Palestinians and Israelis Will Commemorate the Nakba Together

painting by palestinian artist taysir sharaf - the markaz review

25 APRIL, 2022 • By Rana Salman, Yonatan Gher
Painting by Palestinian artist Taysir Sharaf, (courtesy estate of Taysir Sharaf).

 

Opinions published in The Markaz Review reflect the perspective of their authors and do not necessarily represent TMR. 

 

 

In these horrible and painful times, it is more vital than ever that we Palestinians and Israelis stop talking about each other, and start talking to each other. Below is a conversation between the two CEOs of Combatants for Peace, discussing the Nakba Remembrance Ceremony they are hosting, on May 15th, 2022. Combatants for Peace is an NGO whose members work toward a two state solution in the 1967 borders, OR any other mutually agreed upon solution that will allow both Israelis and Palestinians to live in freedom, security, democracy and dignity in their homeland. Register to participate here.

 

Op-ed by Rana Salman (Palestine) and Yonatan Gher (Israel), co-CEOs of Combatants for Peace 

 

Yonatan: We should probably tell our readers from the start that in writing this article, we are violating Israeli law. According to Israel’s 2011 Budget Foundations Law (known as the Nakba law), it is forbidden to relate to the day of the founding of the State of Israel as a day of mourning.

Rana: It’s a law I’m happy to violate. The Nakba law violates the right to freedom of expression for citizens in Israel and the rights of the Palestinian minority in the country and aims to erase the memory of the most mournful day in the lives of Palestinians. Nakba literally means catastrophe, but the Palestinian Nakba was not a natural disaster. It marks the destruction and displacement of more than 700,000 Palestinians during the creation of the State of Israel in 1948. Today, the total 1948 refugee population is estimated at some five and a half million, including four million registered with UNRWA and one and a half million not registered. Most live in Jordan, followed by the Gaza Strip, the West Bank, Syria, Lebanon and East Jerusalem.

Yonatan: Those are things I should know. Growing up in the Israeli school system, at no point did I hear the word Nakba from any of my teachers, let alone the perspective it represents. In Israeli history class we learned that the waves of Jewish immigrants that came to Israel in the late 19th and early 20th centuries came to a barren land. There was no local population to speak of, other than that they tried to kill us. So we defended ourselves, and they ran away.

Later in life, when I learned of the term Nakba, it was in the context by which many Israelis have come to understand the term: An antisemitic desire that Israel should cease to exist and that we all should die.

Rana: That’s not what I want. But I do want Israelis to understand what the Nakba really is. As for me, I didn’t have to learn about Nakba at school to understand how painful it was, as I am a descendant of a Palestinian refugee family that was expelled from their home in Haifa in 1948. I grew up imagining how difficult it must have been for my family to lose their home and become refugees. My grandparents were never allowed to return.

Yonatan: Many nations have gone and continue to go through a reckoning of their past, and the devastation that their founding brought upon the indigenous communities that existed prior. Australia changed its national anthem, to reflect its understanding and respect towards the aboriginal communities that lived on the land long before the European arrival. Israel lacks the ability of these other nations to look at their history and say “yes, we did wrong, we now wish to rectify,” to a large extent because in our case — this has to be said — the wrongdoing is still taking place. So, while my position might not be popular in my country right now, I would like to think that when future generations learn about this period, my actions will be ones for which they will not need to apologize.

Rana: That will take commitment and a lot of work. Learning about the Nakba is not only a matter of learning facts, although having this knowledge is of great importance. It is essential to comprehend the meaning of these facts to cultivate sympathy and compassion. Israelis should learn about the traumatic event of the Nakba and acknowledge it as a historical reality. It is necessary for Israel to recognize the ethnic cleansing that was (and still is) committed, it is the only way that we will overcome it. Educating Israelis about the Nakba is still relevant today as tensions continue to escalate. Last year, Israel was carrying out the most brutal displacement operations in Sheikh Jarrah neighborhood in East Jerusalem, while the international community was not only witnessing and ignoring but allowing Israel to continue its human rights violations and international crimes against the Palestinian people. This year, the communities of Masafer Yatta, an area in the South Hebron Hills of the West Bank, are also facing the threat of expulsion.

