haddad
<em>The Swimmers</em> and the Mardini Sisters: a True Liberation Tale
Essays

Sexploitation or Cinematic Art? The Case of Abdellatif Kechiche

15 DECEMBER 2022 • By Viola Shafik
Sexploitation or Cinematic Art? The Case of Abdellatif Kechiche
Essays

Conflict and Freedom in Palestine, a Trip Down Memory Lane

15 DECEMBER 2022 • By Eman Quotah
Art

Museums in Exile—MO.CO’s show for Chile, Sarajevo & Palestine

12 DECEMBER 2022 • By Jordan Elgrably
Museums in Exile—MO.CO’s show for Chile, Sarajevo & Palestine
Film

You Resemble Me Deconstructs a Muslim Life That Ends Radically

21 NOVEMBER 2022 • By Jordan Elgrably
<em>You Resemble Me</em> Deconstructs a Muslim Life That Ends Radically
Featured article

Thousands of Tunisians Are Attempting the “Harga”

31 OCTOBER 2022 • By Sarah Ben Hamadi
Thousands of Tunisians Are Attempting the “Harga”
Essays

Celebrating Mawlid An-Nabaoui with Stambeli Trance in Tunis

31 OCTOBER 2022 • By Shreya Parikh
Celebrating Mawlid An-Nabaoui with Stambeli Trance in Tunis
Poetry

We Say Salt from To Speak in Salt

15 OCTOBER 2022 • By Becky Thompson
We Say Salt from <em>To Speak in Salt</em>
Essays

Nawal El-Saadawi, a Heroine in Prison

15 OCTOBER 2022 • By Ibrahim Fawzy
Nawal El-Saadawi, a Heroine in Prison
Film Reviews

44th CINEMED fest to Fête Simone Bitton & Abdellatif Kéchiche

5 OCTOBER 2022 • By Jordan Elgrably
44th CINEMED fest to Fête Simone Bitton & Abdellatif Kéchiche
Book Reviews

A London Murder Mystery Leads to Jihadis and Syria

3 OCTOBER 2022 • By Ghazi Gheblawi
A London Murder Mystery Leads to Jihadis and Syria
Book Reviews

The Egyptian Revolution and “The Republic of False Truths”

26 SEPTEMBER 2022 • By Aimee Dassa Kligman
The Egyptian Revolution and “The Republic of False Truths”
Art & Photography

Kader Attia, Berlin Biennale’s Curator

15 SEPTEMBER 2022 • By Melissa Chemam
Kader Attia, Berlin Biennale’s Curator
Film

Ziad Kalthoum: Trajectory of a Syrian Filmmaker

15 SEPTEMBER 2022 • By Viola Shafik
Ziad Kalthoum: Trajectory of a Syrian Filmmaker
Film

The Mystery of Tycoon Michel Baida in Old Arab Berlin

15 SEPTEMBER 2022 • By Irit Neidhardt
The Mystery of Tycoon Michel Baida in Old Arab Berlin
Art & Photography

In Tunis, Art Reinvents and Liberates the City

29 AUGUST 2022 • By Sarah Ben Hamadi
In Tunis, Art Reinvents and Liberates the City
Film

Two Syrian Brothers Find Themselves in “We Are From There”

22 AUGUST 2022 • By Angélique Crux
Two Syrian Brothers Find Themselves in “We Are From There”
Opinion

Attack on Salman Rushdie is Shocking Tip of the Iceberg

15 AUGUST 2022 • By Jordan Elgrably
Attack on Salman Rushdie is Shocking Tip of the Iceberg
Book Reviews

Questionable Thinking on the Syrian Revolution

1 AUGUST 2022 • By Fouad Mami
Questionable Thinking on the Syrian Revolution
Poetry

Poem for Tunisia: “Court of Nothing”

