TMR 41
FORGETTING
What shall we forget and what shall we remember, and can forgetting also be a force for good? The editors inquire.

- TMR 41
- Editorial
Why FORGETTING?
What shall we forget and what shall we remember, and can forgetting also be a force for good? The editors inquire.
- TMR 41
- CENTERPIECE

Memory Archive: Between Remembering and Forgetting
Mai Al-Nakib explores memory, forgetting, and writing through the lenses of Woolf, Proust, and a Wim Wenders film.
3 May 2024 • By Mai Al-Nakib- TMR 41
- Featured Artist

Featured Artist Hazem Harb: “Back to Zero”
Gazan artist Hazem Harb remembers and celebrates the old, new, destroyed, erased and dead of Palestine in a personal response to a nasty war.
3 May 2024 • By Malu HalasaMORE FROM THIS ISSUE
Regarding the Photographs of Others—An Iraqi Journey Toward Remembering
Photographs of Iraqis imply doom due to generational violence, even in happy pictures.
3 MAY 2024 • BY NABIL SALIHMy Brother, My Land: A Story from Palestine
Saleem Haddad reviews the Sawalha family story that offers hope in resilience, resistance, and survival against all odds.
3 MAY 2024 • BY SALEEM HADDADA Proustian Alexandria
Claiming a past that never existed previously in the city, nostalgia overwhelms the inhabitants of Alexandria, writes Mohamed Gohar.
3 MAY 2024 • BY MOHAMED GOHARAsmae El Moudir’s The Mother of All Lies
Brittany Landorf reviews the first major film of director Asmae El Moudir, Morocco’s entry for the 2024 Academy Awards.
3 MAY 2024 • BY BRITTANY LANDORFThe Elephant in the Box
Revisiting her memories of Egypt's January 25 revolution, Asmaa Elgamal finds that denying common sense is the worst oppression.
3 MAY 2024 • BY ASMAA ELGAMALSargon Boulus Revisited: Encomium to an Assyrian Poet
Youssef Rakha revisits his fascination with Sargon Boulos who managed to live out poetic Arabness in exile as nobody else did.
3 MAY 2024 • BY YOUSSEF RAKHA“Cotton Flower”—a short story by Areej Gamal
Areej Gamal's translated short story from Egypt depicts a potted plant and forbidden love that become intertwined, with an unexpected outcome
3 MAY 2024 • BY AREEJ GAMALVoices Close to Oblivion and Near the Grave from Syrian Gulag
A first-ever in-depth look into Syria's prison system where prisoners endure unimaginable levels of violence and torture.
3 MAY 2024 • BY UGUR UMIT UNGORForgotten & Silenced Histories in Moroccan Other-Archives
Language, gender, class, race, and geography shape citizenship in Morocco today, argues Brahim El Guabli in his latest book.
3 MAY 2024 • BY NATALIE BERNSTIENBloodied Dispatches—Ahmed Isselmou on the Gaza Carnage
The assault on Gaza is the longest and deadliest Israeli offensive to date, and the worst in targeting journalists and their families.
3 MAY 2024 • BY AHMED ISSELMOUNot Forgotten, Not (All) Erased: Palestine’s Sacred Shrines
Palestine's shrines are a part of a heritage that has been intentionally erased since the Nakba of 1948, writes Gabriel Polley.
3 MAY 2024 • BY GABRIEL POLLEYPalestinian Culture, Under Assault, Celebrated in New Cookbook
Fadi Kattan's Palestinian cookbook is a memoir of personal and familial memories, intriguing facts, and emotions, writes Mischa Geracoulis.
3 MAY 2024 • BY MISCHA GERACOULISFreedom—Ruminations of a Syrian Refugee
It is obvious that we will never forget; but it is unclear how to proceed with “un-forgetting" writes Reem Alghazzi on her experience of the Syrian revolution.
3 MAY 2024 • BY REEM ALGHAZZI“The Forgotten”—a short story by Oğuz Atay
Regarded internationally as one of Turkey’s greatest writers, Oğuz Atay (1934-1977) remains largely untranslated into English.
3 MAY 2024 • BY RALPH HUBBELLThe Art of Letting Go: On the Path to Willful Abandonment
Nashwa Nasreldine explores the importance of holding onto failed attempts to capture fleeting moments for the sake of our souls and poetry.
3 MAY 2024 • BY NASHWA NASRELDIN