After Nine Years in Detention, an Iraqi is Finally Granted Asylum
Rana Asfour reviews the third novel from Dutch Iraqi writer Rodaan Al Galidi.
Rana Asfour reviews the third novel from Dutch Iraqi writer Rodaan Al Galidi.
Angélique Crux reviews the award-winning documentary from Lebanese filmmaker Wissam Tanios.
In her 10th music column for TMR, Melissa Chemam profiles Palestinian oud performer and percussionist Yousef Zayed, who lives in France.
Storyteller Sahand Sahebdivani remembers the late Turkish firebrand Aziz Nesin who wanted to translate Salman Rushdie's "The Satanic Verses."
In "The Handsome Jew" the novelist from Yemen recounts a powerful yet tragic tale of forbidden love.
An attack on one writer anywhere is an attack on freedom of expression everywhere.
Dr. Abdullah Chahin, author of a book on the Syrian quagmire, responds to the TMR review of his book.
Jordan Elgrably paints a portrait of a translingual Moroccan American who champions the inbetween.
Mischa Geracoulis reviews dance music from the LA Armenian/Middle Eastern duo, Bei Ru and Krista Marina.
Critic Fouad Mami suggests that a Syrian author may be guilty of pseudo-thinking in service of the counterrevolution.
Farah Abdessamad responds to Tunisia's July 25 constitutional referendum with a poem for her country.
Our columnist on the ground in Tunis, Emna Mizouni, reluctantly reports that Tunisia's fragile democracy appears doomed.
Algerian critic Fouad Mami parses his nation's history and independence from France, on Algeria's 60th anniversary.
Multimedia artist Mara Ahmed translates and reads Pakistani poet Faiz Ahmed Faiz's Urdu classic, composed while in prison.
The Markaz Review presents Libya's Mohammed al-Naas in these exclusive excerpts translated by Rana Asfour.