The Felines that Leave Us, and the Humans that Left

Thuraya Al-Baqsami (b. Kuwait), "Conflict," acrylic on canvas, 80x80cm, 2010 (courtesy of the artist).

1 NOVEMBER 2024 • By Farnaz Haeri, Salar Abdoh
An Iranian writer and translator in the heart of Tehran unexpectedly becomes a cat woman, attached to her pets well into adulthood.

 

Farnaz Haeri

Translated from Persian by Salar Abdoh

Before the word “pet,” entered the Persian lexicon, animals rarely entered Iranian homes unless they happened in storybooks or on television. Our house, however, was one of the few where for a time an animal actually graced our lives, albeit for only a short time. By then I was already twenty years old and my brother and I had managed to convince our parents to adopt a dog. But Maman’s illness was getting worse all the time, which meant we had to leave the house with the backyard and move to an apartment in the heart of Tehran, where we could be closer to major hospitals and the doctors that she needed. This also meant the dog had to be given away. We were heartbroken and vowed never to bring animals into our home again, especially as Baba, in despair over Maman’s impending death, reversed his habitual optimism of years past and during Maman’s last months of struggle with cancer, refused any of his own medicines and doctor visits for his diabetes and kidney function.

The two of them died within 33 days of each other.

Life itself appeared smothered out of us. And things remained that way until demonstrations erupted on the streets of our city four years later. 2009. It didn’t take long before the protests against the government’s fixing of the elections were met with tear gas, incarcerations and killings. The glimmer of hope we’d enjoyed for a few months vanished. On top of that, a friend of mine disappeared, never to be seen again —though not in Tehran and not during the Green Movement protests, but in faraway Nepal. He had been an avid adventurer, a serious mountaineer, always going on long treks from which he’d send me photos. Before leaving this last time, he’d called to say he wanted a personally signed autograph of one of my recent translations. I no longer recall which book he meant. What I know is that he left and somewhere up there in Nepal he went missing in the Trishuli River while kayaking. I put his disappearance alongside all the other ones that had been happening in Tehran that year, though I still held hope he might come back again. I’d imagine him on the streets of our city, in the crowds of demonstrators, and even once dreamt that he came right up and tapped me on the shoulder and said, “Got you, Farnaz!”

You could say that that year was really just another depressing year in Iran, but even more so. For the first time in decades we saw that there were millions and millions of us who were angry, who wanted change, and who actually had the courage to march silently on the streets — not a peep, not a sound, not a shout — as a monumental gesture of dissent. We were the same people who could barely sit behind the wheel of a car in traffic for a minute before honking like mad and yet here we were, marching arm-in-arm in our elegant silence. There was true spark in the air and the color of our protest movement was a loud and proud green. But in the end, we were crushed, crushed hard, and hope disappeared once again.

With Maman and Baba no longer with us, plus the defeat of the Green Movement and the disappearance of my friend in the Himalayas, it truly felt as if there was no longer any chance of my climbing out of the dark well I’d been tossed into. It was then that Marilyn entered our home and, literally, pulled me out of myself. Even though my brother and I hadn’t forgotten the vow of four-five years earlier to never bring another animal into the house, Marilyn’s case was one we couldn’t turn our backs on. He’d found the kitten off the street, hungry and alone and instantly decided to bring her home. At the time we’d been watching the TV series, Prison Break, which was all the rage in Iran just then and maybe said something about the state of our collective minds too. In the series, there was a cat named Marilyn. It seemed as good a name as any, and so we decided to call the newest member of our household Marilyn.

A tabby cat with a mix of gray, black, white and brown, Marilyn turned out to be hugely intelligent, playful and adept at keeping me from sinking back into that pit again. She’d fall asleep on my English-Persian dictionary and woke me up each dawn demanding we play.

Soon my brother’s job took him away from Tehran and so it was just Marilyn and I for a few years, but then, from one day to the next, the household exploded. My older uncle, the patriarch of the family, had decided that my younger uncle’s three daughters — fifteen, fourteen, and seven — were to be sent to live with me since their parents could neither get along nor come to an understanding about how to share the children between them. This was to be a temporary situation, but “temporary” turned out to be the next seven years of our lives.