Yonatan: If we are to make peace between Israelis and Palestinians, we must be able to understand where the other is coming from. We don’t need to accept or agree with the others’ narrative, but we need to recognize that it exists. One side’s terrorists are the other side’s freedom fighters. One side’s occupation forces are the other side’s defense forces. One side’s Independence Day is the other side’s Nakba. Both sides have their dignity and their determination, and no side will be defeated into submission. At the same time, we must also recognize the facts on the ground, the apartheid and oppression are very real, and cannot be ended until we have a serious reckoning with both history and the current reality. Israelis are participating in the Nakba ceremony because we want to learn, we want to understand, we want to reckon, we want to end the bloodshed and live here together with equality and peace.

Rana: Learning each other’s narratives is why Israelis participate in the Nakba ceremony, and also why Palestinians participate in the joint Israeli-Palestinian Yom Hazikaron Memorial Ceremony. You can’t truly connect with someone without sharing things about yourself. Palestinians participate at the joint Memorial Ceremony because we want to connect with the “other” on a human level. We want to prevent further pain, grief and loss. It is through this approach that Palestinians and Israelis realize war is not a decree of destiny but a political choice.

And that’s what we hope to achieve with the Nakba Remembrance Ceremony. It builds empathy and awareness of the suffering caused by the events of 1948 and the creation of the State of Israel — pain that continues to this day. A peaceful future can only be built when together, we honor and acknowledge the pain of the past and its influence on the present.

 

The Nakba Remembrance Ceremony will take Place on Sunday, May 15th, at 7 PM in Palestine and Israel. You can participate here.

 

Rana Salman

Rana Salman, Rana Salman is the Palestinian CEO and co-Executive Director of Combatants for Peace. Before she joined CFP, Rana co-founded and served as the director of project management for Peace By Piece Tours, a travel company that offers educational and political... Read more

Rana Salman is the Palestinian CEO and co-Executive Director of Combatants for Peace. Before she joined CFP, Rana co-founded and served as the director of project management for Peace By Piece Tours, a travel company that offers educational and political tours in Israel and Palestine. In that capacity, she spent much of the last 10 years leading international groups on alternative tours and fact-finding missions in the region. Rana has also been a freelance translator and writer. She was born in Jerusalem but now lives in Bethlehem with her family. She earned a Bachelor’s degree in English Language and Literature and also has a diploma in tour guiding.  

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Yonatan Gher

Yonatan Gher, Yonatan Gher is the Israeli CEO and co-Executive Director of Combatants for Peace. He has previously been the Executive Director of Amnesty International-Israel, Greenpeace Mediterranean, and the Jerusalem Open House for Pride and Tolerance, and Communications Director for the Masorti... Read more

Yonatan Gher is the Israeli CEO and co-Executive Director of Combatants for Peace. He has previously been the Executive Director of Amnesty International-Israel, Greenpeace Mediterranean, and the Jerusalem Open House for Pride and Tolerance, and Communications Director for the Masorti (Conservative) Movement in Israel. Born in New York, Yonatan grew up in Jerusalem, and now lives in Jaffa with his husband and two sons.

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20 MARCH, 2023 • By Karim Goury
Interview with Michale Boganim, Director of <em>Tel Aviv-Beirut</em>
Book Reviews

In Search of Fathers: Raja Shehadeh’s Palestinian Memoir

13 MARCH, 2023 • By Amal Ghandour
In Search of Fathers: Raja Shehadeh’s Palestinian Memoir
Centerpiece

Broken Home: Britain in the Time of Migration

5 MARCH, 2023 • By Malu Halasa
Broken Home: Britain in the Time of Migration
Essays

More Photographs Taken From The Pocket of a Dead Arab

5 MARCH, 2023 • By Saeed Taji Farouky
More Photographs Taken From The Pocket of a Dead Arab
Essays

Home Under Siege: a Palestine Photo Essay

5 MARCH, 2023 • By Anam Raheem
Home Under Siege: a Palestine Photo Essay
Art & Photography

Becoming Palestine Imagines a Liberated Future

27 FEBRUARY, 2023 • By Katie Logan
<em>Becoming Palestine</em> Imagines a Liberated Future
Columns

Sudden Journeys: Deluge at Wadi Feynan

6 FEBRUARY, 2023 • By Jenine Abboushi
Sudden Journeys: Deluge at Wadi Feynan
TV Review

Palestinian Territories Under Siege But Season 4 of Fauda Goes to Brussels and Beirut Instead

