Baghdad Art Scene Springs to Life as Iraq Seeks Renewal
Hadani Ditmars, fresh from a return trip to Iraq, surveys the burgeoning plastic arts scene.
Hadani Ditmars, fresh from a return trip to Iraq, surveys the burgeoning plastic arts scene.
For our 21st monthly issue, TMR features the work of an artist who is continually working out what it means to be a Palestinian citizen of Israel.
Melissa Chemam interviews the London-based Franco-Algerian artist whose pavilion won Special Jury Mention in Venice.
Philosophy professor David Capps discusses our perception of Israeli sculptress Ronit Baranga's controversial art.
Melissa Chemam is swept away by an Iraqi American artist's latest exhibit at Mosaic Rooms in London.
Artist Reem Mouasher shares her recent series of paintings, inspired by the era of hand-written love letters, borrowing words of great Arab poets; Gibran, Qabbani, Al-Mutanabbi and Mahmoud Darwish.
Syrian artist and writer Khalil Younes recalls the strained sexuality of Martyrs Square in Damascus.
Writer-translator Nada Ghosn talks to the illustrator of a new graphic novel recounting one of Tunisia's earliest uprisings, in 1984, presaging the Jasmine Revolution.
Artist Atia Shafee hopes that her paintings will "resonate, trigger, and challenge, drawing the observer into the experience," imparting a universal appreciation for art.
Farzad Kohan's art is a bridge and commentary on his Iranian and American worlds, sometimes converging, at other times colliding.
Artist and writer Micaela Amateau Amato uses art and words to create unique ways of transmogrifying the world.
Iranian American artist Amitis Motevalli performs "baba karam" dance lessons, in a caricature of the street tough dance called “jahel,” often performed by women in drag as a commentary on gender and class constrictions.
The Moroccan, French and American artist Rachid Bouhamidi shares his love of portraiture as he peels back the layers of his friends with oils on wood.
Arie Akkermans reviews an Iraqi American's exhibitions as they attempt to recreate missing and destroyed artifacts taken from the National Museum of Iraq after the American invasion in 2003.
Art critic Arie Amaya-Akkermans summons the gods of art and poetry as he reviews the life work of the late polymath Etel Adnan, 1925-2021.