Hope Without Hope: Rojava and Revolutionary Commitment

Kawergosk refugee camp in Northern Iraq, Kurdistan Region of Iraq, mainly Kurdish refugees from Syria. UNHCR management (photo Hagen Berndt).

11 JULY 2025 • By Arie Amaya-Akkermans

Journalist Matt Broomfield takes a look at the history of the Rojava revolution in Syrian Kurdistan as both an heir and a blueprint for the emergence of global liberation moments. The central question of his book, which goes naturally unanswered, is what is there left to do when everything else has already failed? Isn’t hope a grand delusion?

Hope Without Hope: Rojava and Revolutionary Commitment by Matt Broomfield
AK Press 2025
ISBN 9781849355667

 

Hol Camp is a refugee camp on the outskirts of the town of Al-Hawl, in eastern al-Hasakah governorate in northeastern Syria. Now under the control of the Autonomous Administration of North and East Syria (AANES), also known as the Kurdish-led Rojava region, the camp illustrates the paradoxes of imprisoning the thousands of captured Syrian and Iraqi Daesh fighters, as well as foreign ones, in prisons and camps guarded by the Syrian Democratic Forces in AANES. Here, fighters who fought for Islamic State are held more or less permanently, along with the women and children affiliated with Daesh imprisoned at Hol Camp.

The camp has been described as a ticking time bomb where IS can regroup and rebuild. On the one hand it is formally recognized as a refugee camp by the UN, and still enjoys extensive support by international NGOs. On the other, the autonomous region hasn’t received any kind of diplomatic or political recognition, even as a legitimate political actor within Syria. As a consequence of this paralegality, aid can be delivered to Hol Camp easier than to other refugee camps within AANES, including those sheltering the displaced victims of Daesh. This translates into a perverse situation, where the locals who survived the genocidal violence of Daesh are now hired to tend to their needs. Not to mention the constant risk of escape created by regular Turkish air strikes on the region.

Hope Without Hope is published by AK Press.
Hope Without Hope is published by AK Press.

This is one story among many recounted in Matt Broomfield’s book Hope Without Hope: Rojava and Revolutionary Commitment, drawing on his experience of three years working as a journalist in Syrian Kurdistan. The absurd circumstances of Hol Camp are significant in Broomfield’s narrative, not necessarily only because they expose the internal contradictions of international aid, the geopolitical calculations of the great powers, or the uncertainty of Syria as a whole in the post-Assad era. The book is not a history of the Rojava conflict and revolution, but a rich cultural and speculative narrative about what kind of future political imaginaries are possible today, against the background of the tremendously complex, volatile, violent, and still incomplete history of Northeastern Syria.

There’s probably no better place to look. It’s not just civil wars, oil rentier states, fragile borders, transnational terror, occupations, drone warfare, and the dismantling of international law. Amidst this chaos, there’s a political project, perhaps unlike any other in the world today. A secular polity with the ambition of direct democracy, based on confederalism within a decidedly multiethnic enclave, has become home not only to a variety of faiths but also of degrees of religiosity. Also in the mix is a loose idea of socialism, consistent but not identical with the global left. Broomfield adopts a hyperbolic view of the Rojava revolution, and finds in it the seed for future governance in the region. He also uses it as a blueprint to interrogate the failures of other left movements worldwide in formulating a coherent project of politics.

Taking the longer view, the author traces back the emergence of AANES far beyond the Syrian civil war. Bloomberg considers the decades-long Kurdish struggle in the region, from the different global and regional powers that suppressed Kurdish autonomy, to the protracted conflict between the outlawed Kurdistan Workers’ Party (PKK) and Turkey, and their historical exclusion in the Syrian Arab Republic. In this excursus, there’s also a hard look at orientalizing images of Kurdish women fighters in western media; the betrayal of the international coalition for a crucial partner in the fight against Daesh; as well as the morally ambiguous compromises of AANES through the years of war in Syria; and the internal political maneuvers and social conflicts that make the unrecognized autonomous enclave a fragmentary success.

Broomfield juxtaposes this narrative with the permanent sense of defeat in the global left and a series of protest movements, from South America to the Middle East and East Asia, from Occupy Wall Street to Turkey’s Gezi Park to Tahrir Square. He argues that Rojava might be the most successful contemporary heir not only of the Arab Spring, but all those other movements that often quote or reference each other. Ultimately, he correctly points out the sense of historical melancholy over the fate of Marxism in the 20th century that sits at the heart of the leftist political imagination. It has prevented the formation of an alternative to the predicament of our current capitalist realism, and to the state-centered liberal democracy that has entrenched brutal inequalities, fueled wars, and turned a blind eye to mass displacement. 

Broomfield also well understands that the experiment of Rojava can only exist and perhaps thrive — albeit not always — within the very specific conditions of Northeastern Syria, and that it simply cannot be exported anywhere. He does not propose any governance theories or resistance strategies. Instead, he explores the success, sometimes through abject failure, of the Rojava revolution, and through the lens of the concept of hope — a hope often fragile and fleeting and which has animated the Kurdish struggle for generations. This hopeless hope, in the face of genocidal campaigns and broad political exclusion, is anchored in the belief that this lack of hope, of political recognition, of long-term stability, has enabled a project so ambitious, yet so endangered and uncertain, to survive against all odds. It is almost as if Broomfield is using “hope” here in the way that millions of Palestinians use “sumūd,” to represent steadfastness in the face of decades of oppression.

As an observer, the author is aware that the territorial, strategic, and political gains are relatively limited in a situation that is still shape shifting and that there are no future guarantees. In this fleeting moment, a revolutionary condition becomes not only possible but absolutely necessary. Even in the case of eventual failure, the history of the Rojava struggle will become part of the consciousness of global revolutions. The central question of the book, which goes naturally unanswered, is what is there left to do when everything else has already failed? Isn’t hope a grand delusion?

In these times of war and genocide, the hope industry alienates us from feeling the depth of our current despair.

Broomfield draws on a wide spectrum of 20th century authors, especially in the Marxist tradition, who have grappled with this question, and rescues for contemporary readers utopian elements of political thought, long buried by decades of disaster and disenfranchisement.

At this point the book’s trajectory becomes both obscure and interesting, featuring concepts from European philosophers such as Giorgio Agamben’s bare life, Theodor Adorno’s negative utopia, or Ernst Bloch’s principle of hope. Although useful in his speculations about the future of politics, Western thought takes over Broomfield’s first-person narrative in a manner so strong that it overshadows the subjects of his book. This approach makes his streams of thought inaccessible to readers not thoroughly trained in the same European tradition that often acquiesces to liberal democracy and imperialism. The faith of the author in the project of socialism, while critical, suffers from anachronism at times, and avoids discussing in depth the tragic fate of socialism or authoritarian elements in Marx’s thought beyond hope and utopia.

Yet hope, as the author knows well, is multifaceted and capricious. Accordingly, there are two moments of spectacular clarity, almost diametrically opposed, where the power of the book becomes manifest. The writings of Abdullah Öcalan, the Kurdish leader and political theorist, imprisoned in Turkey since 1999, appear throughout with detailed insights — a rare occurrence in books, on his ideological shift from Marxism-Leninism to democracy, confederalism, women’s liberation, and environmentalism. This transition is important, given the influence of Öcalan’s thought within AANES. His departure from the purely positivist and materialist worldview of orthodox Marxism opened up the possibility to re-imagine the Kurdish revolution in terms of active hope and transnational struggles.