1 AUGUST 2022 • By Farah Abdessamad
Poem for Tunisia: “Court of Nothing”
Columns

Tunisia’s Imed Alibi Crosses Borders in new “Frigya” Electronica Album

18 JULY 2022 • By Melissa Chemam
Tunisia’s Imed Alibi Crosses Borders in new “Frigya” Electronica Album
Art

Abundant Middle Eastern Talent at the ’22 Avignon Theatre Fest

18 JULY 2022 • By Nada Ghosn
Abundant Middle Eastern Talent at the ’22 Avignon Theatre Fest
Film

Tunisians On the Couch in “Arab Blues”

15 JULY 2022 • By Mischa Geracoulis
Tunisians On the Couch in “Arab Blues”
Book Reviews

A Poet and Librarian Catalogs Life in Gaza

20 JUNE 2022 • By Eman Quotah
A Poet and Librarian Catalogs Life in Gaza
Columns

World Refugee Day — What We Owe Each Other

20 JUNE 2022 • By Jordan Elgrably
World Refugee Day — What We Owe Each Other
Art & Photography

Featured Artist: Steve Sabella, Beyond Palestine

15 JUNE 2022 • By TMR
Featured Artist: Steve Sabella, Beyond Palestine
Art & Photography

Steve Sabella: Excerpts from “The Parachute Paradox”

15 JUNE 2022 • By Steve Sabella
Steve Sabella: Excerpts from “The Parachute Paradox”
Book Reviews

Fragmented Love in Alison Glick’s “The Other End of the Sea”

16 MAY 2022 • By Nora Lester Murad
Fragmented Love in Alison Glick’s “The Other End of the Sea”
Latest Reviews

Food in Palestine: Five Videos From Nasser Atta

15 APRIL 2022 • By Nasser Atta
Food in Palestine: Five Videos From Nasser Atta
Columns

Libyan, Palestinian and Syrian Family Dinners in London

15 APRIL 2022 • By Layla Maghribi
Libyan, Palestinian and Syrian Family Dinners in London
Opinion

U.S. Sanctions Russia for its Invasion of Ukraine; Now Sanction Israel for its Occupation of Palestine

21 MARCH 2022 • By Yossi Khen, Jeff Warner
U.S. Sanctions Russia for its Invasion of Ukraine; Now Sanction Israel for its Occupation of Palestine
Essays

Mariupol, Ukraine and the Crime of Hospital Bombing

17 MARCH 2022 • By Neve Gordon, Nicola Perugini
Mariupol, Ukraine and the Crime of Hospital Bombing
Poetry

Three Poems of Love and Desire by Nouri Al-Jarrah

15 MARCH 2022 • By Nouri Al-Jarrah
Three Poems of Love and Desire by Nouri Al-Jarrah
Art

Fiction: “Skin Calluses” by Khalil Younes

15 MARCH 2022 • By Khalil Younes
Fiction: “Skin Calluses” by Khalil Younes
Opinion

Ukraine War Reminds Refugees Some Are More Equal Than Others

7 MARCH 2022 • By Anna Lekas Miller
Ukraine War Reminds Refugees Some Are More Equal Than Others
Columns

“There’s Nothing Worse Than War”

24 FEBRUARY 2022 • By Jordan Elgrably
“There’s Nothing Worse Than War”
Art

“A Tunisian Revolt” — the Rebel Power of Arab Comics

21 FEBRUARY 2022 • By Nada Ghosn
“A Tunisian Revolt” — the Rebel Power of Arab Comics
Editorial

Refuge, or the Inherent Dignity of Every Human Being

15 JANUARY 2022 • By Jordan Elgrably
Refuge, or the Inherent Dignity of Every Human Being
Art & Photography

Children in Search of Refuge: a Photographic Essay

15 JANUARY 2022 • By Iason Athanasiadis
Children in Search of Refuge: a Photographic Essay
Columns

Getting to the Other Side: a Kurdish Migrant Story

15 JANUARY 2022 • By Iason Athanasiadis
Getting to the Other Side: a Kurdish Migrant Story
Film Reviews

“Europa,” Iraq’s Entry in the 94th annual Oscars, Frames Epic Refugee Struggle

15 JANUARY 2022 • By Thomas Dallal
“Europa,” Iraq’s Entry in the 94th annual Oscars, Frames Epic Refugee Struggle
Fiction

