Bani Khoshnoudi: Featured Artist for PARIS
Bani Khoshnoudi's work is often inhabited by displacement and uprooting, explore themes of exile, modernity and its violences, memory and the invisible.
Iranian cinema
Religious Misogyny Personified in Ali Abbasi’s Holy Spider
Bavand Karim reviews the film "Holy Spider" by Ali Abbassi which coldly deconstructs the brutal nature of Iran’s religious patriarchy.
The End of Innocence in Panah Panahi’s Hit the Road?
Bavand Karim finds that's Panah Panahi's feature is a prodigal debut from Iranian cinema’s latest auteur and son of Jafar Panahi.
Imprisoned Director Jafar Panahi’s No Bears
Critic Clive Bell reviews the latest feature from one of several Iranian filmmakers who languish in prison.