A visual poem from Hala Alyan: Gaza
A spoken word poem from the author of The Twenty-Ninth Year and The Arsonists' City.
A spoken word poem from the author of The Twenty-Ninth Year and The Arsonists' City.
Francisco Letelier searches for the truth about his father's assassination in Washington DC while excavating US government complicity in its cover-up.
Mischa Geracoulis shares the story of an art project among refugee children that helped Mahmoud Ismail through hard times.
Farah Abdessamad reviews a new English translation of Impostures from Basra-born Al-Hariri that revives the "eloquent rogue" genre of classical Arabic literature.
Hundreds of French and Anglophone academics are speaking out against what they call the French government’s “conspiracy theory” and “witch hunt” of so-called Islamo-leftists.
Would you trust an algorithm to sell you a used car? Andy Lee Roth peers under the hood of Big Tech and finds plenty we should be worrying about.
Marcus Gilroy-Ware, the author of After the Fact, The Truth About Fake News, warns that literacy and numeracy are on the wain.
International aid worker and writer Farah Abdessamad has been traveling to Yemen for work since 2014. This is the first time she has written about her experiences there publicly.
Melissa Chemam considers the sixth novel by France's former teen sensation Faïza Guène and whether she is now part of the literary canon.
Culture critic and filmmaker Mara Ahmed deconstructs three versions of an opéra-ballet to get at the heart of western racism in mainstream dance performance.
Ammiel Alcalay remembers an American original, poet Lawrence Ferlinghetti, who was also the publisher and doyen of City Lights Bookstore in San Francisco.
Rana Haddad interviews Istanbullu novelist Nektaria Anastasiadou about the little-known Rum community of Istanbul featured in her new novel.
Travel the world, meet people, see great places, without ever leaving the comfort of your screen…welcome to the pandemic!
Columnist Melissa Chemam argues we ought to take the long view on the Arab uprisings and remember the many French revolutions by way of precedence.
Nada Ghosn talks to Beirut's powerhouse Hanane Hajj Ali who receives an international theatre award from League of Professional Theatre Women out of New York.