“Iran After the Fire”—a Speculative Ethnography

Exhibit of a bombed classroom, in the Islamic Revolution and Holy Defense Museum in Tehran, Iran (photo Matyas Rehak).

3 APRIL 2026 • By Shahram Khosravi

A writer imagines Iran one year from now...

 

Summer 2027

1.

By the time Mr. Mardani arrives in the morning, the corridor outside his office is already occupied. Men and women sit shoulder to shoulder along the walls, waiting to be called. The guards move them in small groups. Names are checked, then checked again. Files accumulate faster than they can be processed.

The war has not ended; it has only changed form.

Before the war Mr. Mardani had planned to retire. In his mind, the future had been simple: a small house near the Caspian Sea, mornings in the garden, afternoons with his wife, the slow fading of a life spent in service. Instead, one year after the war, he works longer hours than at any point in his career.

But the officer he had served under for more than two decades was killed in the first week of the war, when an Israeli strike hit the central building of the Intelligence Organization. Mardani did not ask for the position, but neither did he refuse it. 

In the first months after the ceasefire, the priority was chasing the infiltrators. Lists circulated, names of suspected collaborators, informants, those accused of contact with foreign intelligence. Some cases were substantiated. Many were not. Confessions were recorded, and some later appeared on television. 

Later, the focus shifted. Protesters, students, those who had been visible in the streets during the final months before the Israeli and U.S. bombs began to fall. Their files were thinner, often consisting of images, fragments of social media posts. Still, the directive was clear enough. Mardani had heard it himself, delivered by the Intelligence Minister before he was killed in an overnight attack: dissent was no longer a civil matter; it was an enemy of the country and should be treated accordingly.

Mardani does not question the premise. He joined the Revolutionary Guard at seventeen, in 1981, at the height of the war with Iraq. He spent seven years at the front. He remembers those year with a sense of nostalgia.

Since the death of the Supreme Leader in the opening days of the war, something has been harder to locate. Mardani had seen him in person several times over the years in formal settings. He remembers the details of his eloquent speeches, his knowledge of history and Islam. From time to time, Mr. Mardani listens to speeches of Ayatollah Khamenei to get some inspiration. His words, his passionate speeches about how to crush estekbar-e Amrika, describing the U.S.’s oppressive policies toward Iran, and how not to show mercy toward those he called “seditionists” during January and February 2026, when the streets of Iranian cities were turned into scenes of rebellion by young men and women who chanted for freedom. If they had not protested, if they had not created the confrontations that resulted in the killing of thousands of people, then Trump and Netanyahu could not have used it as an excuse to attack Iran. Now it is time for them to be punished for inviting the enemy home.

 Mr. Mardani has respect for the new leadership, but he feels that it is not the same as before. They are too young. They were born after the Revolution. They did not take part in the Iran–Iraq War. Sometimes, he thinks they do not speak the same language.

What matters, however, is continuity. The regime must hold. The war, like the one in the 1980s, is not only endured but given meaning, what Ayatollah Khomeini once called a “divine blessing.”

2.

Raha works in a coffee shop in a shopping mall in northern Tehran. After the war and the collapse of the Islamic Republic, her life changed drastically. Before the war, she was in the last year of her PhD program in sociology at Tehran University. When the Woman Life Freedom movement started in the fall of 2022, she had just begun her fieldwork in a working-class neighborhood in the south of Tehran. She joined the movement, dreaming of a free Iran, a democratic political structure with a feminist approach to society.

Now she does not need to wear the compulsory veil. The new leadership repeatedly announces that women are free, that they can wear what they want and have the same legal rights as men. The new leader, who calls himself  “only a temporary mediator” until a new political order is established, has appointed a young woman as his deputy.

But Raha does not feel free. The university is closed, and there is no prospect of reopening in the near future. There are no secure jobs, either. Since the war ended, she has gone from one precarious situation to another. All resources and attention of the new leadership are on the military conflicts in different parts of the country. A civil war continues between the new authorities and sections of the Revolutionary Guard, which still control parts of southwestern Iran — the country’s most strategic region, where its main oil fields and key ports are located. 

