Malak Mattar: No Words, Only Scenes of Ruin
Malak Mattar's artwork at the Venice Biennale evokes a multi-sensory experience that demands to be felt, writes Nadine Nour el Din.
Malak Mattar's artwork at the Venice Biennale evokes a multi-sensory experience that demands to be felt, writes Nadine Nour el Din.
TMR editors highlight the best events, books, films, podcasts and other cultural products from around the globe.
A classic prison novel by Wisam Rafeedie recounts the revolutionary fervor of Palestinian political prisoners.
Iason Athanasiadis reviews a documentary of an Egyptian's observations of the first year of the Taliban's new regime.
The Franco-Algerian star of Zebda, a major pop band 1985-2015, has become a writer to reckon with, in this interview by Sarah Naili.
With the war in Gaza and accusations of genocide in the International Court of Justice, tensions have risen on US campuses, writes Maura Finkelstein.
An Arab playwright in London reacts to the canceling of Palestinian voices six months into a horrific war.
TMR editors highlight the best events, books, films, podcasts and other cultural products from around the globe.
Somali American poet Ladan Osman presents poems "The Sea Fell on My House" and "Landscape Genocide."
Romanian American poet Alina Stefanescu presents her poems "Playing Possum" and "My Polish Child."
Editor Jordan Elgrably muses on a PARIS issue mostly from the viewpoint of its Arab and Middle Eastern residents.
Curators Rasha Salti and Kristine Khouri have assembled a formidable exhibition on museums and solidarity movements using art and protest.
Bani Khoshnoudi's work is often inhabited by displacement and uprooting, explore themes of exile, modernity and its violences, memory and the invisible.
Paris provided the grit and opportunity for Nass el Ghiwane to hone a new sound that would rock the Magreb and Europe, writes Benjamin Jones.
Arie Amaya-Akkermans delves into Yvette Achkar's compelling artwork depicting the resilience of the human spirit in the face of adversity.