Mohamed Makhzangi Despairs at Man’s Cruelty to Animals
Saliha Haddad reviews the new translation of a major collection of short stories by the Egyptian author.
Saliha Haddad reviews the new translation of a major collection of short stories by the Egyptian author.
The Markaz Review recommends the following exhibitions, on now in Paris, New York, Montpellier, London, Marseille and Beirut.
Pierre Daum, a correspondent for Le Monde Diplomatique, goes in search of Algerian artists in Algiers.
Laëtitia Soula caught the opening of Djamel Tatah's extravagant show at the Musée Fabre in Montpellier, where she spoke with the artist.
Jordan Elgrably tours the MO.CO exhibition in Montpellier devoted to the people of Chile, Sarajevo and Palestine.
Nora Ounnas Leroy reviews the Palestine collection in MO.CO's "Museums in Exile" exhibition, in Montpellier through Feb. 5, 2023.
In the final installment of her three-part travel series on Israel/Palestine, Jenine Abboushi tours Hebron, Nablus and Jenin.
Melissa Chemam reviews the new taboo-busting feature film from Moroccan director Maryam Touzani.
Diana Buttu, a Palestinian lawyer in Haifa, reviews the family memoir that evokes nearly a century of Palestinian trauma.
Mireille Rebeiz objects to geopolitical hypocrisy when it comes to migrants and workers' rights, and supports the upcoming US-Iran match in Doha.
One of Iran's contemporary writers shares his thoughts with a friend in the west about the direction the country is going as a result of the Mahsa Amini protests.
Mariam Elnozahy reviews the new exhibit at London's Mosaic Rooms that looks at ecology and politics in Lebanon.
Justin Olivier Salhani reviews a new anthology on football and the Middle East just as the World Cup kicks off in Qatar.
In her monthly music column, Melissa Chemam talks to Sabrine Jenhani, half of the indie Tunisian duo Ÿuma.
We saw Dina Amer's debut feature film based on the life of Hasna Ait Boulahcen, yet another victim of Wahhabi/Salafi extremism.