Raha was born after the Revolution. In a little more than three decades, she has moved from one defeated movement to another: the so-called Reform Era; the Green Movement; Woman Life Freedom; and the January 2026 uprising. All defeated. But the harshest defeat came with the war.

Before the war and despite risks, there were networks of activism and reading groups, forms of networking, translations of crucial feminist thinkers, and critical essays. All are gone. The war changed the political structure, but something deeper changed too.

Tehran is not the same city. Of all the young women she worked with, only a couple are still there. She does not know what happened to the others. Perhaps some left the country to try to seek asylum in Europe.

She also struggles with the thought of migrating. What is here for her? She is untouched by the promises of the new leader. She knows that finishing her PhD is unrealistic, and that precarious jobs are all that await her. But she is still not convinced to leave the country. Not because there is something keeping her in Iran, but because the Iranian diaspora repels her. 

During the third week of the war, when the bombardment of Tehran was at its worst, all the neighbors in her building gathered in the basement. The daughter of the family next door, only nine years old, was in her arms. Raha held her tight. The girl would not stop shaking. When a bomb struck the ground not far from them, the building trembled. The girl urinated on herself. Later, her mother told Raha it had been happening every night. That night the girl urinated on herself in Raha’s arms she received a message from a friend. There was a video clip.

Sheida.

Her best friend from high school — the one she had joined the Woman Life Freedom protests with. Every night they ran from the police, took shelter together, cried together. Sheida had left the country to continue the struggle abroad. They used to speak every day on WhatsApp. Then the war began, and the internet was cut. Raha has not been able to speak with her in three weeks. In the video, Sheida was dancing. She was waving an Israeli flag. She looked happy.

Raha watched it again. And again. What she saw broke something in her more than the bombs outside.

3.

Reza sits outside his house in Bushehr, a port city on the Persian Gulf coast. This day, as every day since the war ended. He opens his cellphone and look at messages. None he had hoped for. The company he had worked for has been unreachable since last year. 

For more than fifteen years, Reza had worked in Assaluyeh, far from his family. Assaluyeh was the largest hub for the oil and gas industry on the Persian Gulf coast. Along with many other young men from across the country, they worked under harsh conditions — hot summers, unbearable heat, toxic air — to build something. He was an active member of the labor union. Once, when salaries went unpaid for more than six months, he became a leading figure in the strike. The police forces came, and he, along with several others, was arrested. He spent almost a year in detention. An unfamiliar rage surged within him. He began to wish for regime change, even if it came through a foreign invasion.

He was happy when Israel and the United States attacked Iran. He watched, hopeful, when Trump promised that “help is on the way.” He used to say to his colleagues that only a military intervention could rescue Iranians from the brutal regime: “We have tried everything and failed. This is the only way.”

 But when he saw that everything he had worked so hard to build was gone in the first weeks of the war, he no longer smiled. The oil and gas infrastructure was largely damaged during the war, and it will take years before Iran can return to full capacity in production and export.  No one seems to know how the country’s economy will be managed. When he realized that the promises of foreign investment after the war had proved empty, he bought welding equipment to repair fences, gates, pipes, and car parts. But customers are rare. Fuel is too expensive. No one is building anything, not even repairing anything.

Day after day he sits on a chair outside the house and watches the shadow of the wall move with the sun until late afternoon. Then he takes his chair and walks back inside. 

4.

Bahar stands in the corner of the yard, rising on her tiptoes to catch a glimpse of the top of the mountain. A smile appears on her face. This is the highlight of her day — the moment when she finds a fragment of peace.

She closes her eyes and thinks: since the age of thirteen, she has been in the streets, chanting slogans. The first slogans were against the monarchy, during the 1979 Revolution. She was only thirteen then, chanting for democracy. Then came slogans for citizenship rights under the Islamic Republic. Later, slogans for women’s rights. When the bombs started falling, she went to the streets to chant, “Do not kill children.” When the Islamic Republic fell and a new monarch came to power, she joined many others and chanted against the return of the monarchy.

Her feet begin to ache. She can no longer see the mountain. Only walls. Evin prison stands at the foothills of the Alborz Mountains, in northern Tehran.