Chaos came with my young cousins. Everything had to be changed — from the size of the fridge to the bulk and kind of food shopping I did, not to mention the number of beds and drawers and utensils. The size of the pots and pans grew and grew and every day there were more cups and saucers stuffed into the cupboards.

Our “thing” that we did together turned out to be cooking. Cooking created intimacy and immediacy. To say that my job turned solely into running a household of five women — myself, Marilyn and the girls — would be an understatement. For more than a year I put aside any other work to manage the fulltime job of running our lives. I was used to orderliness, while these kids were anything but. This was serious motherhood. Days would float by as if in a dream. It wasn’t a life I would have chosen for myself. The family had parachuted me into the situation. Marilyn, however, didn’t seem unhappy with the setup. She had her own corner and my cousins loved and spoiled her, especially the youngest.

During those years there were a lot of parties in our house. There was always a birthday, a valentine, a graduation or some other special occasion for the girls requiring a gathering. But party or not, the housework was 24/7. Cleaning, cooking, shopping, school homework, these all were jobs that were never finished; there was never a time when I could think: I’ll sit myself down and read a book. My translation work, which had been my livelihood, had gone completely out the window. I had to do something. I talked to two of my friends who were filmmakers and together we decided to rent an “office.” Now I went from being a “sudden” mother of three girls and a cat, to one with also a job and an office.

Then one night it happened that we had to leave Marilyn all alone in the house. On our return, she whined and meowed nonstop for the next day and a half. Something had to be done for the cat. And so it was that Mirza entered our house — a pure Persian breed, with blond fur, who had lorded it in its previous home among a clowder of females. But contrary to our expectations, Mirza’s arrival did not sit well with Marilyn at all. The addition of humans was one thing, but another cat, and a male at that, seemed like treachery to Marilyn, and sometimes I could have sworn she was looking at me as if I was guilty of the ultimate betrayal between us.

Mirza hadn’t been long with us when a friend’s dog happened on a sickly kitten hiding under a car. The dog, it appeared, had saved the kitten’s life but did not want her to stick around and made it known quite loudly. So it was that Yam-Yam also came to us. Now the house was truly crowded and Yam-Yam needed constant attention. I had to take her to the vet just about every other day for a while, until the vet declared there was no hope for the kitten and I should just take her home. It was then that Marilyn decided she would take on the same role of motherhood for Yam-Yam that I had taken on for my cousins. Yam-Yam not only survived, but she flourished.

There were seven of us now — me, the three girls and three cats. It wasn’t an impossible situation just yet. We each had our own corner and enjoyed or, in the cats’ case, put up with one another’s company. Until Yam-Yam grew, and as she did so did the attraction between her and Mirza. Before long Marilyn would take one look at the four new kittens that Yam-Yam had birthed, then one look at me and I knew what she was thinking: traitor. The cat population had at last outstripped the humans seven to four.

Neither the girls nor I were willing to give the kittens away. We all had to pitch in to make even more room. But when Yam-Yam and Mirza brought us another litter of five, we decided we would not name any of them so that giving them away could be a little easier. Three months later three of the kittens had been taken off our hands. The fourth let its displeasure be known so much that it had to be returned to us. And the fifth fell off one of my bookshelves, broke its leg, and ended up staying and becoming Kit-Kat.

Kit-Kat was the gentlest of cats. As soon as I’d come home, he’d sprint over so I would pick him up and caress him. Even with a broken foot, he’d still revisit the cat litter after his brothers and sisters were done, making sure they hadn’t left anything exposed. At nights he’d put his little head next to mine on the pillow and go to sleep. And then one day Kit-Kat disappeared. My cousins called me at the office to tell me Kit-Kat had found a way to get to the neighbor’s balcony and probably from there down to the street. It hadn’t even been that long since we’d taken the cast off his foot, leaving it smaller than the rest. We spent untold days and nights looking for him on the streets, calling his name, and plastering flyers everywhere. Iranians are a cat loving people, but the flyers were still cause for a lot of jokes in the neighborhood. Sometimes I hit the pavements so long that it felt I was wearing brick shoes. Those were the early days of the news about the Syrian refugees too. On the internet we’d watch them dragging along the roads and valleys of their country with backpacks and bundles. I wondered about their heavy feet, their abandoned or destroyed homes, and if surely some of them — so near to us — had had to leave their own animals behind and move on.

