Like a classic noir narrative in which morality blurs and truth is slippery, the world today feels increasingly absurd and nihilistic.
READ MOREA wayward daughter leaves Boston to spend a summer back home in Cairo, where she observes the decline of her once prominent family.
15 JUNE, 2022 • By Amany Kamal EldinFormer prisoner and Egyptian writer in exile Ahmed Naji contemplates what it means to be a "brown writer" in exile in America.
15 JANUARY, 2022 • By Ahmed Naji, Rana AsfourIason Athanasiadis paints the portrait of Bahoz, a stateless Kurd who will keep fighting to become accepted for asylum in Europe.
15 JANUARY, 2022 • By Iason AthanasiadisRana Asfour shares her thoughts on the widely-celebrated book from Dina Nayeri, who writes that escaping and becoming a refugee preoccupied her life for more than 20 years.
15 JANUARY, 2022 • By Rana AsfourA.J. Naddaff reviews the latest work of creative nonfiction by Lebanon's Charif Majdalani, as his nation teeters on the edge of the abyss.
15 NOVEMBER, 2021 • By A.J. NaddaffExcerpted from the anthology Kurdish Women’s Stories (Pluto Press, 2020), by special arrangement with editor Houzan Mahmoud. The Prison Speakers Played Islamic Verses Kobra Banehi Kobra Banehi, also known…
15 SEPTEMBER, 2021 • By Kobra Banehi, Jordan ElgrablyJenine Abboushi recalls family histories and lifelong friendships linking Gaza with Ramallah, Jenin and Jerusalem.
14 JULY, 2021 • By Jenine AbboushiNotes from the editor on truth and discernment.
15 MARCH, 2021 • By Jordan ElgrablyIason Athanasiadis shares his remembrance and unpublished photos from the decisive battle of the 18 days that shook the world.
14 FEBRUARY, 2021 • By Iason AthanasiadisFarah Abdessamad remembers the Dead Sea and the myth of Bahamut.
14 JANUARY, 2021 • By Farah AbdessamadNovelist and poet Laila Halaby reconciles herself with the neighborhood.
15 OCTOBER, 2020 • By Laila HalabyMaalouf draws a line from pivotal years in Middle Eastern history to some of the most pressing dilemmas currently facing humanity.
15 SEPTEMBER, 2020 • By Sarah AlKahly-Mills