The new Shah did not change the structure of the intelligence organization. Many of those who had worked for the Islamic Republic now work for him.

Bahar was arrested one late afternoon, just after she had finished teaching her class on feminist sociology at Tehran University. She was told that she was considered a threat to national security. Bahar knew well that the arrest was because of a lecture she had given a week earlier. She had spoken about the etymology of the words “revolution” and enqelab. She remembers every word: 

 “Revolution its Latin etymology, means ‘rolling back.’ In Iran, we use the word enqelab for revolution. But enqelab is not only about return. It is about transformation. It is about becoming monqaleb, an inner transformation. The promises of revolution can be stolen. Before and after the revolution may not differ. The future can become only a repetition of the past. This is what we have learned. To become monqaleb is not to wait for a different future, but to break with the logic that has made every future look the same. It is to create, within the present, the conditions for something that does not yet exist. Imagining the future as already defeated is not surrender. It is a way of exposing the limits of what has been possible so far. Politics, then, is not only a struggle over power. It is a struggle over imagination, over what can be thought, what can be desired, and what can still be made possible.”

The speaker on the wall announced that yard time was over and that everyone should return inside.

5.

I returned to Iran after years of exile. 

Despite the ceasefire, sporadic bombings of industrial sites continue but they have become normalized in everyday life. The country is deeply wounded.

I am in my childhood village in Bakhtiari, in the Zagros Mountains, teaching children in what remains of my parents’ house. For many years, the house stood abandoned. When I returned, I spent a month restoring part of it. I came back to realize a dream that sustained me through exile: to open a school for the children of my village.

Now I am here. I teach English, history, and how to write essays. The children love it. They have no school to go to. The only one in the village has never reopened since the war began. There is no longer any budget for education.

Some days we walk to the hills next to the village and look out over the valley. Wheat fields in golden yellow, next to green lucerne fields, and patches of land already harvested, in the color of soil. Nothing is left untouched by the war — not the soil, not the air. After the Bushehr nuclear power plant on the Persian Gulf was bombed, news of radiation leaking into the environment spread panic.

On the hill, the wind plays with the children’s long hair. My heart tightens with fear. Is the wind coming from the south?

I sit on a stone a little distance from them and watch them play. The children are noisy. Some run after each other. Others share loaves of bread and laugh. Their laughter is loud. It makes me laugh too.


Author’s Note:

In this essay, I move between the future and the present. It has been a year since the bombs stopped falling on Iranian soil. A fragile ceasefire between the United States, Israel, and Iran has held, but the war has not ended. What follows imagines the political and social landscape of Iran in its aftermath. The people portrayed here are real. Their names and identifying details have been changed. The essay is speculative, yet it emerges from decades of research engagement with Iranian society. This essay was inspired by Sami Hermez’s speculative fiction After Liberation. I would like to thank Abdelrahman ElGendy and Alisse Waterston for their comments on an earlier draft.

Shahram Khosravi

Shahram Khosravi is professor of Anthropology at Stockholm University. His research interests include anthropology of Iran, forced displacement, border studies, and temporality. Khosravi is the author of several books such as : Young and Defiant in Tehran (2008); The Illegal Traveler: an... Read more

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Why Isn’t Ghaith Abdul-Ahad a Household Name?
Opinion