With Kit-Kat gone, now it was me, the three girls, and eight cats. In time the girls’ mom managed at last to settle her life so that they could move back in with her. Three humans gone. Next went three of the cats to my brother’s home. It was me and five cats now, including Marilyn, who was happy to have more room in the house and queened it over all the others as she always had.

And then, just as suddenly as Kit-Kat had vanished, Marilyn came down with cancer. Marilyn’s illness took me back to the last months of Maman and Baba. How joy had left our home overnight. Back then I’d already, by default, turned into everyone’s parent in the quickly diminishing house of Maman, Baba, my brother and me. Yet just to keep hope alive, I had also begun volunteering at a medical center for children with cancer. Even though more than once I did witness miracles of recovery in that center, Maman’s irrevocable march toward death made any sort of cancer therapy forever suspect to me, including Marilyn’s treatments. Nevertheless, dutifully I took her back and forth to the vet, where she also had to endure a difficult surgery, until the day the metastasis of her condition became irreversible.

One human, four cats. Those are the numbers in my home now. Sinking into despair can happen in an instant. I am aware of this. My four current roommates keep me from even considering taking that plunge. Every day I imagine I’ve spotted Kit-Kat somewhere on the frantic streets of Tehran. Time has passed and many Syrians are still traveling with their bundles and backpacks from one country to another. Alongside them now are the Ukrainians, the Afghans, the Palestinians, the Lebanese and the people of Sudan …

I think about tired feet and lack of shelter and homelessness, and I follow stories of abandoned animals in this war and that war. Sometimes I even imagine that surely over there, right there on the other side of the busy boulevard, must be my friend, the one who disappeared in Nepal, about to sprint over to surprise me and yell “hi!” I think about the year of his disappearance, and of crushed rallies, of hope vanished, and this: not silent marches but silenced ones. And, finally, there’s Marilyn, her picture on the wall of every place I have lived ever since she first came into my life to rescue a single human from an unjust world.

 

Farnaz Haeri

Farnaz Haeri A senior magazine editor and essayist living, working, painting and taking care of her cats in Tehran, Farnaz Haeri’s numerous translations into Persian include Natalia Ginzburg’s The Road to the City, Yukio Mishima’s The Sound of the Waves, John Berger’s Here is... Read more

Salar Abdoh

Salar Abdoh Salar Abdoh is an Iranian novelist, essayist and translator, who divides his time between New York and Tehran. He is the author of the novels Poet Game (2000), Opium (2004), Tehran at Twilight (2014), and Out of Mesopotamia (2020) and the editor of... Read more

Join Our Community

TMR exists thanks to its readers and supporters. By sharing our stories and celebrating cultural pluralism, we aim to counter racism, xenophobia, and exclusion with knowledge, empathy, and artistic expression.