At the same time, Broomfield passes a scathing criticism of the passive hope industry; namely, the proliferation of self-help, self-care, astrology and therapy products and services that permeate contemporary culture with neoliberal market consensus. He argues that it divorces hope from specific material conditions, creating a kind of determinism in which human fates are sealed and cannot be changed, but only minimally transformed by the individual. There is no collective agency or responsibility. The hope industry also invades the space of politics, for example in the slogans of the Obama administration that translated into reckless air bombardment in the Middle East, and the NGO-ification of solidarity that bureaucratizes and sanitizes community work. In these times of war and genocide, the hope industry alienates us from feeling the depth of our current despair.

These insights are essential in telling the story of Rojava because thinking outside the paradigm of nation states implies not simply the reform of existing institutions. It is a radical transformation of everyday life as we know it. The facts on the ground in AANES suggest that the project is impossible, with only partial results, but perhaps it is for this reason that it shouldn’t be abandoned. How to articulate a practical hope for this transformation, however, is an urgent but difficult task. Broomfield walks the whole nine yards, thinking through Western philosophical and historical traditions, about millennialism, Messianism, and the apocalypse, from Late Antique to medieval sources, German Idealism, the Holocaust, modern thought and the Arab Spring, to locate an impetus for this transformation of everyday life in anti-colonial, anti-capitalist terms.

Broomfield suggests that messianic movements of the past, with their emphasis on salvation, have inspired decolonization struggles around the world. He cites examples not only from organized religion, but also from modern political movements. I can no longer be sure, however, that the chair of the Messiah should be occupied in our time and age, perhaps because anyone who occupies the chair of the Messiah is potentially a pretender. The author doesn’t have a problem with the Messiah being a pretender, as long as he gets the job done — recalling unflattering portrayals of Öcalan as a charlatan at worst, and an unsystematic thinker at best. It is the author’s contention that the most truly revolutionary moments emerge not from utopia alone, but from a process of negotiation between ideals, material conditions, and political compromises. Perhaps this is the most valuable insight in the book. Yet in these moments of extreme violence in the region, and the threat of environmental collapse, as well as economic precarity everywhere, hope is an enormous task, best not left to unreason.

There is a telling passage in Hope without Hope that illustrates the urgency of Broomfield’s argument: 

Driving through Rojava means driving alongside the Syrian-Turkish border, where it’s impossible to escape this fundamentally colonial sense of struggle at the mercy of an omnipotent, transcendent power. The border is demarcated by the world’s third-longest wall, stretching over 750 kilometers. Newly constructed after the declaration of Kurdish-led autonomy, it divides cousin from cousin, wheat field from wheat field, (Syrian-occupied) Kurdistan from (Turkish-occupied) Kurdistan. The wall is militarized with EU money; patrolled by armored cars; monitored by unblinking watchtowers; and equipped with remote-controlled weapons; light, movement and acoustic sensors; jammers, radar, and laser-based detection technologies.

This is much more than dystopia or the apocalypse. It is the total unmaking of a rational system that preached order and the primacy of the technological imagination over history or any past beliefs and utopias. However, history has come home to roost after centuries of plunder, conquest, and annihilation, and the experiment of Rojava in self-governance, solidarity, free association, and hope — regardless of how imperfect — remains as relevant as ever. Countless refugees continue to roam the earth, from Colombia to Gaza, Syria to Afghanistan, Myanmar to Sudan, and seek shelter from the unsafety of dangerous skies. At the same time, both western jurisprudence and technology are deployed in the service of preventing their safe arrival. Perhaps the solution to this enormous suffering can no longer be found in states or liberal democracies. Nobody it seems knows the answer. 

Arie Amaya-Akkermans

Arie Amaya-Akkermans is an art critic and senior writer for The Markaz Review, based in the broader Middle East since 2003. His work is primarily concerned with the relationship between archaeology, heritage, art, and politics in the Eastern Mediterranean, with a special... Read more

Join Our Community

TMR exists thanks to its readers and supporters. By sharing our stories and celebrating cultural pluralism, we aim to counter racism, xenophobia, and exclusion with knowledge, empathy, and artistic expression.

Learn more

RELATED

Interviews

İlhan Sami Çomak: 3 Poems and an Interview

14 NOVEMBER 2025 • By Öykü Tekten
İlhan Sami Çomak: 3 Poems and an Interview
Book Reviews

Contemporary Kurdish Writers in the Diaspora

14 NOVEMBER 2025 • By Matt Broomfield
Contemporary Kurdish Writers in the Diaspora
Columns

How Much Do We Miss Umm Khulthum?

