The Souls of War Folk

Dia Al Azzawi, "Widows of General's Wars" (detail).

3 APRIL 2026 • By Ayça Çubukçu

The civilizational supremacy of the West is under threat, insisted U.S. Secretary of State Marco Rubio, in a speech in Munich.

I am haunted once again by The Souls of White Folk. You know, the souls of warring white folk that the great sociologist W. E. B. Du Bois wrote about in his poetic, piercing text from 1920. The essay was published in the aftermath of the first world war, as we now recount that period of imperial warmaking and colonial worldsharing, with the certainty that a second one was to follow. Sitting in London at the edge of another world war (lucky enough, or are “we” already in it, and which one is it, only the third?), I have been rehearsing in my head the sarcastic observations, the exclamations populating The Souls of White Folk

This silent rehearsal has become a compulsion ever since I heard U.S. Secretary of State Marco Rubio deliver a speech at the Munich Security Conference. There and then, on February 14, 2026 to be precise, Rubio rallied “Europe and America” to fight together for “thousands of years of western civilization.” “That is what we are defending,” Rubio declared in Munich, “a great civilization that has every reason to be proud of its history.” For five centuries, he told his European friends in praise, “the West had been expanding — [with] its missionaries, its pilgrims, its soldiers, its explorers pouring out from its shores to cross oceans, settle new continents, build vast empires extending out across the globe.” 

While Rubio, this proud child of western civilization, did not once utter the word “white” in his entire speech marking the shared colonial history and mutual “destiny” of Europe and the United States, the vivid imagery of his beloved missionaries and pilgrims, soldiers and explorers, empires and settlers seizing land across the world was evocative enough. Right then, in my head, the exclamation of Du Bois rang out: “whiteness is the ownership of the earth forever and ever, Amen!” 

Civilizational pride, unapologetic, was the condition for “partnership” in the restoration of the West’s dominance.

The Secretary of State’s glorious story did not end there however — it had its highs and lows, its heroes and villains. Rubio lamented how after the Second World War, “for the first time since the age of Columbus,” the West was “contracting” in 1945, when “the Great Western Empires had entered into terminal decline, accelerated by godless communist revolutions and by anti-colonial uprisings that would transform the world.” While many came to believe then that “the West’s age of dominance had come to an end,” Rubio promised the U.S. would renew and restore it. “The United States of America will once again take on the task of renewal and restoration, driven by a vision of a future as proud, as sovereign, and as vital as our civilization’s past,” he proclaimed. Although the U.S. was prepared, if necessary, to undertake that task alone, “it is our hope to do this together with you, our friends here in Europe,” Rubio declared in Munich. Only a few weeks prior, U.S. Special Forces had abducted President Nicolas Maduro in Venezuela, accelerating the dissolution of “the rules-based global order” facilitated by Israel’s genocide in Palestine. Thrilled, Rubio’s European friends, politicians and bureaucrats of the highest rank, gave him a standing ovation. To their relief, what Du Bois called “the title to the Universe claimed by White Folk” could still be shared.


Dia Al Azzawi Widows of General's Wars 2023
Dia Al Azzawi, “Widows of General’s Wars,” oil on canvas, 2023 (courtesy azzawiart.com).

But the Secretary of State had demands for the very souls of the European folk he rallied thus in Munich. “We want allies who are proud of their culture and of their heritage, who understand that we are heirs to the same great and noble civilization,” Rubio insisted, “we do not want our allies to be shackled by guilt and shame.” Civilizational pride, unapologetic, was the condition for “partnership” in the restoration of the West’s dominance; it was necessary for renewing what Rubio distinguished as “the greatest civilization in human history.” Very well then, “super-men and world-mastering demi-gods,” Du Bois rang once again, “here is a civilization that has boasted much. Neither Roman nor Arab, Greek nor Egyptian, Persian nor Mongol ever took himself and his own perfection with such disconcerting seriousness as the modern white man.”

The civilizational supremacy of the West was under threat, Rubio insisted in Munich. If deindustrialization had meant the loss of “independence” and “supply chain sovereignty,” it was mass migration which he singled out as the “urgent threat to the fabric of our societies and the survival of our civilization itself.” As for international institutions, he finally declared, “we can no longer place the so-called global order above the vital interests of our people and our nations.” In Gaza, it was not the United Nations, but American leadership instead, he insisted, that “freed captives from barbarians and brought about a fragile truce.” The barbarians threatening the West’s glory — Palestinians, anti-colonial militants, migrants, godless communists, Venezuela’s “narcoterrorist dictator,” as Rubio named Maduro in Munich — they had to appear in this civilizational epic. 

