The Refugees by the Lake, a Greek Migrant Story
Iason Athanasiadis reviews the film of a migrant story set in Greece that has just been nominated for 17 Greek Cinema Academy Awards.
Iason Athanasiadis reviews the film of a migrant story set in Greece that has just been nominated for 17 Greek Cinema Academy Awards.
Deborah Williams reviews the new literary thriller from Rebecca Makkai that makes us question everything we know.
Rula Khateeb Jarallah reviews the news translation of the Mohammed Said Hjiouij novella in which a man is transformed into a monkey.
Mona Kareem presents three poems from her new collection, I Will Not Fold These Maps, translated by Sara Elkamel.
The poet presents three poems from her fifth collection, If This Makes You Nervous.
Iason Athanasiadis on how the Arab world’s most famous product went from boisterous matchbox to counter-hegemon with an establishment role.
Novelist Anis Shivani has lived in Houston for more than a decade and sets his upcoming novel amongst its immigrant community.
Jordan Elgrably interviews the Algerian-French iconoclast about her first album after Covid and about why she's devoted her life to freedom.
Artist Salman Toor paints immigrants and addresses the treatment of brown men and young people in public and private spaces. He is also concerned with the effects of technology on contemporary life.
Lebanon's garbage crisis inspired a futurist film but the 2020 Port Explosion made it a contemporary dystopia.
Ahmed Awadalla reflects on how his pursuit of freedom through a job in Cairo has led to growing pains that followed him to Berlin.
Malu Halasa finds unexpected tastes, pleasures and upsets at the 2023 London Book Fair.
In which an Arab woman in a diverse work environment finds that going along to get along with a racist colleague is just too much.
Reem Halasa profiles a handful of Arab women in Jordan who love to drive fast, compete and claim victory.
Arab writer Nashwa Nasreldin reflects on her work experiences at home and abroad, and on the meaning of everything.