7 NOVEMBER 2025 • By Amal Ghandour
How Much Do We Miss Umm Khulthum?
Art

On Identity—Ayşegül Savaş’ Long Distance

7 NOVEMBER 2025 • By Amy Omar
On Identity—Ayşegül Savaş’ <em>Long Distance</em>
Book Reviews

Myth and Migration in the Work of Dalia Al-Dujaili

6 NOVEMBER 2025 • By Noshin Bokth
Myth and Migration in the Work of Dalia Al-Dujaili
Columns

Respite: Lull As Life

24 OCTOBER 2025 • By Amal Ghandour
Respite: Lull As Life
Uncategorized

Reading the Landscape: Cultural Clues and Regime Messages in Iran

12 SEPTEMBER 2025 • By Raha Nik-Andish
Reading the Landscape: Cultural Clues and Regime Messages in Iran
Book Reviews

Reading The Orchards of Basra

12 SEPTEMBER 2025 • By Jacob Wirtschafter
Reading <em>The Orchards of Basra</em>
Essays

Remaining in Light: Iranians Search for Solace and Well-Being

5 SEPTEMBER 2025 • By Malu Halasa
Remaining in Light: Iranians Search for Solace and Well-Being
Book Reviews

Hope Without Hope: Rojava and Revolutionary Commitment

11 JULY 2025 • By Arie Amaya-Akkermans
Hope Without Hope: Rojava and Revolutionary Commitment
Essays

Syrian Asylees in the US Risk Everything Going Home

4 JULY 2025 • By Rana Alsoufi
Syrian Asylees in the US Risk Everything Going Home
Essays

Architecture and Political Memory

4 JULY 2025 • By Meriam Othman
Architecture and Political Memory
Art

Repression and Resistance in the Work of Artist Ateş Alpar

27 JUNE 2025 • By Jennifer Hattam
Repression and Resistance in the Work of Artist Ateş Alpar
Essays

Life Under the Shadow of Missiles: the View From Iran

20 JUNE 2025 • By Amir
Life Under the Shadow of Missiles: the View From Iran
Essays

Israel is Today’s Sparta: Middle East Wars Viewed from Iraq

20 JUNE 2025 • By Hassan Abdulrazzak
Israel is Today’s Sparta: Middle East Wars Viewed from Iraq
Book Reviews

The Evin Prison Bakers’ Club — Review

6 JUNE 2025 • By Hannah Kaviani
The Evin Prison Bakers’ Club — Review
Editorial

For Our 50th Issue, Writers Reflect on Going Home

2 MAY 2025 • By TMR
For Our 50th Issue, Writers Reflect on Going Home
Essays

Leaving Abdoh, Finding Chamran

2 MAY 2025 • By Salar Abdoh
Leaving Abdoh, Finding Chamran
Essays

Looking for a Job, Living and Dying in Iran: The Logistics of Going Back

2 MAY 2025 • By Raha Nik-Andish
Looking for a Job, Living and Dying in Iran: The Logistics of Going Back
Book Reviews

Hassan Blasim’s Sololand features Three Novellas on Iraq

25 APRIL 2025 • By Hassan Abdulrazzak
Hassan Blasim’s <em>Sololand</em> features Three Novellas on Iraq
Art

On Forgiveness and Path—an Exhibition in Damascus

18 APRIL 2025 • By Robert Bociaga
On Forgiveness and <em>Path</em>—an Exhibition in Damascus
Film

Gaza, Sudan, Israel/Palestine Documentaries Show in Thessaloniki

28 MARCH 2025 • By Iason Athanasiadis
Gaza, Sudan, Israel/Palestine Documentaries Show in Thessaloniki
Book Reviews

Frankenstein in Baghdad: A Novel for Our Present Dystopia

21 MARCH 2025 • By Deborah Williams
<em>Frankenstein in Baghdad</em>: A Novel for Our Present Dystopia
Centerpiece

Love and Resistance in Online Persian Dating Shows

7 MARCH 2025 • By Malu Halasa
Love and Resistance in Online Persian Dating Shows
Opinion

The Western Way of Genocide

14 FEBRUARY 2025 • By Chris Hedges
The Western Way of Genocide
Editorial

Memoir in the Age of Narcissism

7 FEBRUARY 2025 • By TMR
Memoir in the Age of Narcissism
Art & Photography

Mostafa Nodeh: Featured Artist Interview

7 FEBRUARY 2025 • By Mostafa Nodeh
Mostafa Nodeh: Featured Artist Interview
Essays

The Closed Door — Return to Syria

7 FEBRUARY 2025 • By Odai Al Zoubi, Rana Asfour
The Closed Door — Return to Syria
short story

Baxtyar Hamasur: “A Strand of Hair Shaped Like the Letter J”

7 FEBRUARY 2025 • By Baxtyar Hamasur, Jiyar Homer, Hannah Fox
Baxtyar Hamasur: “A Strand of Hair Shaped Like the Letter J”
Essays

Chronicles of a Boy Manqué

7 FEBRUARY 2025 • By Rana Haddad
Chronicles of a Boy Manqué
Essays

Three Nights in Free Syria

24 JANUARY 2025 • By Yasmin Fedda, Daniel Gorman
Three Nights in Free Syria
Film Reviews

My Favorite Cake, Iranian Cinema’s Bittersweet Ode to Love

17 JANUARY 2025 • By Karim Goury
<em>My Favorite Cake</em>, Iranian Cinema’s Bittersweet Ode to Love
Book Reviews

In Killing Gilda Yahya Gharagozlou Tells an Intriguing Iranian Tale

10 JANUARY 2025 • By Azadeh Moaveni
In <em>Killing Gilda</em> Yahya Gharagozlou Tells an Intriguing Iranian Tale
Essays

Return to Damascus…the Long Road Home

13 DECEMBER 2024 • By Zaher Omareen, Rana Asfour
Return to Damascus…the Long Road Home
History

Ahlat Reimagined—Birthplace of Turkish Rule in Anatolia

29 NOVEMBER 2024 • By William Gourlay
Ahlat Reimagined—Birthplace of Turkish Rule in Anatolia
Art

Basel Abbas & Ruanne Abou-Rahme: Palestinian artists at Copenhagen’s Glyptotek

22 NOVEMBER 2024 • By Arie Amaya-Akkermans
Basel Abbas & Ruanne Abou-Rahme: Palestinian artists at Copenhagen’s Glyptotek
Editorial

The Editor’s Letter Following the US 2024 Presidential Election

8 NOVEMBER 2024 • By Jordan Elgrably
The Editor’s Letter Following the US 2024 Presidential Election
Editorial

Animal Truths

1 NOVEMBER 2024 • By Malu Halasa
Animal Truths
Art & Photography

Lin May Saeed

1 NOVEMBER 2024 • By Arie Amaya-Akkermans
Lin May Saeed
Essays

The Felines that Leave Us, and the Humans that Left

1 NOVEMBER 2024 • By Farnaz Haeri, Salar Abdoh
The Felines that Leave Us, and the Humans that Left
Opinion

Should a Climate-Destroying Dictatorship Host a Climate-Saving Conference?

25 OCTOBER 2024 • By Lucine Kasbarian
Should a Climate-Destroying Dictatorship Host a Climate-Saving Conference?
Film

Freedom is a Combat Sport: On Tatami

11 OCTOBER 2024 • By Karim Goury
Freedom is a Combat Sport: On <em>Tatami</em>
Editorial

A Year of War Without End

4 OCTOBER 2024 • By Lina Mounzer
A Year of War Without End
Book Reviews

Tragic Consequences — On Western Meddling in the Middle East

13 SEPTEMBER 2024 • By Dina Rezk
Tragic Consequences — On Western Meddling in the Middle East
Essays

Who Decides What Makes for Authentic Middle East Fiction?

6 SEPTEMBER 2024 • By Nektaria Anastasiadou
Who Decides What Makes for Authentic Middle East Fiction?
Fiction

“Dear Sniper” — a short story by Ali Ramthan Hussein

6 SEPTEMBER 2024 • By Ali Ramthan Hussein, Essam M. Al-Jassim
“Dear Sniper” — a short story by Ali Ramthan Hussein
Essays

Beyond Rubble — Cultural Heritage and Healing After Disaster

23 AUGUST 2024 • By Arie Amaya-Akkermans
Beyond Rubble — Cultural Heritage and Healing After Disaster
Book Reviews

Birth in a Poem: Maram Al-Masri’s The Abduction

23 AUGUST 2024 • By Eman Quotah
Birth in a Poem: Maram Al-Masri’s <em>The Abduction</em>
Essays

SPECIAL KURDISH ISSUE: From Kurmanji to English, an Introduction to Selim Temo

9 AUGUST 2024 • By Zêdan Xelef
SPECIAL KURDISH ISSUE: From Kurmanji to English, an Introduction to Selim Temo
Poetry

Hafez, Iran’s Revered Poet, trans. Erfan Mojib & Gary Gach

15 JULY 2024 • By Erfan Mojib, Gary Gach
Hafez, Iran’s Revered Poet, trans. Erfan Mojib & Gary Gach
Fiction

“Firefly”—a short story by Alireza Iranmehr

5 JULY 2024 • By Alireza Iranmehr, Salar Abdoh
“Firefly”—a short story by Alireza Iranmehr
Books

The Mourning Diaries of Atash Shakarami

5 JULY 2024 • By Poupeh Missaghi
The Mourning Diaries of Atash Shakarami
short story

“Ten-Armed Gods”—a short story by Odai Al Zoubi

5 JULY 2024 • By Odai Al Zoubi, Ziad Dallal
“Ten-Armed Gods”—a short story by Odai Al Zoubi
Fiction

“The Doll with the Purple Scarf”—flash fiction from Diaa Jubaili

5 JULY 2024 • By Diaa Jubaili, Chip Rossetti
“The Doll with the Purple Scarf”—flash fiction from Diaa Jubaili
Books

Ripped from Memoirs of a Lebanese Policeman

5 JULY 2024 • By Fawzi Zabyan, Lina Mounzer
Ripped from <em>Memoirs of a Lebanese Policeman</em>
Book Reviews

Life Along Istanbul’s Byzantine Walls, a Review

28 JUNE 2024 • By Arie Amaya-Akkermans
Life Along Istanbul’s Byzantine Walls, a Review
Essays

How to Write About Kurdistan

14 JUNE 2024 • By Matt Broomfield
How to Write About Kurdistan
Poetry

Three Poems by Somaia Ramish

12 JUNE 2024 • By Somaia Ramish
Three Poems by Somaia Ramish
Theatre

The Return of Danton—a Play by Mudar Alhaggi & Collective Ma’louba

7 JUNE 2024 • By Mudar Alhaggi
<em>The Return of Danton</em>—a Play by Mudar Alhaggi & Collective Ma’louba
Theatre

Noor and Hadi Go to Hogwarts—a Short Play

7 JUNE 2024 • By Lameece Issaq
<em>Noor and Hadi Go to Hogwarts</em>—a Short Play
Interviews

Nothing is Normal, Nothing Is What it Seems (Underground Theatre in Iran After the Woman, Life, Freedom Movement)

7 JUNE 2024 • By Mehrnaz Daneshvar, Salar Abdoh
Nothing is Normal, Nothing Is What it Seems (Underground Theatre in Iran After the Woman, Life, Freedom Movement)
Art

Demarcations of Identity: Rushdi Anwar

10 MAY 2024 • By Malu Halasa
Demarcations of Identity: Rushdi Anwar
Editorial

Why FORGETTING?

