Colors of the Diaspora: Alia Farid
Sophie Kazan Makhlouf reviews Alia Farid’s first solo exhibition in the UK that draws a line between local traditions and global migrations.
Sophie Kazan Makhlouf reviews Alia Farid’s first solo exhibition in the UK that draws a line between local traditions and global migrations.
Something beyond war-weariness informs Jamaluddin Aram’s depiction of 1990s Afghanistan in his debut novel, writes Rudi Heinrich.
In a translated tale from Palestine’s first lady of short stories, the newest technology exacts a toll on people ahead of their time.
Novelist Négar Djavadi deploys non-fiction to question Iran’s downing of an international flight out of Tehran.
As a solar power plant overtakes a Moroccan desert town, reconfiguring its visual and territorial makeup, there are worries it might overshadow its rich cultural history.
After fighting in Iraq, and publishing “Here, Bullet,” Brian Turner committed his life to poetry, and has a great deal to show for it.
The young award-winning poet Sarah Ghazal Ali shares three poems from her book “Apotheosis” published by Alice James publishing.
The war reminds us that Palestinians are also artists and not merely people perishing under the bombs and mortars.
Hell continues in a never-ending war, yet with sumud, the Palestinian people remain resourceful, remarkable and above all, kind.
Arie Amaya-Akkermans talks to Lebanese and Cypriot artists about their work on the divided island of Cyprus.
Turkish artist Sena Başöz explores the metaphor of the magnolia and the advent of the apocalypse within the realm of imagination.
Justin Salhani argues that the “beautiful game” has been a powerful instrument of emancipation for workers, feminists and anti-colonialist activists around the world.