And appear they did in the Secretary of State’s call to arms. “The radical Shia clerics in Tehran,” Rubio underlined, were constrained last summer not by the United Nations but by bombs dropped from American B-2 bombers. “We do not want allies to rationalize the status quo” represented by the U.N., Rubio asserted; “we in America have no interest in being polite and orderly caretakers of the West’s managed decline.” Instead, the U.S. Secretary of State rallied for an alliance “that is not paralyzed into inaction” by the fear of war, an alliance that would not “ask for permission before it acts.” And so, it was. Two weeks later, with no “permission” from the U.N., bombs began pounding Iran again as the United States, together with Israel, launched Operation Epic Fury on February 28. And today, once again, from the genocide in Palestine to the attempted destruction of Iran along with Lebanon, we see in action what Du Bois called “that chiefest industry — fighting,” which Rubio’s mighty civilization has excelled at. “This is not aberration or insanity,” Du Bois had written on the First World War, “this seeming Terrible is the real soul of white culture—back of all culture—stripped and visible today.” He keeps ringing in my head: “whiteness is the ownership of the earth forever and ever, Amen!” 

Today, no one knows what the future holds. Commentators observe the scarcity of rhetorical labor offered by the United States to justify its war on Iran. Others note the “uselessness” of liberal apologists to the few attempts the U.S. has made to morally arm the war it is waging along Israel — “the right no longer caters to, nor needs, its liberal outriders.” With or without the allyship of his European friends giving him a standing ovation then, Rubio’s speech in Munich may prove to be the ideological omen of a coming world order mapped by the unwieldy might of bombs, nuclear or otherwise. How different would that order be from the previous constituted by violence and war, legal or illegal, waged for imperial domination and colonial worldsharing? Karl Marx understood this well: between equal rights, force continues to decide. Meanwhile, the proud souls of war folk neither require permission, nor offer apologies.

Ayça Çubukçu

Ayça Çubukçu is the author of For the Love of Humanity: The World Tribunal on Iraq (University of Pennsylvania, 2018) and of numerous articles in South Atlantic Quarterly, Contemporary Political Theory, Law, Culture, and the Humanities, The Journal of Genocide Research, and... Read more

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13 FEBRUARY 2023 • By Evelyne Accad
Arab Women’s War Stories, Oral Histories from Lebanon
Poetry Markaz

Poet Mihaela Moscaliuc—a “Permanent Immigrant”

5 FEBRUARY 2023 • By Mihaela Moscaliuc
Poet Mihaela Moscaliuc—a “Permanent Immigrant”
Columns

Letters From Tehran: Braving Tehran’s Roundabout, Maidan Valiasr

30 JANUARY 2023 • By TMR
Letters From Tehran: Braving Tehran’s Roundabout, Maidan Valiasr
Book Reviews

Editor’s Picks: Magical Realism in Iranian Lit

30 JANUARY 2023 • By Rana Asfour
Editor’s Picks: Magical Realism in Iranian Lit
Book Reviews

Mohamed Makhzangi Despairs at Man’s Cruelty to Animals

26 DECEMBER 2022 • By Saliha Haddad
Mohamed Makhzangi Despairs at Man’s Cruelty to Animals
Featured article

The Greek Panopticon, Where Politicians Spy on Democracy

15 DECEMBER 2022 • By Iason Athanasiadis
The Greek Panopticon, Where Politicians Spy on Democracy
Featured article

Don’t Be a Stooge for the Regime—Iranians Reject State-Controlled Media!

