Palestine Features in Larissa Sansour’s Sci-Fi Future

Larissa Sansour, "In the Future They Ate From the Finest Porcelain," diasec mounted on acrylic, 75x150cm, 2016 (courtesy of the artist and Art Momentum).

6 DECEMBER 2024 • By Larissa Sansour
Our Featured Artist for TMR 47 • GENRE FICTION is Larissa Sansour, a Palestinian-born artist whose work is bound up with visions of the future. She makes use of science fiction as a vehicle for providing an alternative perspective on current social issues. Her practice includes photography, film, sculpture, and installation art. Her sci-fi trilogy, under the common themes of loss, belonging, heritage and national identity, are A Space Exodus (2008), Nation Estate (2012) and In the Future They Ate from the Finest Porcelain (2015) each exploring different aspects of the political turmoil in the center of the world aka the Middle East.
While A Space Exodus  envisions the final uprootedness of the Palestinian experience and takes the current political predicament to its extra-terrestrial extreme by landing the first Palestinian on the moon, Nation Estate  reveals a sinister account of an entire population restricted to a single skyscraper, with each Palestinian city confined to a single floor. In the trilogy’s final installment, In the Future They Ate from the Finest Porcelain, a narrative resistance leader engages in archaeological warfare in a desperate attempt to secure the future of her people. Using the language of sci-fi and glossy production, Sansour’s trilogy presents a dystopian vision of a Middle East on the brink of the apocalypse. Below, we share trailers for these films, along with Sansour’s introduction. You can stream the films here:
Larissa Sansour

Larissa Sansour Born in East Jerusalem to a Palestinian mother and a Russian father, Larissa Sansour grew up in Bethlehem and later studied Fine Art in Copenhagen, London and New York. She represented Denmark at the 58th Venice Biennale. Recent solo exhibitions... Read more

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Sudden Journeys: Israel’s Intimate Separations—Part 1
Centerpiece

“What Are You Doing in Berlin?”—a short story by Ahmed Awny

15 SEPTEMBER 2022 • By Ahmed Awny, Rana Asfour
“What Are You Doing in Berlin?”—a short story by Ahmed Awny
Columns

Phoneless in Filthy Berlin

15 SEPTEMBER 2022 • By Maisan Hamdan, Rana Asfour
Phoneless in Filthy Berlin
Art & Photography

Photographer Mohamed Badarne (Palestine) and his U48 Project

15 SEPTEMBER 2022 • By Viola Shafik
Photographer Mohamed Badarne (Palestine) and his U48 Project
Essays

Exile, Music, Hope & Nostalgia Among Berlin’s Arab Immigrants

15 SEPTEMBER 2022 • By Diana Abbani
Exile, Music, Hope & Nostalgia Among Berlin’s Arab Immigrants
Art & Photography

In Tunis, Art Reinvents and Liberates the City

29 AUGUST 2022 • By Sarah Ben Hamadi
In Tunis, Art Reinvents and Liberates the City
Art

Abundant Middle Eastern Talent at the ’22 Avignon Theatre Fest

18 JULY 2022 • By Nada Ghosn
Abundant Middle Eastern Talent at the ’22 Avignon Theatre Fest
Editorial

Editorial: Is the World Driving Us Mad?

15 JULY 2022 • By TMR
Editorial: Is the World Driving Us Mad?
Book Reviews

Leaving One’s Country in Mai Al-Nakib’s “An Unlasting Home”

27 JUNE 2022 • By Rana Asfour
Leaving One’s Country in Mai Al-Nakib’s “An Unlasting Home”
Art & Photography

Featured Artist: Steve Sabella, Beyond Palestine

15 JUNE 2022 • By TMR
Featured Artist: Steve Sabella, Beyond Palestine
Essays

Sulafa Zidani: “Three Buses and the Rhythm of Remembering”

15 JUNE 2022 • By Sulafa Zidani
Sulafa Zidani: “Three Buses and the Rhythm of Remembering”
Film

Saeed Taji Farouky: “Strange Cities Are Familiar”