Fiction: Refugees in Serbia, an excerpt from “Silence is a Sense” by Layla AlAmmar

15 JANUARY 2022 • By Layla AlAmmar
Fiction: Refugees in Serbia, an excerpt from “Silence is a Sense” by Layla AlAmmar
Book Reviews

Temptations of the Imagination: how Jana Elhassan and Samar Yazbek transmogrify the world

10 JANUARY 2022 • By Rana Asfour
Temptations of the Imagination: how Jana Elhassan and Samar Yazbek transmogrify the world
Columns

Music in the Middle East: Business can’t Buy Authenticity

20 DECEMBER 2021 • By Melissa Chemam
Music in the Middle East: Business can’t Buy Authenticity
Fiction

Three Levantine Tales

15 DECEMBER 2021 • By Nouha Homad
Three Levantine Tales
Book Reviews

From Jerusalem to a Kingdom by the Sea

29 NOVEMBER 2021 • By Rana Asfour
From Jerusalem to a Kingdom by the Sea
Essays

Syria Through British Eyes

29 NOVEMBER 2021 • By Rana Haddad
Syria Through British Eyes
Art & Photography

Hayy Jameel — Jeddah’s Sparkling New Center for the Arts

22 NOVEMBER 2021 • By TMR
Hayy Jameel — Jeddah’s Sparkling New Center for the Arts
Art & Photography

Traveling in Contentious Spaces — Saudi Arabia

22 NOVEMBER 2021 • By Deborah Williams
Traveling in Contentious Spaces — Saudi Arabia
Fiction

The Promotion (a short story from Saudi Arabia)

22 NOVEMBER 2021 • By Waqar Ahmed
The Promotion (a short story from Saudi Arabia)
Columns

Burning Forests, Burning Nations

15 NOVEMBER 2021 • By Hadani Ditmars
Burning Forests, Burning Nations
Book Reviews

The Vanishing: Are Arab Christians an Endangered Minority?

15 NOVEMBER 2021 • By Hadani Ditmars
The Vanishing: Are Arab Christians an Endangered Minority?
Columns

Refugees Detained in Thessonaliki’s Diavata Camp Await Asylum

1 NOVEMBER 2021 • By Iason Athanasiadis
Refugees Detained in Thessonaliki’s Diavata Camp Await Asylum
Interviews

Interview With Prisoner X, Accused by the Bashar Al-Assad Regime of Terrorism

15 OCTOBER 2021 • By Jordan Elgrably
Interview With Prisoner X, Accused by the Bashar Al-Assad Regime of Terrorism
Film Reviews

Will Love Triumph in the Midst of Gaza’s 14-Year Siege?

11 OCTOBER 2021 • By Jordan Elgrably
Will Love Triumph in the Midst of Gaza’s 14-Year Siege?
Essays

Why Resistance Is Foundational to Kurdish Literature

15 SEPTEMBER 2021 • By Ava Homa
Why Resistance Is Foundational to Kurdish Literature
Editorial

Why COMIX? An Emerging Medium of Writing the Middle East and North Africa

15 AUGUST 2021 • By Aomar Boum
Why COMIX? An Emerging Medium of Writing the Middle East and North Africa
Latest Reviews

Rebellion Resurrected: The Will of Youth Against History

15 AUGUST 2021 • By George Jad Khoury
Rebellion Resurrected: The Will of Youth Against History
Book Reviews

Egypt Dreams of Revolution, a Review of “Slipping”

