Mai Al-Nakib explores memory, forgetting, and writing through the lenses of Woolf, Proust, and a Wim Wenders film.
3 MAY 2024 • By Mai Al-Nakib
Malak Mattar's artwork at the Venice Biennale evokes a multi-sensory experience that demands to be felt, writes Nadine...
26 APRIL 2024 • By Nadine Nour el Din
With the war in Gaza and accusations of genocide in the International Court of Justice, tensions have risen...
12 APRIL 2024 • By Maura Finkelstein
Hadani Ditmars reports on the calls to shut down the Israeli pavilion in the Venice Biennale, and a...
18 MARCH 2024 • By Hadani Ditmars
Senior editor Lina Mounzer articulates the inexpressible, inconsolable feelings at a time when genocide is occurring before the...
3 MARCH 2024 • By Lina Mounzer
Layla AlAmmar contemplates how the noise of the past can be perceived as a coherent narrative in hindsight.
3 MARCH 2024 • By Layla AlAmmar
A few entries on a genocidal map...A walk in the Valley of Death that is the war on...
3 MARCH 2024 • By Faris Lounis
After the ICJ ruling on Israel, it is in its best interests to redefine its cause to one...
3 MARCH 2024 • By Amal Ghandour
A first-person account reveals the nightmare Gaza has become, where every safe zone is carpet-bombed, shelled, sniped by...
26 FEBRUARY 2024 • By Hossam Madhoun
Hell continues in a never-ending war, yet with sumud, the Palestinian people remain resourceful, remarkable and above all,...
8 JANUARY 2024 • By Hossam Madhoun
Prefacing our special Palestine issue, senior editor Lina Mounzer attempts to express the horror that has become the...
16 OCTOBER 2023 • By Lina Mounzer
