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TMR Weekly

26 December, 2022 • Saliha Haddad

Mohamed Makhzangi Despairs at Man’s Cruelty to Animals

Saliha Haddad reviews the new translation of a major collection of short stories by the Egyptian author.

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12 December, 2022 • TMR

Art World Picks: Albraehe, Kerem Yavuz, Zeghidour, Amer & Tatah

The Markaz Review recommends the following exhibitions, on now in Paris, New York, Montpellier, London, Marseille and Beirut.

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12 December, 2022 • Pierre Daum

The Contemporary Art Scene in Algiers (Fragments)

Pierre Daum, a correspondent for Le Monde Diplomatique, goes in search of Algerian artists in Algiers.

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12 December, 2022 • Laëtitia Soula

French-Algerian Artist Djamel Tatah’s Solitary Crowds

Laëtitia Soula caught the opening of Djamel Tatah's extravagant show at the Musée Fabre in Montpellier, where she spoke with the artist.

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12 December, 2022 • Jordan Elgrably

Museums in Exile—MO.CO’s show for Chile, Sarajevo & Palestine

Jordan Elgrably tours the MO.CO exhibition in Montpellier devoted to the people of Chile, Sarajevo and Palestine.

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12 December, 2022 • Nora Ounnas Leroy

Where is the Palestinian National Museum of Modern and Contemporary Art?

Nora Ounnas Leroy reviews the Palestine collection in MO.CO's "Museums in Exile" exhibition, in Montpellier through Feb. 5, 2023.

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5 December, 2022 • Jenine Abboushi

Sudden Journeys: Israel’s Intimate Separations—Part 3

In the final installment of her three-part travel series on Israel/Palestine, Jenine Abboushi tours Hebron, Nablus and Jenin.

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5 December, 2022 • Melissa Chemam

Love Has Everything to Do with Maryam Touzani’s The Blue Caftan

Melissa Chemam reviews the new taboo-busting feature film from Moroccan director Maryam Touzani.

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28 November, 2022 • Diana Buttu

Fida Jiryis on Palestine in Stranger in My Own Land

Diana Buttu, a Palestinian lawyer in Haifa, reviews the family memoir that evokes nearly a century of Palestinian trauma.

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28 November, 2022 • Mireille Rebeiz

Historic Game on the Horizon: US Faces Iran Once More

Mireille Rebeiz objects to geopolitical hypocrisy when it comes to migrants and workers' rights, and supports the upcoming US-Iran match in Doha.

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28 November, 2022 • TMR

Letter From Tehran: From Hair to Hugs, Times Are Changing

One of Iran's contemporary writers shares his thoughts with a friend in the west about the direction the country is going as a result of the Mahsa Amini protests.

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28 November, 2022 • Mariam Elnozahy

Our Shared Future: Marwa Arsanios’ “Reverse Shot”

Mariam Elnozahy reviews the new exhibit at London's Mosaic Rooms that looks at ecology and politics in Lebanon.

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21 November, 2022 • Justin Olivier Salhani

Football in the Middle East: State, Society, and the Beautiful Game

Justin Olivier Salhani reviews a new anthology on football and the Middle East just as the World Cup kicks off in Qatar.

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21 November, 2022 • Melissa Chemam

Dynamic Acoustic Duo Ÿuma Allies with Tunisia and Derja

In her monthly music column, Melissa Chemam talks to Sabrine Jenhani, half of the indie Tunisian duo Ÿuma.

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21 November, 2022 • Jordan Elgrably

You Resemble Me Deconstructs a Muslim Life That Ends Radically

We saw Dina Amer's debut feature film based on the life of Hasna Ait Boulahcen, yet another victim of Wahhabi/Salafi extremism.

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The Markaz Review is a literary arts publication and cultural institution that curates content and programs on the greater Middle East and our communities in diaspora. The Markaz signifies “the center” in Arabic, as well as Persian, Turkish, Hebrew and Urdu.

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