8 AUGUST 2021 • By Farah Abdessamad
Egypt Dreams of Revolution, a Review of “Slipping”
Weekly

Heba Hayek’s Gaza Memories

1 AUGUST 2021 • By Shereen Malherbe
Heba Hayek’s Gaza Memories
Memoir

“Guns and Figs” from Heba Hayek’s new Gaza book

1 AUGUST 2021 • By Heba Hayek
“Guns and Figs” from Heba Hayek’s new Gaza book
Weekly

Wafa Shami’s Palestinian Mulukhiyah

25 JULY 2021 • By Wafa Shami
Wafa Shami’s Palestinian Mulukhiyah
Weekly

Summer of ‘21 Reading—Notes from the Editors

25 JULY 2021 • By TMR
Summer of ‘21 Reading—Notes from the Editors
Weekly

Fadi Kattan’s Fatteh Ghazawiya الفتة الغزاوية

25 JULY 2021 • By Fadi Kattan
Fadi Kattan’s Fatteh Ghazawiya الفتة الغزاوية
Columns

When War is Just Another Name for Murder

15 JULY 2021 • By Norman G. Finkelstein
When War is Just Another Name for Murder
Fiction

Gazan Skies, from the novel “Out of It”

14 JULY 2021 • By Selma Dabbagh
Gazan Skies, from the novel “Out of It”
Art

Malak Mattar — Gaza Artist and Survivor

14 JULY 2021 • By Jordan Elgrably
Malak Mattar — Gaza Artist and Survivor
Essays

The Gaza Mythologies

14 JULY 2021 • By Ilan Pappé
The Gaza Mythologies
Columns

The Semantics of Gaza, War and Truth

14 JULY 2021 • By Mischa Geracoulis
The Semantics of Gaza, War and Truth
Latest Reviews

No Exit

14 JULY 2021 • By Allam Zedan
No Exit
Essays

Gaza, You and Me

14 JULY 2021 • By Abdallah Salha
Gaza, You and Me
Essays

Sailing to Gaza to Break the Siege

14 JULY 2021 • By Greta Berlin
Sailing to Gaza to Break the Siege
Columns

Gaza’s Catch-22s

14 JULY 2021 • By Khaled Diab
Gaza’s Catch-22s
Essays

Making a Film in Gaza

14 JULY 2021 • By Elana Golden
Making a Film in Gaza
Essays

Gaza IS Palestine

14 JULY 2021 • By Jenine Abboushi
Gaza IS Palestine
Latest Reviews

A Response to “Gaza: Mowing the Lawn” 2014-15

14 JULY 2021 • By Tony Litwinko
A Response to “Gaza: Mowing the Lawn” 2014-15
Centerpiece

“Gaza: Mowing the Lawn” by Artist Jaime Scholnick

14 JULY 2021 • By Sagi Refael
“Gaza: Mowing the Lawn” by Artist Jaime Scholnick
Book Reviews

ISIS and the Absurdity of War in the Age of Twitter

4 JULY 2021 • By Jessica Proett
ISIS and the Absurdity of War in the Age of Twitter
Weekly

A New Book on Music, Palestine-Israel & the “Three State Solution”

28 JUNE 2021 • By Mark LeVine
A New Book on Music, Palestine-Israel & the “Three State Solution”
Essays

Syria’s Ruling Elite— A Master Class in Wasta

14 JUNE 2021 • By Lawrence Joffe
Syria’s Ruling Elite— A Master Class in Wasta
Centerpiece

I Love Wasta, Hate Standing in Line in Egypt, But I Am Poor

14 JUNE 2021 • By Ahmed Naji, Rana Asfour
I Love Wasta, Hate Standing in Line in Egypt, But I Am Poor
Weekly

The Maps of Our Destruction: Two Novels on Syria

30 MAY 2021 • By Rana Asfour
The Maps of Our Destruction: Two Novels on Syria
Art & Photography

Walls, Graffiti and Youth Culture in Egypt, Libya & Tunisia

14 MAY 2021 • By Claudia Wiens
Walls, Graffiti and Youth Culture in Egypt, Libya & Tunisia
Art

The Murals of Yemen’s Haifa Subay

14 MAY 2021 • By Farah Abdessamad
The Murals of Yemen’s Haifa Subay
Essays

We Are All at the Border Now

14 MAY 2021 • By Todd Miller
We Are All at the Border Now
Essays

From Damascus to Birmingham, a Selected Glossary

14 MAY 2021 • By Frances Zaid
From Damascus to Birmingham, a Selected Glossary
Weekly

Beirut Brings a Fragmented Family Together in “The Arsonists’ City”

