Atia Shafee: Raw and Distant Memories
Artist Atia Shafee hopes that her paintings will "resonate, trigger, and challenge, drawing the observer into the experience," imparting a universal appreciation for art.
Artist Atia Shafee hopes that her paintings will "resonate, trigger, and challenge, drawing the observer into the experience," imparting a universal appreciation for art.
Farzad Kohan's art is a bridge and commentary on his Iranian and American worlds, sometimes converging, at other times colliding.
Artist and writer Micaela Amateau Amato uses art and words to create unique ways of transmogrifying the world.
Iranian American artist Amitis Motevalli performs "baba karam" dance lessons, in a caricature of the street tough dance called “jahel,” often performed by women in drag as a commentary on gender and class constrictions.
The Moroccan, French and American artist Rachid Bouhamidi shares his love of portraiture as he peels back the layers of his friends with oils on wood.
Arie Akkermans reviews an Iraqi American's exhibitions as they attempt to recreate missing and destroyed artifacts taken from the National Museum of Iraq after the American invasion in 2003.
Art critic Arie Amaya-Akkermans summons the gods of art and poetry as he reviews the life work of the late polymath Etel Adnan, 1925-2021.
An excerpt from Sarah Mirk's graphic novel describes life in the infamous US prison in Cuba.
TMR's editor Jordan Elgrably talks to young Malak Mattar in Gaza, who has survived massive state violence and begun a promising career in art.
Saleem Vaillancourt describes the worldwide mural campaign spearheaded by Maziar Bahari on behalf the Baha'i community to speak out about Iran's persecution of its largest religious minority.
Yemen street artist, activist and mother Haifa Subay speaks to Farah Abdessamad about the state of the country and her work.
Malu Halasa revisits the question of whether walls, borders and barriers should ever be dressed up to disguise their true intent.
Critic Ziad Suidan meditates on the meaning of the labyrinth and the walls that can separate us but also remind us of our shared history inside the hammam.
Beirut-based graphic artists Lina Ghaibeh and George "Jad" Khoury each recount what happened on the 4th of August, 2020, a day that shall live in infamy as far as Lebanon's leaders are concerned. But the people will, at the end of the day, triumph.