3 MAY 2024 • By Malu Halasa, Jordan Elgrably
Why FORGETTING?
Essays

Regarding the Photographs of Others—An Iraqi Journey Toward Remembering

3 MAY 2024 • By Nabil Salih
Regarding the Photographs of Others—An Iraqi Journey Toward Remembering
Essays

Freedom—Ruminations of a Syrian Refugee

3 MAY 2024 • By Reem Alghazzi, Manal Shalaby
Freedom—Ruminations of a Syrian Refugee
Featured Artist

Bani Khoshnoudi: Featured Artist for PARIS

1 APRIL 2024 • By TMR, Jordan Elgrably
Bani Khoshnoudi: Featured Artist for PARIS
Poetry

Two Poems from Maram Al-Masri

3 MARCH 2024 • By Maram Al-Masri, Hélène Cardona
Two Poems from Maram Al-Masri
Book Reviews

The Myth of the West: A Discontinuous History

3 MARCH 2024 • By Arie Amaya-Akkermans
The Myth of the West: A Discontinuous History
Book Reviews

Eyeliner: A Cultural History by Zahra Hankir—A Review

19 FEBRUARY 2024 • By Nazli Tarzi
<em>Eyeliner: A Cultural History</em> by Zahra Hankir—A Review
Essays

The Oath of Cyriac: Recovery or Spin?

19 FEBRUARY 2024 • By Arie Amaya-Akkermans
<em>The Oath of Cyriac</em>: Recovery or Spin?
Art

Issam Kourbaj’s Love Letter to Syria in Cambridge

12 FEBRUARY 2024 • By Sophie Kazan Makhlouf
Issam Kourbaj’s Love Letter to Syria in Cambridge
short story

“Water”—a short story by Salar Abdoh

4 FEBRUARY 2024 • By Salar Abdoh
“Water”—a short story by Salar Abdoh
Essays

A Treatise on Love

4 FEBRUARY 2024 • By Maryam Haidari, Salar Abdoh
A Treatise on Love
Books

Illuminated Reading for 2024: Our Anticipated Titles

22 JANUARY 2024 • By TMR
Illuminated Reading for 2024: Our Anticipated Titles
Book Reviews

An Iranian Novelist Seeks the Truth About a Plane Crash

15 JANUARY 2024 • By Sepideh Farkhondeh
An Iranian Novelist Seeks the Truth About a Plane Crash
Art & Photography

Cyprus: Return to Petrofani with Ali Cherri & Vicky Pericleous

8 JANUARY 2024 • By Arie Amaya-Akkermans
Cyprus: Return to Petrofani with Ali Cherri & Vicky Pericleous
Art

The Apocalypse is a Dance Party

8 JANUARY 2024 • By Sena Başöz
The Apocalypse is a Dance Party
Poetry

Two Poems by Efe Duyan

22 DECEMBER 2023 • By Efe Duyan, Aron Aji
Two Poems by Efe Duyan
Film

Religious Misogyny Personified in Ali Abbasi’s Holy Spider

11 DECEMBER 2023 • By Bavand Karim
Religious Misogyny Personified in Ali Abbasi’s <em>Holy Spider</em>
TMR 37 • Endings & Beginnings

“The Summer They Heard Music”—a short story by MK Harb

3 DECEMBER 2023 • By MK Harb
“The Summer They Heard Music”—a short story by MK Harb
Fiction

“The Waiting Bones”—an essay by Maryam Haidari

3 DECEMBER 2023 • By Maryam Haidari, Salar Abdoh
“The Waiting Bones”—an essay by Maryam Haidari
Essays

“My Father’s Last Meal”—a Kurdish Tale

28 NOVEMBER 2023 • By Dilan Qadir
“My Father’s Last Meal”—a Kurdish Tale
Book Reviews

First Kurdish Sci-Fi Collection is Rooted in the Past

28 NOVEMBER 2023 • By Matt Broomfield
First Kurdish Sci-Fi Collection is Rooted in the Past
Opinion

Gaza vs. Mosul from a Medical and Humanitarian Standpoint

27 NOVEMBER 2023 • By Ahmed Twaij
Gaza vs. Mosul from a Medical and Humanitarian Standpoint
Fiction

Bahar: 22 years in the Life of a Compulsory Hijabi in Teheran

20 NOVEMBER 2023 • By Joumana Haddad
Bahar: 22 years in the Life of a Compulsory Hijabi in Teheran
Art & Photography

Iranian Women Photographers: Life, Freedom, Music, Art & Hair

20 NOVEMBER 2023 • By Malu Halasa
Iranian Women Photographers: Life, Freedom, Music, Art & Hair
Art & Photography

War and Art: A Lebanese Photographer and His Protégés

13 NOVEMBER 2023 • By Nicole Hamouche
War and Art: A Lebanese Photographer and His Protégés
Book Reviews

Suad Aldarra’s I Don’t Want to Talk About Home

5 NOVEMBER 2023 • By Ammar Azzouz
Suad Aldarra’s <em>I Don’t Want to Talk About Home</em>
Essays

Rebuilding After the Quake: a Walk Down Memory Lane in Southeast Anatolia

5 NOVEMBER 2023 • By Sevinç Ünal
Rebuilding After the Quake: a Walk Down Memory Lane in Southeast Anatolia
Book Reviews

The Refugee Ocean—An Intriguing Premise

30 OCTOBER 2023 • By Natasha Tynes
<em>The Refugee Ocean</em>—An Intriguing Premise
Islam

October 7 and the First Days of the War

23 OCTOBER 2023 • By Robin Yassin-Kassab
October 7 and the First Days of the War
Art & Photography

Middle Eastern Artists and Galleries at Frieze London

23 OCTOBER 2023 • By Sophie Kazan Makhlouf
Middle Eastern Artists and Galleries at Frieze London
Weekly

World Picks from the Editors, Oct 13 — Oct 27, 2023

12 OCTOBER 2023 • By TMR
World Picks from the Editors, Oct 13 — Oct 27, 2023
Poetry

Home: New Arabic Poems in Translation

11 OCTOBER 2023 • By Sarah Coolidge
<em>Home</em>: New Arabic Poems in Translation
Book Reviews

Reza Aslan’s An American Martyr in Persia Argues for US-Iranian Friendship

1 OCTOBER 2023 • By Dalia Sofer
Reza Aslan’s <em>An American Martyr in Persia</em> Argues for US-Iranian Friendship
Interviews

Illegitimate Literature—Interview with Novelist Ebru Ojen

18 SEPTEMBER 2023 • By Nazlı Koca
Illegitimate Literature—Interview with Novelist Ebru Ojen
Book Reviews

Kurdish Novel Explores Nightmarish Isolation in Eastern Anatolia

18 SEPTEMBER 2023 • By Kaya Genç
Kurdish Novel Explores Nightmarish Isolation in Eastern Anatolia
Art

Anatolian Journey: a Writer Travels to Sultan Han to Witness a Postmodern Installation