Learn more

RELATED

Uncategorized

Reading the Landscape: Cultural Clues and Regime Messages in Iran

12 SEPTEMBER 2025 • By Raha Nik-Andish
Reading the Landscape: Cultural Clues and Regime Messages in Iran
Essays

Remaining in Light: Iranians Search for Solace and Well-Being

5 SEPTEMBER 2025 • By Malu Halasa
Remaining in Light: Iranians Search for Solace and Well-Being
Book Reviews

Hope Without Hope: Rojava and Revolutionary Commitment

11 JULY 2025 • By Arie Amaya-Akkermans
Hope Without Hope: Rojava and Revolutionary Commitment
Columns

The Bullet, the Missile and the Woman In-Between

4 JULY 2025 • By Alireza Iranmehr
The Bullet, the Missile and the Woman In-Between
Essays

Life Under the Shadow of Missiles: the View From Iran

20 JUNE 2025 • By Amir
Life Under the Shadow of Missiles: the View From Iran
Book Reviews

The Evin Prison Bakers’ Club — Review

6 JUNE 2025 • By Hannah Kaviani
The Evin Prison Bakers’ Club — Review
Editorial

For Our 50th Issue, Writers Reflect on Going Home

2 MAY 2025 • By TMR
For Our 50th Issue, Writers Reflect on Going Home
Essays

Leaving Abdoh, Finding Chamran

2 MAY 2025 • By Salar Abdoh
Leaving Abdoh, Finding Chamran
Essays

Looking for a Job, Living and Dying in Iran: The Logistics of Going Back

2 MAY 2025 • By Raha Nik-Andish
Looking for a Job, Living and Dying in Iran: The Logistics of Going Back
Centerpiece

Love and Resistance in Online Persian Dating Shows

7 MARCH 2025 • By Malu Halasa
Love and Resistance in Online Persian Dating Shows
Art & Photography

Mostafa Nodeh: Featured Artist Interview

7 FEBRUARY 2025 • By Mostafa Nodeh
Mostafa Nodeh: Featured Artist Interview
Film

My Favorite Cake, Iranian Cinema’s Bittersweet Ode to Love

17 JANUARY 2025 • By Karim Goury
<em>My Favorite Cake</em>, Iranian Cinema’s Bittersweet Ode to Love
Book Reviews

In Killing Gilda Yahya Gharagozlou Tells an Intriguing Iranian Tale

10 JANUARY 2025 • By Azadeh Moaveni
In <em>Killing Gilda</em> Yahya Gharagozlou Tells an Intriguing Iranian Tale
Editorial

The Editor’s Letter Following the US 2024 Presidential Election

8 NOVEMBER 2024 • By Jordan Elgrably
The Editor’s Letter Following the US 2024 Presidential Election
Memoir

“The Ballad of Lulu and Amina”—from Jerusalem to Gaza

1 NOVEMBER 2024 • By Izzeldin Bukhari
“The Ballad of Lulu and Amina”—from Jerusalem to Gaza
Essays

The Felines that Leave Us, and the Humans that Left

1 NOVEMBER 2024 • By Farnaz Haeri, Salar Abdoh
The Felines that Leave Us, and the Humans that Left
Film

Freedom is a Combat Sport: On Tatami

11 OCTOBER 2024 • By Karim Goury
Freedom is a Combat Sport: On <em>Tatami</em>
Editorial

A Year of War Without End

4 OCTOBER 2024 • By Lina Mounzer
A Year of War Without End
Book Reviews

Birth in a Poem: Maram Al-Masri’s The Abduction

23 AUGUST 2024 • By Eman Quotah
Birth in a Poem: Maram Al-Masri’s <em>The Abduction</em>
Poetry

Hafez, Iran’s Revered Poet, trans. Erfan Mojib & Gary Gach

15 JULY 2024 • By Erfan Mojib, Gary Gach
Hafez, Iran’s Revered Poet, trans. Erfan Mojib & Gary Gach
Fiction

“Firefly”—a short story by Alireza Iranmehr

5 JULY 2024 • By Alireza Iranmehr, Salar Abdoh
“Firefly”—a short story by Alireza Iranmehr
Essays

The Mourning Diaries of Atash Shakarami

5 JULY 2024 • By Poupeh Missaghi
The Mourning Diaries of Atash Shakarami
Poetry

Three Poems by Somaia Ramish

12 JUNE 2024 • By Somaia Ramish
Three Poems by Somaia Ramish
Interviews

Nothing is Normal, Nothing Is What it Seems (Underground Theatre in Iran After the Woman, Life, Freedom Movement)

7 JUNE 2024 • By Mehrnaz Daneshvar, Salar Abdoh
Nothing is Normal, Nothing Is What it Seems (Underground Theatre in Iran After the Woman, Life, Freedom Movement)
Art & Photography