6 FEBRUARY, 2023 • By Brett Kline
Palestinian Territories Under Siege But Season 4 of <em>Fauda</em> Goes to Brussels and Beirut Instead
Art

The Creative Resistance in Palestinian Art

26 DECEMBER, 2022 • By Malu Halasa
The Creative Resistance in Palestinian Art
Featured article

The Greek Panopticon, Where Politicians Spy on Democracy

15 DECEMBER, 2022 • By Iason Athanasiadis
The Greek Panopticon, Where Politicians Spy on Democracy
Essays

Conflict and Freedom in Palestine, a Trip Down Memory Lane

15 DECEMBER, 2022 • By Eman Quotah
Art

Art World Picks: Albraehe, Kerem Yavuz, Zeghidour, Amer & Tatah

12 DECEMBER, 2022 • By TMR
Art

Museums in Exile—MO.CO’s show for Chile, Sarajevo & Palestine

12 DECEMBER, 2022 • By Jordan Elgrably
Museums in Exile—MO.CO’s show for Chile, Sarajevo & Palestine
Art

Where is the Palestinian National Museum of Modern and Contemporary Art?

12 DECEMBER, 2022 • By Nora Ounnas Leroy
Where is the Palestinian National Museum of Modern and Contemporary Art?
Columns

Sudden Journeys: Israel’s Intimate Separations—Part 3

5 DECEMBER, 2022 • By Jenine Abboushi
Sudden Journeys: Israel’s Intimate Separations—Part 3
Book Reviews

Fida Jiryis on Palestine in Stranger in My Own Land

28 NOVEMBER, 2022 • By Diana Buttu
Fida Jiryis on Palestine in <em>Stranger in My Own Land</em>
Fiction

“Eleazar”—a short story by Karim Kattan

15 NOVEMBER, 2022 • By Karim Kattan
“Eleazar”—a short story by Karim Kattan
Opinion

Fragile Freedom, Fragile States in the Muslim World

24 OCTOBER, 2022 • By I. Rida Mahmood
Fragile Freedom, Fragile States in the Muslim World
Interviews

Interview with Ahed Tamimi, an Icon of the Palestinian Resistance

15 OCTOBER, 2022 • By Nora Lester Murad
Interview with Ahed Tamimi, an Icon of the Palestinian Resistance
Columns

Sudden Journeys: Israel’s Intimate Separations—Part 1

26 SEPTEMBER, 2022 • By Jenine Abboushi
Sudden Journeys: Israel’s Intimate Separations—Part 1
Columns

Phoneless in Filthy Berlin

15 SEPTEMBER, 2022 • By Maisan Hamdan, Rana Asfour
Phoneless in Filthy Berlin
Columns

Unapologetic Palestinians, Reactionary Germans

15 SEPTEMBER, 2022 • By Abir Kopty
Unapologetic Palestinians, Reactionary Germans
Art & Photography

Photographer Mohamed Badarne (Palestine) and his U48 Project

15 SEPTEMBER, 2022 • By Viola Shafik
Photographer Mohamed Badarne (Palestine) and his U48 Project
Opinion

Attack on Salman Rushdie is Shocking Tip of the Iceberg

15 AUGUST, 2022 • By Jordan Elgrably
Attack on Salman Rushdie is Shocking Tip of the Iceberg
Poetry

Poem for Tunisia: “Court of Nothing”

1 AUGUST, 2022 • By Farah Abdessamad
Poem for Tunisia: “Court of Nothing”
Editorial

Editorial: Is the World Driving Us Mad?