18 SEPTEMBER 2023 • By Matt Hanson
Anatolian Journey: a Writer Travels to Sultan Han to Witness a Postmodern Installation
Art

Special World Picks Sept 15-26 on TMR’s Third Anniversary

14 SEPTEMBER 2023 • By TMR
Special World Picks Sept 15-26 on TMR’s Third Anniversary
Essays

A Day in the Life with Forugh Farrokhzad (and a Tortoise)

3 SEPTEMBER 2023 • By Fargol Malekpoosh
A Day in the Life with Forugh Farrokhzad (and a Tortoise)
Book Reviews

Traveling Through Turkey With Gertrude Bell and Pat Yale

28 AUGUST 2023 • By Arie Amaya-Akkermans
Traveling Through Turkey With Gertrude Bell and Pat Yale
Book Reviews

On Museums and the Preservation of Cultural Heritage

21 AUGUST 2023 • By Arie Amaya-Akkermans
On Museums and the Preservation of Cultural Heritage
Opinion

The Middle East is Once Again West Asia

14 AUGUST 2023 • By Chas Freeman, Jr.
The Middle East is Once Again West Asia
Book Reviews

Can the Kurdish Women’s Movement Transform the Middle East?

31 JULY 2023 • By Matt Broomfield
Can the Kurdish Women’s Movement Transform the Middle East?
Film Reviews

A Deaf Boy’s Quest to Find His Voice in a Hearing World

24 JULY 2023 • By Nazli Tarzi
A Deaf Boy’s Quest to Find His Voice in a Hearing World
Book Reviews

Literature Takes Courage: on Ahmet Altan’s Lady Life

24 JULY 2023 • By Kaya Genç
Literature Takes Courage: on Ahmet Altan’s <em>Lady Life</em>
Interviews

Musical Artists at Work: Naïssam Jalal, Fazil Say & Azu Tiwaline

17 JULY 2023 • By Jordan Elgrably
Musical Artists at Work: Naïssam Jalal, Fazil Say & Azu Tiwaline
Book Reviews

Why Isn’t Ghaith Abdul-Ahad a Household Name?

10 JULY 2023 • By Iason Athanasiadis
Why Isn’t Ghaith Abdul-Ahad a Household Name?
Fiction

Arrival in the Dark—fiction from Alireza Iranmehr

2 JULY 2023 • By Alireza Iranmehr, Salar Abdoh
Arrival in the Dark—fiction from Alireza Iranmehr
Fiction

“Here, Freedom”—fiction from Danial Haghighi

2 JULY 2023 • By Danial Haghighi, Salar Abdoh
“Here, Freedom”—fiction from Danial Haghighi
Essays

Zahhāk: An Etiology of Evil

2 JULY 2023 • By Omid Arabian
Zahhāk: An Etiology of Evil
Fiction

“The Long Walk of the Martyr”—fiction from Salar Abdoh

2 JULY 2023 • By Salar Abdoh
“The Long Walk of the Martyr”—fiction from Salar Abdoh
Featured Artist

Artist at Work: Syrian Filmmaker Afraa Batous

26 JUNE 2023 • By Dima Hamdan
Artist at Work: Syrian Filmmaker Afraa Batous
Art & Photography

The Ghost of Gezi Park—Turkey 10 Years On

19 JUNE 2023 • By Arie Amaya-Akkermans
The Ghost of Gezi Park—Turkey 10 Years On
Art & Photography

Deniz Goran’s New Novel Contrasts Art and the Gezi Park Protests

19 JUNE 2023 • By Arie Amaya-Akkermans
Deniz Goran’s New Novel Contrasts Art and the Gezi Park Protests
Book Reviews

Niki, Prize-Winning Greek Novel, Captures the Country’s Civil War

12 JUNE 2023 • By Nektaria Anastasiadou
<em>Niki</em>, Prize-Winning Greek Novel, Captures the Country’s Civil War
Book Reviews

Wounded Tigris: A River Journey Through the Cradle of Civilisation

12 JUNE 2023 • By Nazli Tarzi
<em>Wounded Tigris: A River Journey Through the Cradle of Civilisation</em>
Editorial

EARTH: Our Only Home

4 JUNE 2023 • By Jordan Elgrably
EARTH: Our Only Home
Essays

Turkey’s Earthquake as a Generational Disaster

4 JUNE 2023 • By Sanem Su Avci
Turkey’s Earthquake as a Generational Disaster
Poetry Markaz

Zara Houshmand, Moon and Sun

4 JUNE 2023 • By Zara Houshmand
Zara Houshmand, <em>Moon and Sun</em>
Islam

From Pawns to Global Powers: Middle East Nations Strike Back

29 MAY 2023 • By Chas Freeman, Jr.
From Pawns to Global Powers: Middle East Nations Strike Back
Book Reviews

The Yellow Birds Author Returns With Iraq War/Noir Mystery

29 MAY 2023 • By Hamilton Cain
<em>The Yellow Birds</em> Author Returns With Iraq War/Noir Mystery
Music

Artist At Work: Maya Youssef Finds Home in the Qanun

22 MAY 2023 • By Rana Asfour
Artist At Work: Maya Youssef Finds Home in the Qanun
Film

The Refugees by the Lake, a Greek Migrant Story

8 MAY 2023 • By Iason Athanasiadis
The Refugees by the Lake, a Greek Migrant Story
Photography

Iran on the Move—Photos by Peyman Hooshmandzadeh

1 MAY 2023 • By Peyman Hooshmandzadeh, Malu Halasa
Iran on the Move—Photos by Peyman Hooshmandzadeh
Book Reviews

Hard Work: Kurdish Kolbars or Porters Risk Everything

1 MAY 2023 • By Clive Bell
Hard Work: Kurdish <em>Kolbars</em> or Porters Risk Everything
Essays

Beautiful Ghosts, or We’ll Always Have Istanbul

27 MARCH 2023 • By Alicia Kismet Eler
Beautiful Ghosts, or We’ll Always Have Istanbul
Film

Hanging Gardens and the New Iraqi Cinema Scene

27 MARCH 2023 • By Laura Silvia Battaglia
<em>Hanging Gardens</em> and the New Iraqi Cinema Scene
Centerpiece

Broken Home: Britain in the Time of Migration

5 MARCH 2023 • By Malu Halasa
Broken Home: Britain in the Time of Migration
Fiction

“Counter Strike”—a story by MK HARB

5 MARCH 2023 • By MK Harb
“Counter Strike”—a story by MK HARB
Cities

For Those Who Dwell in Tents, Home is Temporal—Or Is It?