9 MAY 2021 • By Rana Asfour
Book Reviews

Being Jewish and Muslim Together: Remembering Our Legacy

28 MARCH 2021 • By Joyce Zonana
Being Jewish and Muslim Together: Remembering Our Legacy
Poetry

The Freedom You Want

14 MARCH 2021 • By Mohja Kahf
The Freedom You Want
Poetry

A visual poem from Hala Alyan: Gaza

14 MARCH 2021 • By TMR
A visual poem from Hala Alyan: Gaza
Columns

Memory and the Assassination of Lokman Slim

14 MARCH 2021 • By Claire Launchbury
Memory and the Assassination of Lokman Slim
Columns

In Yemen, Women are the Heroes

7 MARCH 2021 • By Farah Abdessamad
In Yemen, Women are the Heroes
TMR 6 • Revolutions

Revolution Viewed from the Crow’s Nest of History

15 FEBRUARY 2021 • By Melissa Chemam
Revolution Viewed from the Crow’s Nest of History
Essays

A Permanent Temporariness

14 FEBRUARY 2021 • By Alia Mossallam
A Permanent Temporariness
Centerpiece

Egypt’s Night of the Battle of Horses and Camels

14 FEBRUARY 2021 • By Iason Athanasiadis
Egypt’s Night of the Battle of Horses and Camels
TMR 6 • Revolutions

Ten Years of Hope and Blood

14 FEBRUARY 2021 • By Robert Solé
Ten Years of Hope and Blood
Weekly

Francofeminism: a Postcolonial History

14 FEBRUARY 2021 • By TMR
Francofeminism: a Postcolonial History
TMR 6 • Revolutions

The Revolution Sees its Shadow 10 Years Later

14 FEBRUARY 2021 • By Mischa Geracoulis
The Revolution Sees its Shadow 10 Years Later
TMR 5 • Water

Watch Water Films & Donate to Water Organizations

16 JANUARY 2021 • By TMR
Watch Water Films & Donate to Water Organizations
Film Reviews

Muhammad Malas, Syria’s Auteur, is the subject of a Film Biography

10 JANUARY 2021 • By Rana Asfour
Muhammad Malas, Syria’s Auteur, is the subject of a Film Biography
TMR 4 • Small & Indie Presses

Trembling Landscapes: Between Reality and Fiction: Eleven Artists from the Middle East*

14 DECEMBER 2020 • By Nat Muller
Trembling Landscapes: Between Reality and Fiction: Eleven Artists from the Middle East*
TMR 4 • Small & Indie Presses

Freedom is femininity: Faraj Bayrakdar

14 DECEMBER 2020 • By Faraj Bayrakdar
Freedom is femininity: Faraj Bayrakdar
TMR 4 • Small & Indie Presses

You Drive Me Crazy, from “Bride of the Sea”

14 DECEMBER 2020 • By Eman Quotah
You Drive Me Crazy, from “Bride of the Sea”
TMR 3 • Racism & Identity

Systemic Racism in Tunisia Hasn’t Gone Away

15 NOVEMBER 2020 • By TMR
Systemic Racism in Tunisia Hasn’t Gone Away
The Red and the Blue

Trump’s “Favorite Dictator” Imprisons Journalists

15 OCTOBER 2020 • By Monique El-Faizy
Trump’s “Favorite Dictator” Imprisons Journalists
World Picks

World Art, Music & Zoom Beat the Pandemic Blues

28 SEPTEMBER 2020 • By Malu Halasa
World Art, Music & Zoom Beat the Pandemic Blues
World Picks

Interlink Proposes 4 New Arab Novels

22 SEPTEMBER 2020 • By TMR
Interlink Proposes 4 New Arab Novels
Music

Emel Mathlouthi Returns with The Tunis Diaries

22 SEPTEMBER 2020 • By TMR
Emel Mathlouthi Returns with The Tunis Diaries
Book Reviews

Poetic Exploration of Illness Conveys Trauma

14 SEPTEMBER 2020 • By India Hixon Radfar
Poetic Exploration of Illness Conveys Trauma

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