15 JULY, 2022 • By TMR
Editorial: Is the World Driving Us Mad?
Art & Photography

Featured Artist: Steve Sabella, Beyond Palestine

15 JUNE, 2022 • By TMR
Featured Artist: Steve Sabella, Beyond Palestine
Essays

Sulafa Zidani: “Three Buses and the Rhythm of Remembering”

15 JUNE, 2022 • By Sulafa Zidani
Sulafa Zidani: “Three Buses and the Rhythm of Remembering”
Film

Saeed Taji Farouky: “Strange Cities Are Familiar”

15 JUNE, 2022 • By Saeed Taji Farouky
Saeed Taji Farouky: “Strange Cities Are Familiar”
Fiction

Selma Dabbagh: “Trash”

15 JUNE, 2022 • By Selma Dabbagh
Selma Dabbagh: “Trash”
Opinion

Israel and Palestine: Focus on the Problem, Not the Solution

30 MAY, 2022 • By Mark Habeeb
Israel and Palestine: Focus on the Problem, Not the Solution
Essays

We, Palestinian Israelis

15 MAY, 2022 • By Jenine Abboushi
We, Palestinian Israelis
Book Reviews

In East Jerusalem, Palestinian Youth Struggle for Freedom

15 MAY, 2022 • By Mischa Geracoulis
Featured excerpt

Palestinian and Israeli: Excerpt from “Haifa Fragments”

15 MAY, 2022 • By khulud khamis
Palestinian and Israeli: Excerpt from “Haifa Fragments”
Latest Reviews

Palestinian Filmmaker, Israeli Passport

15 MAY, 2022 • By Jordan Elgrably
Palestinian Filmmaker, Israeli Passport
Film

Art Film Depicts the Landlocked Drama of Nagorno-Karabakh

2 MAY, 2022 • By Taline Voskeritchian
Art Film Depicts the Landlocked Drama of Nagorno-Karabakh
Opinion

Palestinians and Israelis Will Commemorate the Nakba Together

25 APRIL, 2022 • By Rana Salman, Yonatan Gher
Palestinians and Israelis Will Commemorate the Nakba Together
Interviews

Conversations on Food and Race with Andy Shallal

15 APRIL, 2022 • By Jordan Elgrably
Conversations on Food and Race with Andy Shallal
Columns

Green Almonds in Ramallah

15 APRIL, 2022 • By Wafa Shami
Green Almonds in Ramallah
Film

“Breaking Bread, Building Bridges”: a Film Review

15 APRIL, 2022 • By Mischa Geracoulis
“Breaking Bread, Building Bridges”: a Film Review
Columns

Libyan, Palestinian and Syrian Family Dinners in London

15 APRIL, 2022 • By Layla Maghribi
Libyan, Palestinian and Syrian Family Dinners in London
Film Reviews

Palestine in Pieces: Hany Abu-Assad’s Huda’s Salon

21 MARCH, 2022 • By Jordan Elgrably
Palestine in Pieces: Hany Abu-Assad’s <em>Huda’s Salon</em>
Opinion

U.S. Sanctions Russia for its Invasion of Ukraine; Now Sanction Israel for its Occupation of Palestine

21 MARCH, 2022 • By Yossi Khen, Jeff Warner
U.S. Sanctions Russia for its Invasion of Ukraine; Now Sanction Israel for its Occupation of Palestine
Film Reviews

“Ghodwa” or the Bitter Taste of the Unfinished Tunisian Revolution

21 MARCH, 2022 • By Sarah Ben Hamadi
“Ghodwa” or the Bitter Taste of the Unfinished Tunisian Revolution
Columns

Nowruz and The Sins of the New Day

21 MARCH, 2022 • By Maha Tourbah
Nowruz and The Sins of the New Day
Columns

“There’s Nothing Worse Than War”

24 FEBRUARY, 2022 • By Jordan Elgrably
“There’s Nothing Worse Than War”
Latest Reviews

Two Poems by Sophia Armen

15 FEBRUARY, 2022 • By Sophia Armen
Two Poems by Sophia Armen
Columns

The US Democracy Crisis is a Media Crisis and the Mainstream Press is Losing

27 DECEMBER, 2021 • By Lorraine Ali
The US Democracy Crisis is a Media Crisis and the Mainstream Press is Losing
Fiction

Three Levantine Tales

15 DECEMBER, 2021 • By Nouha Homad
Three Levantine Tales
Beirut

Sudden Journeys: The Villa Salameh Bequest

29 NOVEMBER, 2021 • By Jenine Abboushi
Sudden Journeys: The Villa Salameh Bequest
Essays

Syria Through British Eyes

29 NOVEMBER, 2021 • By Rana Haddad
Syria Through British Eyes
Film Reviews

Victims of Discrimination Never Forget in The Forgotten Ones

1 NOVEMBER, 2021 • By Jordan Elgrably
Victims of Discrimination Never Forget in <em>The Forgotten Ones</em>
Featured excerpt