15 DECEMBER 2022 • By Malu Halasa
Don’t Be a Stooge for the Regime—Iranians Reject State-Controlled Media!
Columns

Siri Hustvedt & Ahdaf Souief Write Letters to Imprisoned Writer Narges Mohammadi

15 DECEMBER 2022 • By TMR
Siri Hustvedt & Ahdaf Souief Write Letters to Imprisoned Writer Narges Mohammadi
Music

Revolutionary Hit Parade: 12+1 Protest Songs from Iran

15 DECEMBER 2022 • By Malu Halasa
Revolutionary Hit Parade: 12+1 Protest Songs from Iran
Film

Imprisoned Director Jafar Panahi’s No Bears

15 DECEMBER 2022 • By Clive Bell
Imprisoned Director Jafar Panahi’s <em>No Bears</em>
Art

Museums in Exile—MO.CO’s show for Chile, Sarajevo & Palestine

12 DECEMBER 2022 • By Jordan Elgrably
Museums in Exile—MO.CO’s show for Chile, Sarajevo & Palestine
Opinion

Historic Game on the Horizon: US Faces Iran Once More

28 NOVEMBER 2022 • By Mireille Rebeiz
Columns

Sudden Journeys: Israel’s Intimate Separations—Part 2

31 OCTOBER 2022 • By Jenine Abboushi
Sudden Journeys: Israel’s Intimate Separations—Part 2
Opinion

Fragile Freedom, Fragile States in the Muslim World

24 OCTOBER 2022 • By I. Rida Mahmood
Fragile Freedom, Fragile States in the Muslim World
Opinion

Letter From Tehran: On the Pain of Others, Once Again

24 OCTOBER 2022 • By Sara Mokhavat
Letter From Tehran: On the Pain of Others, Once Again
Poetry

The Heroine Forugh Farrokhzad—”Only Voice Remains”

15 OCTOBER 2022 • By Sholeh Wolpé
The Heroine Forugh Farrokhzad—”Only Voice Remains”
Editorial

You Don’t Have to Be A Super Hero to Be a Heroine

15 OCTOBER 2022 • By TMR
You Don’t Have to Be A Super Hero to Be a Heroine
Art

#MahsaAmini—Art by Rachid Bouhamidi, Los Angeles

15 OCTOBER 2022 • By Rachid Bouhamidi
#MahsaAmini—Art by Rachid Bouhamidi, Los Angeles
Art & Photography

Homage to Mahsa Jhina Amini & the Women-Led Call for Freedom

15 OCTOBER 2022 • By TMR
Homage to Mahsa Jhina Amini & the Women-Led Call for Freedom
Art

Defiance—an essay from Sara Mokhavat

15 OCTOBER 2022 • By Sara Mokhavat, Salar Abdoh
Defiance—an essay from Sara Mokhavat
Film

Ziad Kalthoum: Trajectory of a Syrian Filmmaker

15 SEPTEMBER 2022 • By Viola Shafik
Ziad Kalthoum: Trajectory of a Syrian Filmmaker
Art & Photography

Shirin Mohammad: Portrait of an Artist Between Berlin & Tehran

15 SEPTEMBER 2022 • By Noushin Afzali
Shirin Mohammad: Portrait of an Artist Between Berlin & Tehran
Columns

Salman Rushdie, Aziz Nesin and our Lingering Fatwas

22 AUGUST 2022 • By Sahand Sahebdivani
Salman Rushdie, Aziz Nesin and our Lingering Fatwas
Art

Abundant Middle Eastern Talent at the ’22 Avignon Theatre Fest

18 JULY 2022 • By Nada Ghosn
Abundant Middle Eastern Talent at the ’22 Avignon Theatre Fest
Editorial

Editorial: Is the World Driving Us Mad?

15 JULY 2022 • By TMR
Editorial: Is the World Driving Us Mad?
Centerpiece

Big Laleh, Little Laleh—memoir by Shokouh Moghimi

15 JULY 2022 • By Shokouh Moghimi, Salar Abdoh
Big Laleh, Little Laleh—memoir by Shokouh Moghimi
Latest Reviews

American Theocracy and Failed States

15 JULY 2022 • By Ani Zonneveld
American Theocracy and Failed States
Film Reviews

War and Trauma in Yemen: Asim Abdulaziz’s “1941”

15 JULY 2022 • By Farah Abdessamad
War and Trauma in Yemen: Asim Abdulaziz’s “1941”
Columns

World Refugee Day — What We Owe Each Other

20 JUNE 2022 • By Jordan Elgrably
World Refugee Day — What We Owe Each Other
Film

Art Film Depicts the Landlocked Drama of Nagorno-Karabakh

2 MAY 2022 • By Taline Voskeritchian
Art Film Depicts the Landlocked Drama of Nagorno-Karabakh
Book Reviews

Abū Ḥamza’s Bread

15 APRIL 2022 • By Philip Grant
Abū Ḥamza’s Bread
Columns

Not Just Any Rice: Persian Kateh over Chelo

15 APRIL 2022 • By Maryam Mortaz, A.J. Naddaff
Not Just Any Rice: Persian Kateh over Chelo
Columns

Nowruz and The Sins of the New Day

21 MARCH 2022 • By Maha Tourbah
Nowruz and The Sins of the New Day
Art

Fiction: “Skin Calluses” by Khalil Younes

15 MARCH 2022 • By Khalil Younes
Fiction: “Skin Calluses” by Khalil Younes
Latest Reviews

Three Love Poems by Rumi, Translated by Haleh Liza Gafori

15 MARCH 2022 • By Haleh Liza Gafori
Three Love Poems by Rumi, Translated by Haleh Liza Gafori
Columns

“There’s Nothing Worse Than War”