The End of the Palestinian State? Jenin Is Only the Beginning

10 JULY 2023 • By Yousef M. Aljamal
The End of the Palestinian State? Jenin Is Only the Beginning
Fiction

Arrival in the Dark—fiction from Alireza Iranmehr

2 JULY 2023 • By Alireza Iranmehr, Salar Abdoh
Arrival in the Dark—fiction from Alireza Iranmehr
Fiction

“Here, Freedom”—fiction from Danial Haghighi

2 JULY 2023 • By Danial Haghighi, Salar Abdoh
“Here, Freedom”—fiction from Danial Haghighi
Essays

Zahhāk: An Etiology of Evil

2 JULY 2023 • By Omid Arabian
Zahhāk: An Etiology of Evil
Fiction

“The Long Walk of the Martyr”—fiction from Salar Abdoh

2 JULY 2023 • By Salar Abdoh
“The Long Walk of the Martyr”—fiction from Salar Abdoh
Editorial

EARTH: Our Only Home

4 JUNE 2023 • By Jordan Elgrably
EARTH: Our Only Home
Arabic

Arab Theatre Grapples With Climate Change, Borders, War & Love

4 JUNE 2023 • By Hassan Abdulrazzak
Arab Theatre Grapples With Climate Change, Borders, War & Love
Photography

Iran on the Move—Photos by Peyman Hooshmandzadeh

1 MAY 2023 • By Peyman Hooshmandzadeh, Malu Halasa
Iran on the Move—Photos by Peyman Hooshmandzadeh
Book Reviews

Hard Work: Kurdish Kolbars or Porters Risk Everything

1 MAY 2023 • By Clive Bell
Hard Work: Kurdish <em>Kolbars</em> or Porters Risk Everything
Opinion

Nurredin Amro’s Epic Battle to Save His Home From Demolition

24 APRIL 2023 • By Nora Lester Murad
Nurredin Amro’s Epic Battle to Save His Home From Demolition
Essays

When a Country is not a Country—the Chimera of Borders

17 APRIL 2023 • By Ara Oshagan
When a Country is not a Country—the Chimera of Borders
Essays

Artsakh and the Truth About the Legend of Monte Melkonian

17 APRIL 2023 • By Seta Kabranian-Melkonian
Artsakh and the Truth About the Legend of Monte Melkonian
Beirut

Tel Aviv-Beirut, a Film on War, Love & Borders

20 MARCH 2023 • By Karim Goury
<em>Tel Aviv-Beirut</em>, a Film on War, Love & Borders
Cities

The Odyssey That Forged a Stronger Athenian

5 MARCH 2023 • By Iason Athanasiadis
The Odyssey That Forged a Stronger Athenian
Book Reviews

Yemen War Survivors Speak in What Have You Left Behind?

20 FEBRUARY 2023 • By Saliha Haddad
Yemen War Survivors Speak in <em>What Have You Left Behind?</em>
Book Reviews

White Torture Prison Interviews Condemn Solitary Confinement

13 FEBRUARY 2023 • By Kamin Mohammadi
<em>White Torture</em> Prison Interviews Condemn Solitary Confinement
Beirut

Arab Women’s War Stories, Oral Histories from Lebanon

13 FEBRUARY 2023 • By Evelyne Accad
Arab Women’s War Stories, Oral Histories from Lebanon
Columns

Letters From Tehran: Braving Tehran’s Roundabout, Maidan Valiasr

30 JANUARY 2023 • By TMR
Letters From Tehran: Braving Tehran’s Roundabout, Maidan Valiasr
Book Reviews

Editor’s Picks: Magical Realism in Iranian Lit

30 JANUARY 2023 • By Rana Asfour
Editor’s Picks: Magical Realism in Iranian Lit
Book Reviews

Mohamed Makhzangi Despairs at Man’s Cruelty to Animals

26 DECEMBER 2022 • By Saliha Haddad
Mohamed Makhzangi Despairs at Man’s Cruelty to Animals
Featured article

Don’t Be a Stooge for the Regime—Iranians Reject State-Controlled Media!