Bani Khoshnoudi: Featured Artist for PARIS

1 APRIL 2024 • By TMR
Bani Khoshnoudi: Featured Artist for PARIS
Poetry

Two Poems from Maram Al-Masri

3 MARCH 2024 • By Maram Al-Masri, Hélène Cardona
Two Poems from Maram Al-Masri
Book Reviews

Eyeliner: A Cultural History by Zahra Hankir—A Review

19 FEBRUARY 2024 • By Nazli Tarzi
<em>Eyeliner: A Cultural History</em> by Zahra Hankir—A Review
short story

“Water”—a short story by Salar Abdoh

4 FEBRUARY 2024 • By Salar Abdoh
“Water”—a short story by Salar Abdoh
Essays

A Treatise on Love

4 FEBRUARY 2024 • By Maryam Haidari, Salar Abdoh
A Treatise on Love
Books

Illuminated Reading for 2024: Our Anticipated Titles

22 JANUARY 2024 • By TMR
Illuminated Reading for 2024: Our Anticipated Titles
Book Reviews

An Iranian Novelist Seeks the Truth About a Plane Crash

15 JANUARY 2024 • By Sepideh Farkhondeh
An Iranian Novelist Seeks the Truth About a Plane Crash
Film

Religious Misogyny Personified in Ali Abbasi’s Holy Spider

11 DECEMBER 2023 • By Bavand Karim
Religious Misogyny Personified in Ali Abbasi’s <em>Holy Spider</em>
Fiction

“The Waiting Bones”—an essay by Maryam Haidari

3 DECEMBER 2023 • By Maryam Haidari, Salar Abdoh
“The Waiting Bones”—an essay by Maryam Haidari
Book Reviews

First Kurdish Sci-Fi Collection is Rooted in the Past

28 NOVEMBER 2023 • By Matt Broomfield
First Kurdish Sci-Fi Collection is Rooted in the Past
Fiction

Bahar: 22 years in the Life of a Compulsory Hijabi in Teheran

20 NOVEMBER 2023 • By Joumana Haddad
Bahar: 22 years in the Life of a Compulsory Hijabi in Teheran
Art & Photography

Iranian Women Photographers: Life, Freedom, Music, Art & Hair

20 NOVEMBER 2023 • By Malu Halasa
Iranian Women Photographers: Life, Freedom, Music, Art & Hair
Islam

October 7 and the First Days of the War

23 OCTOBER 2023 • By Robin Yassin-Kassab
October 7 and the First Days of the War
Books

The Contemporary Literary Scene in Iran

1 OCTOBER 2023 • By Salar Abdoh
The Contemporary Literary Scene in Iran
Book Reviews

Reza Aslan’s An American Martyr in Persia Argues for US-Iranian Friendship

1 OCTOBER 2023 • By Dalia Sofer
Reza Aslan’s <em>An American Martyr in Persia</em> Argues for US-Iranian Friendship
Interviews

Illegitimate Literature—Interview with Novelist Ebru Ojen

18 SEPTEMBER 2023 • By Nazlı Koca
Illegitimate Literature—Interview with Novelist Ebru Ojen
Book Reviews

Kurdish Novel Explores Nightmarish Isolation in Eastern Anatolia

18 SEPTEMBER 2023 • By Kaya Genç
Kurdish Novel Explores Nightmarish Isolation in Eastern Anatolia
Art

Special World Picks Sept 15-26 on TMR’s Third Anniversary

14 SEPTEMBER 2023 • By TMR
Special World Picks Sept 15-26 on TMR’s Third Anniversary
Essays

A Day in the Life with Forugh Farrokhzad (and a Tortoise)

3 SEPTEMBER 2023 • By Fargol Malekpoosh
A Day in the Life with Forugh Farrokhzad (and a Tortoise)
Book Reviews

Can the Kurdish Women’s Movement Transform the Middle East?

