The Felines that Leave Us, and the Humans that Left
An Iranian writer and translator in the heart of Tehran unexpectedly becomes a cat woman, attached to her pets well into adulthood.
An Iranian writer and translator in the heart of Tehran unexpectedly becomes a cat woman, attached to her pets well into adulthood.
Novelist Négar Djavadi deploys non-fiction to question Iran's downing of an international flight out of Tehran.
Malu Halasa reviews the latest book on Iranian women photographers by Anahita Ghabaian Etehadieh alongside two new books in a similar vein.
Salar Abdoh reports from Tehran on the beauty and complexity of Iranian literature that thrives despite warring factions.
A woman's sexual ruminations kindles memories of her conservative upbringing in Iran and a longing for the liberating poetry of Forugh Farrokhzad.
A small town couple have a brutally honest conversation about marriage in light of the “Woman, Life, Freedom” protests.
Aliyeh Ataei's new story centers on a young woman exploring herself as a writer while choosing life in Paris.
A social realist photographer travels to the Iranian coastal provinces of the Persian Gulf, including Sistan and Baluchistan, and the desert.
Emerging from Covid, a prominent Iranian photographer documents the working-class as the country reels under sanctions.
Malu Halasa interviews the Iranian graphic novelist who like Marjane Satrapi has made France his home as a political refugee.
Malu Halasa talks to the director of a new documentary exposing the cruelty of Iran's Islamic regime.
The featured artist for March is Franco-Iranian painter Nazanin Pouyandeh, whose rich figurative paintings are showing in two major French exhibitions.
A journalist in Tehran walks defiantly without covering her hair through one of the city's busiest thoroughfares.
Rana Asfour has selected four contemporary novels of Iranian literature for this special issue on Iran in TMR Weekly.
Author and human rights activist Narges Mohammadi must be released by Iranian authorities immediately.