15 DECEMBER 2022 • By Malu Halasa
Don’t Be a Stooge for the Regime—Iranians Reject State-Controlled Media!
Columns

Siri Hustvedt & Ahdaf Souief Write Letters to Imprisoned Writer Narges Mohammadi

15 DECEMBER 2022 • By TMR
Siri Hustvedt & Ahdaf Souief Write Letters to Imprisoned Writer Narges Mohammadi
Music

Revolutionary Hit Parade: 12+1 Protest Songs from Iran

15 DECEMBER 2022 • By Malu Halasa
Revolutionary Hit Parade: 12+1 Protest Songs from Iran
Film

Imprisoned Director Jafar Panahi’s No Bears

15 DECEMBER 2022 • By Clive Bell
Imprisoned Director Jafar Panahi’s <em>No Bears</em>
Art

Museums in Exile—MO.CO’s show for Chile, Sarajevo & Palestine

12 DECEMBER 2022 • By Jordan Elgrably
Museums in Exile—MO.CO’s show for Chile, Sarajevo & Palestine
Opinion

Historic Game on the Horizon: US Faces Iran Once More

28 NOVEMBER 2022 • By Mireille Rebeiz
Opinion

Fragile Freedom, Fragile States in the Muslim World

24 OCTOBER 2022 • By I. Rida Mahmood
Fragile Freedom, Fragile States in the Muslim World
Opinion

Letter From Tehran: On the Pain of Others, Once Again

24 OCTOBER 2022 • By Sara Mokhavat
Letter From Tehran: On the Pain of Others, Once Again
Poetry

The Heroine Forugh Farrokhzad—”Only Voice Remains”

15 OCTOBER 2022 • By Sholeh Wolpé
The Heroine Forugh Farrokhzad—”Only Voice Remains”
Editorial

You Don’t Have to Be A Super Hero to Be a Heroine

15 OCTOBER 2022 • By TMR
You Don’t Have to Be A Super Hero to Be a Heroine
Art

#MahsaAmini—Art by Rachid Bouhamidi, Los Angeles

15 OCTOBER 2022 • By Rachid Bouhamidi
#MahsaAmini—Art by Rachid Bouhamidi, Los Angeles
Art & Photography

Homage to Mahsa Jhina Amini & the Women-Led Call for Freedom

15 OCTOBER 2022 • By TMR
Homage to Mahsa Jhina Amini & the Women-Led Call for Freedom
Art

Defiance—an essay from Sara Mokhavat

15 OCTOBER 2022 • By Sara Mokhavat, Salar Abdoh
Defiance—an essay from Sara Mokhavat
Film

Ziad Kalthoum: Trajectory of a Syrian Filmmaker

15 SEPTEMBER 2022 • By Viola Shafik
Ziad Kalthoum: Trajectory of a Syrian Filmmaker
Art & Photography

Shirin Mohammad: Portrait of an Artist Between Berlin & Tehran

15 SEPTEMBER 2022 • By Noushin Afzali
Shirin Mohammad: Portrait of an Artist Between Berlin & Tehran
Columns

Salman Rushdie, Aziz Nesin and our Lingering Fatwas

22 AUGUST 2022 • By Sahand Sahebdivani
Salman Rushdie, Aziz Nesin and our Lingering Fatwas
Art

Abundant Middle Eastern Talent at the ’22 Avignon Theatre Fest

18 JULY 2022 • By Nada Ghosn
Abundant Middle Eastern Talent at the ’22 Avignon Theatre Fest
Editorial

Editorial: Is the World Driving Us Mad?

15 JULY 2022 • By TMR
Editorial: Is the World Driving Us Mad?
Centerpiece

Big Laleh, Little Laleh—memoir by Shokouh Moghimi

15 JULY 2022 • By Shokouh Moghimi, Salar Abdoh
Big Laleh, Little Laleh—memoir by Shokouh Moghimi
Film Reviews

War and Trauma in Yemen: Asim Abdulaziz’s “1941”

15 JULY 2022 • By Farah Abdessamad
War and Trauma in Yemen: Asim Abdulaziz’s “1941”
Columns

World Refugee Day — What We Owe Each Other

20 JUNE 2022 • By Jordan Elgrably
World Refugee Day — What We Owe Each Other
Film

Art Film Depicts the Landlocked Drama of Nagorno-Karabakh

2 MAY 2022 • By Taline Voskeritchian
Art Film Depicts the Landlocked Drama of Nagorno-Karabakh
Columns

Not Just Any Rice: Persian Kateh over Chelo

15 APRIL 2022 • By Maryam Mortaz, A.J. Naddaff
Not Just Any Rice: Persian Kateh over Chelo
Book Reviews

Abū Ḥamza’s Bread

15 APRIL 2022 • By Philip Grant
Abū Ḥamza’s Bread
Columns

Nowruz and The Sins of the New Day

21 MARCH 2022 • By Maha Tourbah
Nowruz and The Sins of the New Day
Art

Fiction: “Skin Calluses” by Khalil Younes

15 MARCH 2022 • By Khalil Younes
Fiction: “Skin Calluses” by Khalil Younes
Latest Reviews

Three Love Poems by Rumi, Translated by Haleh Liza Gafori

15 MARCH 2022 • By Haleh Liza Gafori
Three Love Poems by Rumi, Translated by Haleh Liza Gafori
Columns

“There’s Nothing Worse Than War”