24 FEBRUARY 2022 • By Jordan Elgrably
“There’s Nothing Worse Than War”
Fiction

Fiction from “Free Fall”: I fled the city as a murderer whose crime had just been uncovered

15 JANUARY 2022 • By Abeer Esber, Nouha Homad
Fiction from “Free Fall”: I fled the city as a murderer whose crime had just been uncovered
Columns

Getting to the Other Side: a Kurdish Migrant Story

15 JANUARY 2022 • By Iason Athanasiadis
Getting to the Other Side: a Kurdish Migrant Story
Art & Photography

Refugees of Afghanistan in Iran: a Photo Essay by Peyman Hooshmandzadeh

15 JANUARY 2022 • By Peyman Hooshmandzadeh, Salar Abdoh
Refugees of Afghanistan in Iran: a Photo Essay by Peyman Hooshmandzadeh
Book Reviews

Meditations on The Ungrateful Refugee

15 JANUARY 2022 • By Rana Asfour
Meditations on <em>The Ungrateful Refugee</em>
Book Reviews

Temptations of the Imagination: how Jana Elhassan and Samar Yazbek transmogrify the world

10 JANUARY 2022 • By Rana Asfour
Temptations of the Imagination: how Jana Elhassan and Samar Yazbek transmogrify the world
Interviews

The Fabulous Omid Djalili on Good Times and the World

15 DECEMBER 2021 • By Jordan Elgrably
The Fabulous Omid Djalili on Good Times and the World
Fiction

The Promotion (a short story from Saudi Arabia)

22 NOVEMBER 2021 • By Waqar Ahmed
The Promotion (a short story from Saudi Arabia)
Art & Photography

Hasteem, We Are Here: The Collective for Black Iranians

15 SEPTEMBER 2021 • By Maryam Sophia Jahanbin
Hasteem, We Are Here: The Collective for Black Iranians
Essays

Why Resistance Is Foundational to Kurdish Literature

15 SEPTEMBER 2021 • By Ava Homa
Why Resistance Is Foundational to Kurdish Literature
Featured excerpt

The Harrowing Life of Kurdish Freedom Activist Kobra Banehi

15 SEPTEMBER 2021 • By Kobra Banehi, Jordan Elgrably
The Harrowing Life of Kurdish Freedom Activist Kobra Banehi
Latest Reviews

Women Comic Artists, from Afghanistan to Morocco

15 AUGUST 2021 • By Sherine Hamdy
Women Comic Artists, from Afghanistan to Morocco
Art

Malak Mattar — Gaza Artist and Survivor

14 JULY 2021 • By Jordan Elgrably
Malak Mattar — Gaza Artist and Survivor
Columns

The Semantics of Gaza, War and Truth

14 JULY 2021 • By Mischa Geracoulis
The Semantics of Gaza, War and Truth
Weekly

The Unfinished Presidency of Jimmy Carter

4 JULY 2021 • By Maryam Zar
The Unfinished Presidency of Jimmy Carter
Book Reviews

ISIS and the Absurdity of War in the Age of Twitter

4 JULY 2021 • By Jessica Proett
ISIS and the Absurdity of War in the Age of Twitter
Art

The Murals of “Education is Not a Crime”

14 MAY 2021 • By Saleem Vaillancourt
The Murals of “Education is Not a Crime”
Art

The Murals of Yemen’s Haifa Subay

14 MAY 2021 • By Farah Abdessamad
The Murals of Yemen’s Haifa Subay
TMR 7 • Truth?

The Crash, Covid-19 and Other Iranian Stories

14 MARCH 2021 • By Malu Halasa
The Crash, Covid-19 and Other Iranian Stories
TMR 6 • Revolutions

The Revolution Sees its Shadow 10 Years Later

14 FEBRUARY 2021 • By Mischa Geracoulis
The Revolution Sees its Shadow 10 Years Later

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