5 MARCH 2023 • By Arie Amaya-Akkermans
For Those Who Dwell in Tents, Home is Temporal—Or Is It?
Cities

The Odyssey That Forged a Stronger Athenian

5 MARCH 2023 • By Iason Athanasiadis
The Odyssey That Forged a Stronger Athenian
Columns

Letter From Turkey—Solidarity, Grief, Anger and Fear

27 FEBRUARY 2023 • By Jennifer Hattam
Letter From Turkey—Solidarity, Grief, Anger and Fear
Columns

Letter From Turkey—Antioch is Finished

20 FEBRUARY 2023 • By Arie Amaya-Akkermans
Letter From Turkey—Antioch is Finished
Book Reviews

White Torture Prison Interviews Condemn Solitary Confinement

13 FEBRUARY 2023 • By Kamin Mohammadi
<em>White Torture</em> Prison Interviews Condemn Solitary Confinement
Columns

Tiba al-Ali: A Death Foretold on Social Media

5 FEBRUARY 2023 • By Malu Halasa
Tiba al-Ali: A Death Foretold on Social Media
Featured excerpt

Fiction: Inaam Kachachi’s The Dispersal, or Tashari

5 FEBRUARY 2023 • By Inaam Kachachi
Fiction: Inaam Kachachi’s <em>The Dispersal</em>, or <em>Tashari</em>
Art

Lahib Jaddo—An Iraqi Artist in the Diaspora

5 FEBRUARY 2023 • By Mischa Geracoulis
Lahib Jaddo—An Iraqi Artist in the Diaspora
Interviews

Zahra Ali, Pioneer of Feminist Studies on Iraq

5 FEBRUARY 2023 • By Nada Ghosn
Zahra Ali, Pioneer of Feminist Studies on Iraq
Book Reviews

 The Watermelon Boys on Iraq, War, Colonization and Familial Love

5 FEBRUARY 2023 • By Rachel Campbell
<em> The Watermelon Boys</em> on Iraq, War, Colonization and Familial Love
Columns

Letters From Tehran: Braving Tehran’s Roundabout, Maidan Valiasr

30 JANUARY 2023 • By TMR
Letters From Tehran: Braving Tehran’s Roundabout, Maidan Valiasr
Book Reviews

Editor’s Picks: Magical Realism in Iranian Lit

30 JANUARY 2023 • By Rana Asfour
Editor’s Picks: Magical Realism in Iranian Lit
Featured article

Don’t Be a Stooge for the Regime—Iranians Reject State-Controlled Media!

15 DECEMBER 2022 • By Malu Halasa
Don’t Be a Stooge for the Regime—Iranians Reject State-Controlled Media!
Columns

Siri Hustvedt & Ahdaf Souief Write Letters to Imprisoned Writer Narges Mohammadi

15 DECEMBER 2022 • By TMR
Siri Hustvedt & Ahdaf Souief Write Letters to Imprisoned Writer Narges Mohammadi
Film

The Swimmers and the Mardini Sisters: a True Liberation Tale

15 DECEMBER 2022 • By Rana Haddad
<em>The Swimmers</em> and the Mardini Sisters: a True Liberation Tale
Music

Revolutionary Hit Parade: 12+1 Protest Songs from Iran

15 DECEMBER 2022 • By Malu Halasa
Revolutionary Hit Parade: 12+1 Protest Songs from Iran
Film

Imprisoned Director Jafar Panahi’s No Bears

15 DECEMBER 2022 • By Clive Bell
Imprisoned Director Jafar Panahi’s <em>No Bears</em>
Art

Art World Picks: Albraehe, Kerem Yavuz, Zeghidour, Amer & Tatah

12 DECEMBER 2022 • By TMR
Art

Museums in Exile—MO.CO’s show for Chile, Sarajevo & Palestine

12 DECEMBER 2022 • By Jordan Elgrably
Museums in Exile—MO.CO’s show for Chile, Sarajevo & Palestine
Opinion

Historic Game on the Horizon: US Faces Iran Once More

28 NOVEMBER 2022 • By Mireille Rebeiz
Film

You Resemble Me Deconstructs a Muslim Life That Ends Radically

21 NOVEMBER 2022 • By Jordan Elgrably
<em>You Resemble Me</em> Deconstructs a Muslim Life That Ends Radically
Opinion

Fragile Freedom, Fragile States in the Muslim World

24 OCTOBER 2022 • By I. Rida Mahmood
Fragile Freedom, Fragile States in the Muslim World
Opinion

Letter From Tehran: On the Pain of Others, Once Again

24 OCTOBER 2022 • By Sara Mokhavat
Letter From Tehran: On the Pain of Others, Once Again
Poetry

The Heroine Forugh Farrokhzad—”Only Voice Remains”

15 OCTOBER 2022 • By Sholeh Wolpé
The Heroine Forugh Farrokhzad—”Only Voice Remains”
Art

#MahsaAmini—Art by Rachid Bouhamidi, Los Angeles

15 OCTOBER 2022 • By Rachid Bouhamidi
#MahsaAmini—Art by Rachid Bouhamidi, Los Angeles
Art & Photography

Homage to Mahsa Jhina Amini & the Women-Led Call for Freedom

15 OCTOBER 2022 • By TMR
Homage to Mahsa Jhina Amini & the Women-Led Call for Freedom
Art

Defiance—an essay from Sara Mokhavat

15 OCTOBER 2022 • By Sara Mokhavat, Salar Abdoh
Defiance—an essay from Sara Mokhavat
Essays

Nawal El-Saadawi, a Heroine in Prison

15 OCTOBER 2022 • By Ibrahim Fawzy
Nawal El-Saadawi, a Heroine in Prison
Book Reviews

A London Murder Mystery Leads to Jihadis and Syria

3 OCTOBER 2022 • By Ghazi Gheblawi
A London Murder Mystery Leads to Jihadis and Syria
Art & Photography

Kader Attia, Berlin Biennale’s Curator

15 SEPTEMBER 2022 • By Melissa Chemam
Kader Attia, Berlin Biennale’s Curator
Film

Ziad Kalthoum: Trajectory of a Syrian Filmmaker

15 SEPTEMBER 2022 • By Viola Shafik
Ziad Kalthoum: Trajectory of a Syrian Filmmaker
Film

The Mystery of Tycoon Michel Baida in Old Arab Berlin

15 SEPTEMBER 2022 • By Irit Neidhardt
The Mystery of Tycoon Michel Baida in Old Arab Berlin
Art & Photography

Shirin Mohammad: Portrait of an Artist Between Berlin & Tehran

15 SEPTEMBER 2022 • By Noushin Afzali
Shirin Mohammad: Portrait of an Artist Between Berlin & Tehran
Book Reviews

After Nine Years in Detention, an Iraqi is Finally Granted Asylum

22 AUGUST 2022 • By Rana Asfour
After Nine Years in Detention, an Iraqi is Finally Granted Asylum
Film

Two Syrian Brothers Find Themselves in “We Are From There”

22 AUGUST 2022 • By Angélique Crux
Two Syrian Brothers Find Themselves in “We Are From There”
Columns

Salman Rushdie, Aziz Nesin and our Lingering Fatwas

22 AUGUST 2022 • By Sahand Sahebdivani
Salman Rushdie, Aziz Nesin and our Lingering Fatwas
Opinion

Attack on Salman Rushdie is Shocking Tip of the Iceberg

15 AUGUST 2022 • By Jordan Elgrably
Attack on Salman Rushdie is Shocking Tip of the Iceberg
Book Reviews

Questionable Thinking on the Syrian Revolution

1 AUGUST 2022 • By Fouad Mami
Questionable Thinking on the Syrian Revolution
Art

Abundant Middle Eastern Talent at the ’22 Avignon Theatre Fest

18 JULY 2022 • By Nada Ghosn
Abundant Middle Eastern Talent at the ’22 Avignon Theatre Fest
Editorial

Editorial: Is the World Driving Us Mad?