15 JUNE 2022 • By Saeed Taji Farouky
Saeed Taji Farouky: “Strange Cities Are Familiar”
Art & Photography

Steve Sabella: Excerpts from “The Parachute Paradox”

15 JUNE 2022 • By Steve Sabella
Steve Sabella: Excerpts from “The Parachute Paradox”
Art

Lisa Teasley: “Death is Beautiful”

15 JUNE 2022 • By Lisa Teasley
Lisa Teasley: “Death is Beautiful”
Fiction

Selma Dabbagh: “Trash”

15 JUNE 2022 • By Selma Dabbagh
Selma Dabbagh: “Trash”
Fiction

“The Salamander”—fiction from Sarah AlKahly-Mills

15 JUNE 2022 • By Sarah AlKahly-Mills
“The Salamander”—fiction from Sarah AlKahly-Mills
Book Reviews

Fragmented Love in Alison Glick’s “The Other End of the Sea”

16 MAY 2022 • By Nora Lester Murad
Fragmented Love in Alison Glick’s “The Other End of the Sea”
Featured excerpt

Arguments Toward a Universal Palestinian Identity

11 MAY 2022 • By Maurice Ebileeni
Arguments Toward a Universal Palestinian Identity
Opinion

Palestinians and Israelis Will Commemorate the Nakba Together

25 APRIL 2022 • By Rana Salman, Yonatan Gher
Palestinians and Israelis Will Commemorate the Nakba Together
Book Reviews

Egyptian Comedic Novel Captures Dark Tale of Bedouin Migrants

18 APRIL 2022 • By Saliha Haddad
Egyptian Comedic Novel Captures Dark Tale of Bedouin Migrants
Columns

Green Almonds in Ramallah

15 APRIL 2022 • By Wafa Shami
Green Almonds in Ramallah
Art

The Scandal of Ronit Baranga’s “All Things Sweet and Painful”

15 APRIL 2022 • By David Capps
The Scandal of Ronit Baranga’s “All Things Sweet and Painful”
Columns

Libyan, Palestinian and Syrian Family Dinners in London

15 APRIL 2022 • By Layla Maghribi
Libyan, Palestinian and Syrian Family Dinners in London
Film Reviews

Palestine in Pieces: Hany Abu-Assad’s Huda’s Salon

21 MARCH 2022 • By Jordan Elgrably
Palestine in Pieces: Hany Abu-Assad’s <em>Huda’s Salon</em>
Opinion

U.S. Sanctions Russia for its Invasion of Ukraine; Now Sanction Israel for its Occupation of Palestine

21 MARCH 2022 • By Yossi Khen, Jeff Warner
U.S. Sanctions Russia for its Invasion of Ukraine; Now Sanction Israel for its Occupation of Palestine
Art

Hand-Written Love Letters and Words of the Great Arab Poets

15 MARCH 2022 • By Reem Mouasher
Hand-Written Love Letters and Words of the Great Arab Poets
Art & Photography

On “True Love Leaves No Traces”

15 MARCH 2022 • By Arie Amaya-Akkermans
On “True Love Leaves No Traces”
Book Reviews

The Art of Remembrance in Abacus of Loss

15 MARCH 2022 • By Sherine Elbanhawy
The Art of Remembrance in <em>Abacus of Loss</em>
Columns

“There’s Nothing Worse Than War”

24 FEBRUARY 2022 • By Jordan Elgrably
“There’s Nothing Worse Than War”
Essays

Taming the Immigrant: Musings of a Writer in Exile

15 JANUARY 2022 • By Ahmed Naji, Rana Asfour
Taming the Immigrant: Musings of a Writer in Exile
Editorial

Refuge, or the Inherent Dignity of Every Human Being

15 JANUARY 2022 • By Jordan Elgrably
Refuge, or the Inherent Dignity of Every Human Being
Featured article

Settling: Towards an Arabic translation of the English word “Home”

