Mohammad Hafez Ragab: Upsetting the Guards of Cairo
Maha Al Aswad sheds light on Egyptian writer Mohammad Hafez Ragab, a literary figure of the 1960s whose works have been vastly overlooked.
Maha Al Aswad sheds light on Egyptian writer Mohammad Hafez Ragab, a literary figure of the 1960s whose works have been vastly overlooked.
Omar Zahzah argues that Meta censors free speech for Palestine because it is a US dominant corporate platform that takes support for Israel for granted.
The most dangerous gatekeepers aren’t social media platforms, but local, state and federal governments dictating what we can read and say.
In Nektaria Anastasiadou's experience, agents, publishers and editors often have peculiar ideas about what constitutes Middle East fiction.
Ammiel Alcalay writes of the gatekeepers who have affected every aspect of his writing, cultural, and public life.
Art, activism, archaeology, and archiving are crucial for rebuilding and healing cities by combining the past and present.
The essence of Palestinian resilience, survival, and resistance is rooted in dispossession, as noted by Dana El Saleh.
To celebrate the forthcoming publication of Selim Temo's "Nightlands," we present an introductory essay and two poems from the Pinsapo Press edition.
The Bīylmawn festival has recently made a comeback but not everyone is pleased with the highly stylized and artistically reimagined carnival.
The meta-narrative in Frank Herbert's Dune trilogy foresees the modern disaster of never-ending colonialism and a planet destroyed by oil.
Flaubert's theory of meaning and form rests on a mystical conception of the nature of writing, alongside the theory of music in writing.
The diaries provide a complex double-layered narrative of Nika as a victim of regime brutality, and of Atrash as a survivor of state horror.
While studying abroad in Alexandria, Bel Parker becomes a butcher's apprentice to immerse herself in the local language and culture.
A writer's satirical guide on how to write about the hapless, subjugated Kurds, if you're not already filming them for a documentary.
Al Jadid editor Elie Chalala finds that Lebanese intellectuals’ defense of expat director Wadji Mouawad contrasts with state chokehold on freedom of expression.