31 JULY 2023 • By Matt Broomfield
Can the Kurdish Women’s Movement Transform the Middle East?
Fiction

Arrival in the Dark—fiction from Alireza Iranmehr

2 JULY 2023 • By Alireza Iranmehr, Salar Abdoh
Arrival in the Dark—fiction from Alireza Iranmehr
Fiction

“Here, Freedom”—fiction from Danial Haghighi

2 JULY 2023 • By Danial Haghighi, Salar Abdoh
“Here, Freedom”—fiction from Danial Haghighi
Essays

“My Mother is a Tree”—a story by Aliyeh Ataei

2 JULY 2023 • By Aliyeh Ataei, Siavash Saadlou
“My Mother is a Tree”—a story by Aliyeh Ataei
Fiction

“The Afghan and the Persian”—a short story by Jordan Elgrably

2 JULY 2023 • By Jordan Elgrably
“The Afghan and the Persian”—a short story by Jordan Elgrably
Essays

Zahhāk: An Etiology of Evil

2 JULY 2023 • By Omid Arabian
Zahhāk: An Etiology of Evil
Fiction

“The Long Walk of the Martyr”—fiction from Salar Abdoh

2 JULY 2023 • By Salar Abdoh
“The Long Walk of the Martyr”—fiction from Salar Abdoh
Art & Photography

From the City to the Desert—Tahmineh Monzavi

4 JUNE 2023 • By Tahmineh Monzavi
From the City to the Desert—Tahmineh Monzavi
Photography

Iran on the Move—Photos by Peyman Hooshmandzadeh

1 MAY 2023 • By Peyman Hooshmandzadeh, Malu Halasa
Iran on the Move—Photos by Peyman Hooshmandzadeh
Book Reviews

Hard Work: Kurdish Kolbars or Porters Risk Everything

1 MAY 2023 • By Clive Bell
Hard Work: Kurdish <em>Kolbars</em> or Porters Risk Everything
Art & Photography

TMR Conversations: Mana Neyestani, Graphic Novelist

1 MAY 2023 • By Malu Halasa
TMR Conversations: Mana Neyestani, Graphic Novelist
Film

Seven Winters in Tehran and the Execution of Reyhaneh Jabbari

10 APRIL 2023 • By Malu Halasa
<em>Seven Winters in Tehran</em> and the Execution of Reyhaneh Jabbari
Art

Nazanin Pouyandeh

5 MARCH 2023 • By TMR
Nazanin Pouyandeh
Cities

The Odyssey That Forged a Stronger Athenian

5 MARCH 2023 • By Iason Athanasiadis
The Odyssey That Forged a Stronger Athenian
Book Reviews

White Torture Prison Interviews Condemn Solitary Confinement

13 FEBRUARY 2023 • By Kamin Mohammadi
<em>White Torture</em> Prison Interviews Condemn Solitary Confinement
Columns

Letters From Tehran: Braving Tehran’s Roundabout, Maidan Valiasr

30 JANUARY 2023 • By TMR
Letters From Tehran: Braving Tehran’s Roundabout, Maidan Valiasr
Book Reviews

Editor’s Picks: Magical Realism in Iranian Lit

30 JANUARY 2023 • By Rana Asfour
Editor’s Picks: Magical Realism in Iranian Lit
Featured article

Don’t Be a Stooge for the Regime—Iranians Reject State-Controlled Media!