15 JULY 2022 • By TMR
Editorial: Is the World Driving Us Mad?
Centerpiece

Big Laleh, Little Laleh—memoir by Shokouh Moghimi

15 JULY 2022 • By Shokouh Moghimi, Salar Abdoh
Big Laleh, Little Laleh—memoir by Shokouh Moghimi
Book Reviews

Leaving One’s Country in Mai Al-Nakib’s “An Unlasting Home”

27 JUNE 2022 • By Rana Asfour
Leaving One’s Country in Mai Al-Nakib’s “An Unlasting Home”
Columns

World Refugee Day — What We Owe Each Other

20 JUNE 2022 • By Jordan Elgrably
World Refugee Day — What We Owe Each Other
Fiction

Mai Al-Nakib: “Naaseha’s Counsel”

15 JUNE 2022 • By Mai Al-Nakib
Mai Al-Nakib: “Naaseha’s Counsel”
Fiction

Nektaria Anastasiadou: “Gold in Taksim Square”

15 JUNE 2022 • By Nektaria Anastasiadou
Nektaria Anastasiadou: “Gold in Taksim Square”
Featured excerpt

Hawra Al-Nadawi: “Tuesday and the Green Movement”

15 JUNE 2022 • By Hawra Al-Nadawi, Alice Guthrie
Hawra Al-Nadawi: “Tuesday and the Green Movement”
Film Reviews

2022 Webby Honoree Documents Queer Turkish Icon

23 MAY 2022 • By Ilker Hepkaner
2022 Webby Honoree Documents Queer Turkish Icon
Book Reviews

Fragmented Love in Alison Glick’s “The Other End of the Sea”

16 MAY 2022 • By Nora Lester Murad
Fragmented Love in Alison Glick’s “The Other End of the Sea”
Interviews

Conversations on Food and Race with Andy Shallal

15 APRIL 2022 • By Jordan Elgrably
Conversations on Food and Race with Andy Shallal
Columns

Not Just Any Rice: Persian Kateh over Chelo

15 APRIL 2022 • By Maryam Mortaz, A.J. Naddaff
Not Just Any Rice: Persian Kateh over Chelo
Book Reviews

Abū Ḥamza’s Bread

15 APRIL 2022 • By Philip Grant
Abū Ḥamza’s Bread
Columns

Libyan, Palestinian and Syrian Family Dinners in London

15 APRIL 2022 • By Layla Maghribi
Libyan, Palestinian and Syrian Family Dinners in London
Book Reviews

Mohamed Metwalli’s “A Song by the Aegean Sea” Reviewed

28 MARCH 2022 • By Sherine Elbanhawy
Mohamed Metwalli’s “A Song by the Aegean Sea” Reviewed
Art

Artist Hayv Kahraman’s “Gut Feelings” Exhibition Reviewed

28 MARCH 2022 • By Melissa Chemam
Artist Hayv Kahraman’s “Gut Feelings” Exhibition Reviewed
Essays

Mariupol, Ukraine and the Crime of Hospital Bombing

17 MARCH 2022 • By Neve Gordon, Nicola Perugini
Mariupol, Ukraine and the Crime of Hospital Bombing
Poetry

Three Poems of Love and Desire by Nouri Al-Jarrah

15 MARCH 2022 • By Nouri Al-Jarrah
Three Poems of Love and Desire by Nouri Al-Jarrah
Art

Fiction: “Skin Calluses” by Khalil Younes

15 MARCH 2022 • By Khalil Younes
Fiction: “Skin Calluses” by Khalil Younes
Latest Reviews

Three Love Poems by Rumi, Translated by Haleh Liza Gafori

15 MARCH 2022 • By Haleh Liza Gafori
Three Love Poems by Rumi, Translated by Haleh Liza Gafori
Art & Photography

On “True Love Leaves No Traces”

15 MARCH 2022 • By Arie Amaya-Akkermans
On “True Love Leaves No Traces”
Opinion

Ukraine War Reminds Refugees Some Are More Equal Than Others

7 MARCH 2022 • By Anna Lekas Miller
Ukraine War Reminds Refugees Some Are More Equal Than Others
Book Reviews

Nadia Murad Speaks on Behalf of Women Heroes of War

7 MARCH 2022 • By Maryam Zar
Nadia Murad Speaks on Behalf of Women Heroes of War
Columns

“There’s Nothing Worse Than War”

24 FEBRUARY 2022 • By Jordan Elgrably
“There’s Nothing Worse Than War”
Art

(G)Hosting the Past: On Michael Rakowitz’s “Reapparitions”

7 FEBRUARY 2022 • By Arie Amaya-Akkermans
(G)Hosting the Past: On Michael Rakowitz’s “Reapparitions”
Editorial

Refuge, or the Inherent Dignity of Every Human Being

15 JANUARY 2022 • By Jordan Elgrably
Refuge, or the Inherent Dignity of Every Human Being
Art & Photography

Children in Search of Refuge: a Photographic Essay

15 JANUARY 2022 • By Iason Athanasiadis
Children in Search of Refuge: a Photographic Essay
Columns

Getting to the Other Side: a Kurdish Migrant Story

15 JANUARY 2022 • By Iason Athanasiadis
Getting to the Other Side: a Kurdish Migrant Story
Film Reviews

“Europa,” Iraq’s Entry in the 94th annual Oscars, Frames Epic Refugee Struggle

15 JANUARY 2022 • By Thomas Dallal
“Europa,” Iraq’s Entry in the 94th annual Oscars, Frames Epic Refugee Struggle
Art & Photography

Refugees of Afghanistan in Iran: a Photo Essay by Peyman Hooshmandzadeh

15 JANUARY 2022 • By Peyman Hooshmandzadeh, Salar Abdoh
Refugees of Afghanistan in Iran: a Photo Essay by Peyman Hooshmandzadeh
Book Reviews

Meditations on The Ungrateful Refugee

15 JANUARY 2022 • By Rana Asfour
Meditations on <em>The Ungrateful Refugee</em>
Fiction

Fiction: Refugees in Serbia, an excerpt from “Silence is a Sense” by Layla AlAmmar

15 JANUARY 2022 • By Layla AlAmmar
Fiction: Refugees in Serbia, an excerpt from “Silence is a Sense” by Layla AlAmmar
Book Reviews

Temptations of the Imagination: how Jana Elhassan and Samar Yazbek transmogrify the world

10 JANUARY 2022 • By Rana Asfour
Temptations of the Imagination: how Jana Elhassan and Samar Yazbek transmogrify the world
Columns

An Arab and a Jew Walk into a Bar…

15 DECEMBER 2021 • By Hadani Ditmars
An Arab and a Jew Walk into a Bar…
Interviews

The Fabulous Omid Djalili on Good Times and the World

15 DECEMBER 2021 • By Jordan Elgrably
The Fabulous Omid Djalili on Good Times and the World
Fiction

Three Levantine Tales

15 DECEMBER 2021 • By Nouha Homad
Three Levantine Tales
Essays

Syria Through British Eyes

29 NOVEMBER 2021 • By Rana Haddad
Syria Through British Eyes
Columns

Burning Forests, Burning Nations

15 NOVEMBER 2021 • By Hadani Ditmars
Burning Forests, Burning Nations
Book Reviews

The Vanishing: Are Arab Christians an Endangered Minority?

15 NOVEMBER 2021 • By Hadani Ditmars
The Vanishing: Are Arab Christians an Endangered Minority?
Essays

A Street in Marrakesh Revisited

8 NOVEMBER 2021 • By Deborah Kapchan
A Street in Marrakesh Revisited
Columns

Day of the Imprisoned Writer — November 15, 2021

8 NOVEMBER 2021 • By TMR
Day of the Imprisoned Writer — November 15, 2021
Columns

Refugees Detained in Thessonaliki’s Diavata Camp Await Asylum

1 NOVEMBER 2021 • By Iason Athanasiadis
Refugees Detained in Thessonaliki’s Diavata Camp Await Asylum
Art

Guantánamo—The World’s Most Infamous Prison

15 OCTOBER 2021 • By Sarah Mirk
<em>Guantánamo</em>—The World’s Most Infamous Prison
Interviews

Interview With Prisoner X, Accused by the Bashar Al-Assad Regime of Terrorism

15 OCTOBER 2021 • By Jordan Elgrably
Interview With Prisoner X, Accused by the Bashar Al-Assad Regime of Terrorism
Columns