Memoirs of a Militant, My Years in the Khiam Women’s Prison

15 OCTOBER, 2021 • By Nawal Qasim Baidoun
Memoirs of a Militant, My Years in the Khiam Women’s Prison
Centerpiece

The Untold Story of Zakaria Zubeidi

15 OCTOBER, 2021 • By Ramzy Baroud
The Untold Story of Zakaria Zubeidi
Film Reviews

Will Love Triumph in the Midst of Gaza’s 14-Year Siege?

11 OCTOBER, 2021 • By Jordan Elgrably
Will Love Triumph in the Midst of Gaza’s 14-Year Siege?
Columns

In Flawed Democracies, White Supremacy and Ethnocentrism Flourish

1 AUGUST, 2021 • By Mya Guarnieri Jaradat
In Flawed Democracies, White Supremacy and Ethnocentrism Flourish
Essays

Gaza, You and Me

14 JULY, 2021 • By Abdallah Salha
Gaza, You and Me
Essays

Making a Film in Gaza

14 JULY, 2021 • By Elana Golden
Making a Film in Gaza
Columns

Gaza’s Catch-22s

14 JULY, 2021 • By Khaled Diab
Gaza’s Catch-22s
Weekly

The Unfinished Presidency of Jimmy Carter

4 JULY, 2021 • By Maryam Zar
The Unfinished Presidency of Jimmy Carter
Columns

The Diplomats’ Quarter: Wasta of the Palestinian Authority

14 JUNE, 2021 • By Raja Shehadeh
The Diplomats’ Quarter: Wasta of the Palestinian Authority
Weekly

Palestine in the World: “Palestine: A Socialist Introduction”

6 JUNE, 2021 • By Jenine Abboushi
Palestine in the World: “Palestine: A Socialist Introduction”
Book Reviews

The Triumph of Love and the Palestinian Revolution

16 MAY, 2021 • By Fouad Mami
Essays

The Wall We Can’t Tell You About

14 MAY, 2021 • By Jean Lamore
The Wall We Can’t Tell You About
Essays

Is Tel Aviv’s Neve Tzedek, Too, Occupied Territory?

14 MAY, 2021 • By Taylor Miller, TMR
Is Tel Aviv’s Neve Tzedek, Too, Occupied Territory?
Essays

Between Thorns and Thistles in Bil’in

14 MAY, 2021 • By Francisco Letelier
Between Thorns and Thistles in Bil’in
Columns

Free Speech, Palestinian Stories and the Oscars

21 APRIL, 2021 • By Jordan Elgrably
Free Speech, Palestinian Stories and the Oscars
Weekly

“I Advance in Defeat”, the Poems of Najwan Darwish

28 MARCH, 2021 • By Patrick James Dunagan
“I Advance in Defeat”, the Poems of Najwan Darwish
TMR 7 • Truth?

Poetry Against the State

14 MARCH, 2021 • By Gil Anidjar
Poetry Against the State
Poetry

A visual poem from Hala Alyan: Gaza

14 MARCH, 2021 • By TMR
A visual poem from Hala Alyan: Gaza
Book Reviews

The Howling of the Dog: Adania Shibli’s “Minor Detail”

30 DECEMBER, 2020 • By Layla AlAmmar
The Howling of the Dog: Adania Shibli’s “Minor Detail”
TMR 4 • Small & Indie Presses

Children of the Ghetto, My Name Is Adam

14 DECEMBER, 2020 • By Elias Khoury
Children of the Ghetto, My Name Is Adam
Centerpiece

The Road to Jerusalem, Then and Now

15 NOVEMBER, 2020 • By Raja Shehadeh
The Road to Jerusalem, Then and Now
Editorial

Why “The Red and the Blue”?

15 OCTOBER, 2020 • By TMR
Why “The Red and the Blue”?
World Picks

Interlink Proposes 4 New Arab Novels

22 SEPTEMBER, 2020 • By TMR
Interlink Proposes 4 New Arab Novels

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