15 DECEMBER 2022 • By Malu Halasa
Don’t Be a Stooge for the Regime—Iranians Reject State-Controlled Media!
Columns

Siri Hustvedt & Ahdaf Souief Write Letters to Imprisoned Writer Narges Mohammadi

15 DECEMBER 2022 • By TMR
Siri Hustvedt & Ahdaf Souief Write Letters to Imprisoned Writer Narges Mohammadi
Music

Revolutionary Hit Parade: 12+1 Protest Songs from Iran

15 DECEMBER 2022 • By Malu Halasa
Revolutionary Hit Parade: 12+1 Protest Songs from Iran
Columns

Music for Tomorrow: Iranians Yearn for Freedom

15 DECEMBER 2022 • By Nazanin Malekan
Music for Tomorrow: Iranians Yearn for Freedom
Film

Imprisoned Director Jafar Panahi’s No Bears

15 DECEMBER 2022 • By Clive Bell
Imprisoned Director Jafar Panahi’s <em>No Bears</em>
Opinion

Historic Game on the Horizon: US Faces Iran Once More

28 NOVEMBER 2022 • By Mireille Rebeiz
Columns

Letter From Tehran: From Hair to Hugs, Times Are Changing

28 NOVEMBER 2022 • By TMR
Essays

Farewell to a Football Love Affair in Iran

15 NOVEMBER 2022 • By Sara Mokhavat
Farewell to a Football Love Affair in Iran
Poetry

5 Poems & a Video—Essential Voices: Poetry of Iran and Its Diaspora

15 NOVEMBER 2022 • By TMR, Sholeh Wolpé
Opinion

Fragile Freedom, Fragile States in the Muslim World

24 OCTOBER 2022 • By I. Rida Mahmood
Fragile Freedom, Fragile States in the Muslim World
Columns

Women Are the Face of Iran’s Leaderless Revolution

24 OCTOBER 2022 • By Mahmood Karimi Hakak
Women Are the Face of Iran’s Leaderless Revolution
Opinion

Letter From Tehran: On the Pain of Others, Once Again

24 OCTOBER 2022 • By Sara Mokhavat
Letter From Tehran: On the Pain of Others, Once Again
Poetry

The Heroine Forugh Farrokhzad—”Only Voice Remains”

15 OCTOBER 2022 • By Sholeh Wolpé
The Heroine Forugh Farrokhzad—”Only Voice Remains”
Art

#MahsaAmini—Art by Rachid Bouhamidi, Los Angeles

15 OCTOBER 2022 • By Rachid Bouhamidi
#MahsaAmini—Art by Rachid Bouhamidi, Los Angeles
Art & Photography

Homage to Mahsa Jhina Amini & the Women-Led Call for Freedom

15 OCTOBER 2022 • By TMR
Homage to Mahsa Jhina Amini & the Women-Led Call for Freedom
Columns

What the Iran Protests Mean for Us—Kamin Mohammadi

15 OCTOBER 2022 • By Kamin Mohammadi
What the Iran Protests Mean for Us—Kamin Mohammadi
Art

Defiance—an essay from Sara Mokhavat

15 OCTOBER 2022 • By Sara Mokhavat, Salar Abdoh
Defiance—an essay from Sara Mokhavat
Art & Photography

Shirin Mohammad: Portrait of an Artist Between Berlin & Tehran

15 SEPTEMBER 2022 • By Noushin Afzali
Shirin Mohammad: Portrait of an Artist Between Berlin & Tehran
Columns

Salman Rushdie, Aziz Nesin and our Lingering Fatwas

22 AUGUST 2022 • By Sahand Sahebdivani
Salman Rushdie, Aziz Nesin and our Lingering Fatwas
Art

Abundant Middle Eastern Talent at the ’22 Avignon Theatre Fest

18 JULY 2022 • By Nada Ghosn
Abundant Middle Eastern Talent at the ’22 Avignon Theatre Fest
Editorial

Editorial: Is the World Driving Us Mad?

15 JULY 2022 • By TMR
Editorial: Is the World Driving Us Mad?
Centerpiece

Big Laleh, Little Laleh—memoir by Shokouh Moghimi

15 JULY 2022 • By Shokouh Moghimi, Salar Abdoh
Big Laleh, Little Laleh—memoir by Shokouh Moghimi
Music

Roxana Vilk’s Personal History of Iranian Music

20 JUNE 2022 • By Melissa Chemam
Roxana Vilk’s Personal History of Iranian Music
Columns

World Refugee Day — What We Owe Each Other

20 JUNE 2022 • By Jordan Elgrably
World Refugee Day — What We Owe Each Other
Fiction

“Buenos Aires of Her Eyes”—a story by Alireza Iranmehr

15 JUNE 2022 • By Alireza Iranmehr, Salar Abdoh
“Buenos Aires of Her Eyes”—a story by Alireza Iranmehr
Featured excerpt

Hawra Al-Nadawi: “Tuesday and the Green Movement”

