Genocide
In her latest essay, writer Jenine Abboushi reminds us that the ethnic cleansing and destruction of Palestinian society did not begin on October 7th.
In her latest essay, writer Jenine Abboushi reminds us that the ethnic cleansing and destruction of Palestinian society did not begin on October 7th.
Mai Al-Nakib explores memory, forgetting, and writing through the lenses of Woolf, Proust, and a Wim Wenders film.
Photographs of Iraqis imply doom due to generational violence, even in happy pictures.
Claiming a past that never existed previously in the city, nostalgia overwhelms the inhabitants of Alexandria, writes Mohamed Gohar.
Youssef Rakha revisits his fascination with Sargon Boulos who managed to live out poetic Arabness in exile as nobody else did.
Revisiting her memories of Egypt's January 25 revolution, Asmaa Elgamal finds that denying common sense is the worst oppression.
The assault on Gaza is the longest and deadliest Israeli offensive to date, and the worst in targeting journalists and their families.
Palestine's shrines are a part of a heritage that has been intentionally erased since the Nakba of 1948, writes Gabriel Polley.
It is obvious that we will never forget; but it is unclear how to proceed with “un-forgetting" writes Reem Alghazzi on her experience of the Syrian revolution.
Nashwa Nasreldine explores the importance of holding onto failed attempts to capture fleeting moments for the sake of our souls and poetry.
Malak Mattar's artwork at the Venice Biennale evokes a multi-sensory experience that demands to be felt, writes Nadine Nour el Din.
A classic prison novel by Wisam Rafeedie recounts the revolutionary fervor of Palestinian political prisoners.
Arie Amaya-Akkermans delves into Yvette Achkar's compelling artwork depicting the resilience of the human spirit in the face of adversity.
In Paris, Belleville struggles to hang on to its immigrant roots while the world's cities gentrify and price out working-class populations.
With genocidal violence raging in Gaza and muzzling of pro-Palestinian voices throughout France, Ariella Azoulay's word is now inescapable.