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TMR Weekly

26 February, 2024 • Nadine Aranki

New Palestinian Poster Art Responds to War and Apartheid

Curator Nadine Aranki presents posters by new and established artists, writers and graphic designers, in the service of social justice for Palestine.

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23 February, 2024 • TMR

World Picks from the Editors: Feb 23 — Mar 7

TMR editors highlight the best events, books, films, podcasts and other cultural products from around the globe.

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19 February, 2024 • Nazli Tarzi

Eyeliner: A Cultural History by Zahra Hankir—A Review

Nazli Tarzi reviews a book that challenges the uncritical view of eyeliner as a mere “exercise in vanity” and probes its use across many societies.

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19 February, 2024 • Arie Amaya-Akkermans

The Oath of Cyriac: Recovery or Spin?

In Olivier Bourgeois' docudrama "The Oath of Cyriac," professionals and volunteers race to preserve the Aleppo collection.

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12 February, 2024 • Sophie Kazan Makhlouf

Issam Kourbaj’s Love Letter to Syria in Cambridge

A blood-red line drawn across the form of Syria seems to confirm the nonsensical nature of the country’s political situation and makes the destruction of artist Issam Kourbaj’s homeland all the more tragic.

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12 February, 2024 • Lina Mounzer

Rotten Evidence: Ahmed Naji Writes About Writing in Prison

In tone, "Rotten Evidence" is cynical, bitterly funny, and oftentimes tender without ever being sentimental, writes Lina Mounzer.

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9 February, 2024 • TMR

World Picks from the Editors: Feb 9 — Feb 22

A selection of events, books, films, podcasts and other cultural products from the editors of TMR.

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29 January, 2024 • TMR

Driving in Palestine Now is More Dangerous Than Ever

A Twitter post by Fadi Quran reveals the reality on the ground these days trying to get around the West Bank.

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29 January, 2024 • Amy Omar

Inci Atrek’s Intercultural Novel—Holiday Country

Amy Omar explores her own Turkish American identity while relating to Turkish American writer Inci Atrek and her debut novel.

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29 January, 2024 • William Gourlay

A Century of Sergei Parajanov: Conjurer of Cinematic Worlds

William Gourlay revisits the works of Armenian filmmaker Sergei Parajanov, who created cinematic moments from across Europe, the Caucasus and Western Asia.

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29 January, 2024 • Laëtitia Soula

Israel-Palestine: Peace Under Occupation?

Laëtitia Soula reports on a French trade union event that presented anti-colonialist writer and publisher Alain Gresh.

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22 January, 2024 • Hossam Madhoun

Messages from Gaza Now /4

Tragic and horrifying, Hossam Madhoun’s 'Messages from Gaza Now' is an invaluable eye witness account inside Gaza’s war zone.

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22 January, 2024 • Chloé Benoist

Nothing out of the Ordinary: A Journalist’s West Bank Memories

Chloé Benoist, a French journalist and editor, writes of her time spent reporting from the West Bank.

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22 January, 2024 • TMR

Illuminated Reading for 2024: Our Anticipated Titles

Four editors at The Markaz Review share some of their most anticipated titles publishing in 2024.

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22 January, 2024 • Sophie Kazan Makhlouf

Colors of the Diaspora: Alia Farid

Sophie Kazan Makhlouf reviews Alia Farid's first solo exhibition in the UK that draws a line between local traditions and global migrations.

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The Markaz Review is a literary arts publication and cultural institution that curates content and programs on the greater Middle East and our communities in diaspora. The Markaz signifies “the center” in Arabic, as well as Persian, Turkish, Hebrew and Urdu.

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