15 JANUARY 2022 • By Hisham Bustani, Alice Guthrie
Settling: Towards an Arabic translation of the English word “Home”
Featured excerpt

The Displaced, the Unwanted, by Viet Thanh Nguyen

15 JANUARY 2022 • By Viet Thanh Nguyen
Book Reviews

Meditations on The Ungrateful Refugee

15 JANUARY 2022 • By Rana Asfour
Meditations on <em>The Ungrateful Refugee</em>
Fiction

Three Levantine Tales

15 DECEMBER 2021 • By Nouha Homad
Three Levantine Tales
Beirut

Sudden Journeys: The Villa Salameh Bequest

29 NOVEMBER 2021 • By Jenine Abboushi
Sudden Journeys: The Villa Salameh Bequest
Centerpiece

The Untold Story of Zakaria Zubeidi

15 OCTOBER 2021 • By Ramzy Baroud
The Untold Story of Zakaria Zubeidi
Film Reviews

Will Love Triumph in the Midst of Gaza’s 14-Year Siege?

11 OCTOBER 2021 • By Jordan Elgrably
Will Love Triumph in the Midst of Gaza’s 14-Year Siege?
Weekly

Heba Hayek’s Gaza Memories

1 AUGUST 2021 • By Shereen Malherbe
Heba Hayek’s Gaza Memories
Essays

Gaza, You and Me

14 JULY 2021 • By Abdallah Salha
Gaza, You and Me
Weekly

World Picks: May – June 2021

16 MAY 2021 • By Lawrence Joffe
World Picks: May – June 2021
Book Reviews

The Triumph of Love and the Palestinian Revolution

16 MAY 2021 • By Fouad Mami
Latest Reviews

The World Grows Blackthorn Walls

14 MAY 2021 • By Sholeh Wolpé
The World Grows Blackthorn Walls
Essays

Is Tel Aviv’s Neve Tzedek, Too, Occupied Territory?

14 MAY 2021 • By Taylor Miller, TMR
Is Tel Aviv’s Neve Tzedek, Too, Occupied Territory?
Essays

Between Thorns and Thistles in Bil’in

14 MAY 2021 • By Francisco Letelier
Between Thorns and Thistles in Bil’in
Weekly

World Picks: April – May 2021

18 APRIL 2021 • By Malu Halasa
World Picks: April – May 2021
Weekly

“I Advance in Defeat”, the Poems of Najwan Darwish

28 MARCH 2021 • By Patrick James Dunagan
“I Advance in Defeat”, the Poems of Najwan Darwish
TMR 7 • Truth?

Poetry Against the State

14 MARCH 2021 • By Gil Anidjar
Poetry Against the State
Poetry

A visual poem from Hala Alyan: Gaza

14 MARCH 2021 • By TMR
A visual poem from Hala Alyan: Gaza
TMR 5 • Water

The Sea Remembers

14 JANUARY 2021 • By TMR
The Sea Remembers
Book Reviews

The Howling of the Dog: Adania Shibli’s “Minor Detail”

30 DECEMBER 2020 • By Layla AlAmmar
The Howling of the Dog: Adania Shibli’s “Minor Detail”
TMR 4 • Small & Indie Presses

Children of the Ghetto, My Name Is Adam

14 DECEMBER 2020 • By Elias Khoury
Children of the Ghetto, My Name Is Adam
Centerpiece

The Road to Jerusalem, Then and Now

15 NOVEMBER 2020 • By Raja Shehadeh
The Road to Jerusalem, Then and Now
World Picks

Interlink Proposes 4 New Arab Novels

22 SEPTEMBER 2020 • By TMR
Interlink Proposes 4 New Arab Novels
What We're Into

Dismantlings and Exile

14 SEPTEMBER 2020 • By Francisco Letelier
Dismantlings and Exile
Columns

Why Non-Arabs Should Read Hisham Matar’s “The Return”

3 AUGUST 2017 • By Jordan Elgrably
Why Non-Arabs Should Read Hisham Matar’s “The Return”

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