Unapologetic Palestinians, Reactionary Germans
Abir Kopty argues that German guilt is being used to silence Palestinians and others who protest on their behalf.
Abir Kopty argues that German guilt is being used to silence Palestinians and others who protest on their behalf.
Berlin-based Jordanian artist and curator Ala Younis interviews Iraqi artist Ali Yass on his new work.
Iskandar Abdalla reviews the new film "Shall I Compare you to A Summer’s Day?"
Viola Shafik profiles Berlin-based Palestinian photographer Mohamed Badarne.
Noushin Afzali profiles multimedia artist Shirin Mohammad, who glides back and forth between Berlin, Bremen and Tehran.
Cultural historian Diana Abbani meditates on music among Berlin's Arab immigrants.
Eman Quotah reviews the new poetry collection by Jordanian Palestinian American author Laila Halaby.
Nada Ghosn interviews the curator and Lebanese photographers exhibiting in the Abbey de Jumièges, north of Paris.
Iason Athanasiadis reviews the new Ibrahim al-Koni translation of a story that recounts Islam's conquest of North Africa.
Sarah Ben Hamadi explores street art, graffiti and the popular art scene in Tunis.
Rana Asfour reviews the third novel from Dutch Iraqi writer Rodaan Al Galidi.
Angélique Crux reviews the award-winning documentary from Lebanese filmmaker Wissam Tanios.
In her 10th music column for TMR, Melissa Chemam profiles Palestinian oud performer and percussionist Yousef Zayed, who lives in France.
Storyteller Sahand Sahebdivani remembers the late Turkish firebrand Aziz Nesin who wanted to translate Salman Rushdie's "The Satanic Verses."
In "The Handsome Jew" the novelist from Yemen recounts a powerful yet tragic tale of forbidden love.