15 JUNE 2022 • By Hawra Al-Nadawi, Alice Guthrie
Hawra Al-Nadawi: “Tuesday and the Green Movement”
Book Reviews

Abū Ḥamza’s Bread

15 APRIL 2022 • By Philip Grant
Abū Ḥamza’s Bread
Columns

Not Just Any Rice: Persian Kateh over Chelo

15 APRIL 2022 • By Maryam Mortaz, A.J. Naddaff
Not Just Any Rice: Persian Kateh over Chelo
Latest Reviews

Three Love Poems by Rumi, Translated by Haleh Liza Gafori

15 MARCH 2022 • By Haleh Liza Gafori
Three Love Poems by Rumi, Translated by Haleh Liza Gafori
Book Reviews

The Art of Remembrance in Abacus of Loss

15 MARCH 2022 • By Sherine Elbanhawy
The Art of Remembrance in <em>Abacus of Loss</em>
Art

Atia Shafee: Raw and Distant Memories

15 FEBRUARY 2022 • By Atia Shafee
Atia Shafee: Raw and Distant Memories
Art

Farzad Kohan: Love, Migration, Identity

15 FEBRUARY 2022 • By Farzad Kohan
Farzad Kohan: Love, Migration, Identity
Art

Baba Karam Lessons: Artist Amitis Motevalli

15 FEBRUARY 2022 • By Amitis Motevalli
Baba Karam Lessons: Artist Amitis Motevalli
Columns

Getting to the Other Side: a Kurdish Migrant Story

15 JANUARY 2022 • By Iason Athanasiadis
Getting to the Other Side: a Kurdish Migrant Story
Art & Photography

Refugees of Afghanistan in Iran: a Photo Essay by Peyman Hooshmandzadeh

15 JANUARY 2022 • By Peyman Hooshmandzadeh, Salar Abdoh
Refugees of Afghanistan in Iran: a Photo Essay by Peyman Hooshmandzadeh
Book Reviews

Meditations on The Ungrateful Refugee

15 JANUARY 2022 • By Rana Asfour
Meditations on <em>The Ungrateful Refugee</em>
Interviews

The Fabulous Omid Djalili on Good Times and the World

15 DECEMBER 2021 • By Jordan Elgrably
The Fabulous Omid Djalili on Good Times and the World
Art & Photography

Hasteem, We Are Here: The Collective for Black Iranians

15 SEPTEMBER 2021 • By Maryam Sophia Jahanbin
Hasteem, We Are Here: The Collective for Black Iranians
Essays

Why Resistance Is Foundational to Kurdish Literature

15 SEPTEMBER 2021 • By Ava Homa
Why Resistance Is Foundational to Kurdish Literature
Featured excerpt

The Harrowing Life of Kurdish Freedom Activist Kobra Banehi

15 SEPTEMBER 2021 • By Kobra Banehi, Jordan Elgrably
The Harrowing Life of Kurdish Freedom Activist Kobra Banehi
Latest Reviews

Women Comic Artists, from Afghanistan to Morocco

15 AUGUST 2021 • By Sherine Hamdy
Women Comic Artists, from Afghanistan to Morocco
Weekly

The Unfinished Presidency of Jimmy Carter

4 JULY 2021 • By Maryam Zar
The Unfinished Presidency of Jimmy Carter
Book Reviews

ISIS and the Absurdity of War in the Age of Twitter

4 JULY 2021 • By Jessica Proett
ISIS and the Absurdity of War in the Age of Twitter
Art

The Murals of “Education is Not a Crime”

14 MAY 2021 • By Saleem Vaillancourt
The Murals of “Education is Not a Crime”
TMR 7 • Truth?

The Crash, Covid-19 and Other Iranian Stories

14 MARCH 2021 • By Malu Halasa
The Crash, Covid-19 and Other Iranian Stories
TMR 6 • Revolutions

The Revolution Sees its Shadow 10 Years Later

14 FEBRUARY 2021 • By Mischa Geracoulis
The Revolution Sees its Shadow 10 Years Later

Leave a Comment

Your email address will not be published. Required fields are marked *

5 × 3 =

Scroll to Top