Gaza’s Shababek Gallery for Contemporary Art
Yara Chaalan looks into the Shababek Gallery for Contemporary Art in Gaza and profiles a few younger, emerging artists.
Yara Chaalan looks into the Shababek Gallery for Contemporary Art in Gaza and profiles a few younger, emerging artists.
Mischa Geracoulis joins filmmaker Yung Chang and the late muckraker Robert Fisk in asking us to think about the semantics of war and how it is reported.
Victoria Schneider reports from Beirut on the new Wasta board game that satirizes corruption in Lebanon.
Novelist Samir El-Youssef recalls adolescent challenges and more recent experience where wasta was a necessity.
Arie Amaya-Akkermans investigates Agenda 1979: Imagine sitting at home in the presence of a handbook for destroying, bombing, maiming and injuring. The poet Etel Adnan features prominently.
Claire Launchbury writes of one man's long search for the truth about Lebanon's civil war, cut short by his mysterious murder this year.
Nada Ghosn talks to Beirut's powerhouse Hanane Hajj Ali who receives an international theatre award from League of Professional Theatre Women out of New York.
Malu Halasa reviews a selection of the 170 Arab, Iranian and Turkish artists and artworks in the British Museum's contemporary Middle East collection.
In which Rewa Zeinati, the founding editor of Sukoon, lyrically describes her journey of self-discovery and fights for her identity as an Arab writing in English.
In a search for meaning and self-adventure, writer Sarah Mills meanders through her multiple identities.
Mala Halasa curates art, music, parks and politix from London…
Wajdi Mouawad has shaken Western theatre out of its rigid rules, bringing a dream-infused approach, odes to childhood's energy and a sense of adventure, rooted in his Lebanese culture and fascination for great Greek tragedies.
Beirut-based graphic artists Lina Ghaibeh and George "Jad" Khoury each recount what happened on the 4th of August, 2020, a day that shall live in infamy as far as Lebanon's leaders are concerned. But the people will, at the end of the day, triumph.
Overcome by the staggering violence of the explosion that ravaged Beirut in August, Paris-based playwright and director Wajdi Mouawad suggests that a world public forum must condemn Lebanon's ruling class.