Kurdish Poet and Writer Meral Şimşek Merits Her Freedom

4 OCTOBER 2021 • By Jordan Elgrably
Kurdish Poet and Writer Meral Şimşek Merits Her Freedom
Art & Photography

Displaced: From Beirut to Los Angeles to Beirut

15 SEPTEMBER 2021 • By Ara Oshagan
Displaced: From Beirut to Los Angeles to Beirut
Art & Photography

Hasteem, We Are Here: The Collective for Black Iranians

15 SEPTEMBER 2021 • By Maryam Sophia Jahanbin
Hasteem, We Are Here: The Collective for Black Iranians
Essays

Why Resistance Is Foundational to Kurdish Literature

15 SEPTEMBER 2021 • By Ava Homa
Why Resistance Is Foundational to Kurdish Literature
Featured excerpt

The Harrowing Life of Kurdish Freedom Activist Kobra Banehi

15 SEPTEMBER 2021 • By Kobra Banehi, Jordan Elgrably
The Harrowing Life of Kurdish Freedom Activist Kobra Banehi
Latest Reviews

The Limits of Empathy in Rabih Alameddine’s Refugee Saga

15 SEPTEMBER 2021 • By Dima Alzayat
The Limits of Empathy in Rabih Alameddine’s Refugee Saga
Columns

Afghanistan Falls to the Taliban

16 AUGUST 2021 • By Hadani Ditmars
Afghanistan Falls to the Taliban
Latest Reviews

Women Comic Artists, from Afghanistan to Morocco

15 AUGUST 2021 • By Sherine Hamdy
Women Comic Artists, from Afghanistan to Morocco
Latest Reviews

An Anthropologist Tells of 1970s Upheaval in “Turkish Kaleidoscope”

15 AUGUST 2021 • By Jenny White
An Anthropologist Tells of 1970s Upheaval in “Turkish Kaleidoscope”
Weekly

World Picks: August 2021

12 AUGUST 2021 • By Lawrence Joffe
World Picks: August 2021
Weekly

Summer of ‘21 Reading—Notes from the Editors

25 JULY 2021 • By TMR
Summer of ‘21 Reading—Notes from the Editors
Weekly

The Unfinished Presidency of Jimmy Carter

4 JULY 2021 • By Maryam Zar
The Unfinished Presidency of Jimmy Carter
Book Reviews

ISIS and the Absurdity of War in the Age of Twitter

4 JULY 2021 • By Jessica Proett
ISIS and the Absurdity of War in the Age of Twitter
Weekly

World Picks: July 2021

3 JULY 2021 • By TMR
World Picks: July 2021
Essays

Syria’s Ruling Elite— A Master Class in Wasta

14 JUNE 2021 • By Lawrence Joffe
Syria’s Ruling Elite— A Master Class in Wasta
Centerpiece

I Love Wasta, Hate Standing in Line in Egypt, But I Am Poor

14 JUNE 2021 • By Ahmed Naji, Rana Asfour
I Love Wasta, Hate Standing in Line in Egypt, But I Am Poor
Weekly

The Maps of Our Destruction: Two Novels on Syria

30 MAY 2021 • By Rana Asfour
The Maps of Our Destruction: Two Novels on Syria
Art

The Murals of “Education is Not a Crime”

14 MAY 2021 • By Saleem Vaillancourt
The Murals of “Education is Not a Crime”
Essays

We Are All at the Border Now

14 MAY 2021 • By Todd Miller
We Are All at the Border Now
Essays

From Damascus to Birmingham, a Selected Glossary

14 MAY 2021 • By Frances Zaid
From Damascus to Birmingham, a Selected Glossary
Fiction

A Home Across the Azure Sea

14 MAY 2021 • By Aida Y. Haddad
A Home Across the Azure Sea
Weekly

Beirut Brings a Fragmented Family Together in “The Arsonists’ City”

9 MAY 2021 • By Rana Asfour
TMR 7 • Truth?

The Crash, Covid-19 and Other Iranian Stories

14 MARCH 2021 • By Malu Halasa
The Crash, Covid-19 and Other Iranian Stories
Columns

Memory and the Assassination of Lokman Slim

14 MARCH 2021 • By Claire Launchbury
Memory and the Assassination of Lokman Slim
TMR 7 • Truth?

Truth or Dare? Reinterpreting Al-Harīrī’s Arab Rogue

14 MARCH 2021 • By Farah Abdessamad
Truth or Dare? Reinterpreting Al-Harīrī’s Arab Rogue
Poetry

The Freedom You Want

14 MARCH 2021 • By Mohja Kahf
The Freedom You Want
TMR 7 • Truth?

Poetry Against the State

14 MARCH 2021 • By Gil Anidjar
Poetry Against the State
Columns

The Truth About Iraq: Memory, Trauma and the End of an Era

14 MARCH 2021 • By Hadani Ditmars
The Truth About Iraq: Memory, Trauma and the End of an Era
Interviews

The Hidden World of Istanbul’s Rums

21 FEBRUARY 2021 • By Rana Haddad
The Hidden World of Istanbul’s Rums
TMR 6 • Revolutions

The Revolution Sees its Shadow 10 Years Later

14 FEBRUARY 2021 • By Mischa Geracoulis
The Revolution Sees its Shadow 10 Years Later
TMR 6 • Revolutions

Ten Years of Hope and Blood

14 FEBRUARY 2021 • By Robert Solé
Ten Years of Hope and Blood
TMR 5 • Water

Watch Water Films & Donate to Water Organizations

16 JANUARY 2021 • By TMR
Watch Water Films & Donate to Water Organizations
TMR 5 • Water

Iraq and the Arab World on the Edge of the Abyss

14 JANUARY 2021 • By Osama Esber
Iraq and the Arab World on the Edge of the Abyss
Columns

On American Democracy and Empire, a Corrective

14 JANUARY 2021 • By I. Rida Mahmood
On American Democracy and Empire, a Corrective
Film Reviews

Muhammad Malas, Syria’s Auteur, is the subject of a Film Biography

10 JANUARY 2021 • By Rana Asfour
Muhammad Malas, Syria’s Auteur, is the subject of a Film Biography
Weekly

Academics, Signatories, and Putschists

20 DECEMBER 2020 • By Selim Temo
Academics, Signatories, and Putschists
TMR 4 • Small & Indie Presses

Trembling Landscapes: Between Reality and Fiction: Eleven Artists from the Middle East*

14 DECEMBER 2020 • By Nat Muller
Trembling Landscapes: Between Reality and Fiction: Eleven Artists from the Middle East*
TMR 4 • Small & Indie Presses

Hassan Blasim’s “God 99”

14 DECEMBER 2020 • By Hassan Blasim
Hassan Blasim’s “God 99”
TMR 4 • Small & Indie Presses

Freedom is femininity: Faraj Bayrakdar

14 DECEMBER 2020 • By Faraj Bayrakdar
Freedom is femininity: Faraj Bayrakdar
Weekly

Kuwait’s Alanoud Alsharekh, Feminist Groundbreaker

6 DECEMBER 2020 • By Nada Ghosn
Kuwait’s Alanoud Alsharekh, Feminist Groundbreaker
Weekly

Breathing in a Plague

27 NOVEMBER 2020 • By TMR
Breathing in a Plague
World Picks

World Art, Music & Zoom Beat the Pandemic Blues

28 SEPTEMBER 2020 • By Malu Halasa
World Art, Music & Zoom Beat the Pandemic Blues
World Picks

Interlink Proposes 4 New Arab Novels

22 SEPTEMBER 2020 • By TMR
Interlink Proposes 4 New Arab Novels

Leave a Comment

Your email address will not be published. Required fields are marked *

16 − 5 =

Scroll to Top