24 FEBRUARY 2022 • By Jordan Elgrably
“There’s Nothing Worse Than War”
Fiction

Fiction from “Free Fall”: I fled the city as a murderer whose crime had just been uncovered

15 JANUARY 2022 • By Abeer Esber, Nouha Homad
Fiction from “Free Fall”: I fled the city as a murderer whose crime had just been uncovered
Columns

Getting to the Other Side: a Kurdish Migrant Story

15 JANUARY 2022 • By Iason Athanasiadis
Getting to the Other Side: a Kurdish Migrant Story
Art & Photography

Refugees of Afghanistan in Iran: a Photo Essay by Peyman Hooshmandzadeh

15 JANUARY 2022 • By Peyman Hooshmandzadeh, Salar Abdoh
Refugees of Afghanistan in Iran: a Photo Essay by Peyman Hooshmandzadeh
Book Reviews

Meditations on The Ungrateful Refugee

15 JANUARY 2022 • By Rana Asfour
Meditations on <em>The Ungrateful Refugee</em>
Book Reviews

Temptations of the Imagination: how Jana Elhassan and Samar Yazbek transmogrify the world

10 JANUARY 2022 • By Rana Asfour
Temptations of the Imagination: how Jana Elhassan and Samar Yazbek transmogrify the world
Interviews

The Fabulous Omid Djalili on Good Times and the World

15 DECEMBER 2021 • By Jordan Elgrably
The Fabulous Omid Djalili on Good Times and the World
Art & Photography

Hasteem, We Are Here: The Collective for Black Iranians

15 SEPTEMBER 2021 • By Maryam Sophia Jahanbin
Hasteem, We Are Here: The Collective for Black Iranians
Essays

Why Resistance Is Foundational to Kurdish Literature

15 SEPTEMBER 2021 • By Ava Homa
Why Resistance Is Foundational to Kurdish Literature
Featured excerpt

The Harrowing Life of Kurdish Freedom Activist Kobra Banehi

15 SEPTEMBER 2021 • By Kobra Banehi, Jordan Elgrably
The Harrowing Life of Kurdish Freedom Activist Kobra Banehi
Latest Reviews

Women Comic Artists, from Afghanistan to Morocco

15 AUGUST 2021 • By Sherine Hamdy
Women Comic Artists, from Afghanistan to Morocco
Art

Malak Mattar — Gaza Artist and Survivor

14 JULY 2021 • By Jordan Elgrably
Malak Mattar — Gaza Artist and Survivor
Columns

The Semantics of Gaza, War and Truth

14 JULY 2021 • By Mischa Geracoulis
The Semantics of Gaza, War and Truth
Weekly

The Unfinished Presidency of Jimmy Carter

4 JULY 2021 • By Maryam Zar
The Unfinished Presidency of Jimmy Carter
Book Reviews

ISIS and the Absurdity of War in the Age of Twitter

4 JULY 2021 • By Jessica Proett
ISIS and the Absurdity of War in the Age of Twitter
Art

The Murals of “Education is Not a Crime”

14 MAY 2021 • By Saleem Vaillancourt
The Murals of “Education is Not a Crime”
Art

The Murals of Yemen’s Haifa Subay

14 MAY 2021 • By Farah Abdessamad
The Murals of Yemen’s Haifa Subay
TMR 7 • Truth?

The Crash, Covid-19 and Other Iranian Stories

14 MARCH 2021 • By Malu Halasa
The Crash, Covid-19 and Other Iranian Stories
TMR 6 • Revolutions

The Revolution Sees its Shadow 10 Years Later

14 FEBRUARY 2021 • By Mischa Geracoulis
The Revolution Sees its Shadow 10 Years Later

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