The Watermelon Boys on Iraq, War, Colonization and Familial Love
Rachel Campbell finds that Ruqaya Izzidien’s debut novel set in Iraq provides counter-narratives to the country’s early 20th-century history.
Rachel Campbell finds that Ruqaya Izzidien’s debut novel set in Iraq provides counter-narratives to the country’s early 20th-century history.
A journalist in Tehran walks defiantly without covering her hair through one of the city’s busiest thoroughfares.
Malu Halasa tours the exuberant exhibition from artist Soheila Sokhanvari that celebrates strong Iranian women.
In our Letters From Tehran series, Iranians write intimately about daily life in the city following last fall’s Women-Life-Freedom protests.
Bavand Karim finds that’s Panah Panahi’s feature is a prodigal debut from Iranian cinema’s latest auteur and son of Jafar Panahi.
Rana Asfour has selected four contemporary novels of Iranian literature for this special issue on Iran in TMR Weekly.
Music writer Melissa Chemam interviews Rasha Nahas on her new Arabic-language album, “Amrat.”
Adil Bouhelal reviews the new novel from the author of “Le Nez Juif” with its exploration of Lebanon from 1975 forward.
Arie Amaya-Akkermans reflects on Lamia Joreige’s “Uncertain Times,” which represents the Lebanese wars and their aftermath.
In which Sarah Ben Hamadi meets a key figure of Tunisia’s cultural underground.
Malu Halasa surveys the legacy of Al Saqi while also lamenting the end of Banipal Magazine and the retirement of the British Museum’s Venetia Porter.
Laëtitia Soula reviews the acidic new comedy from Baya Kasmi, which plays on the Rothian theme of intimate family confessions.